| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Buried Instincts [ISC116 - 5] |
2'44 | Francesco Bondi | Electro. Cinematic. Mechanical, tense, rigorous & urgent. Synth, | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | ||||
|
Buried Instincts Alternate 1 [ISC116 - 18] |
版本. | 2'44 | Francesco Bondi | Version without percussion. | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | |||
|
Buried Instincts Alternate 2 [ISC116 - 19] |
版本. | 2'44 | Francesco Bondi | Version without lead. | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | |||
|
Behind the Mask [ISC116 - 10] |
2'44 | Francesco Bondi | Electro clash. Techno. Heavy, punchy, bouncy & hazy. Break @ 1'14. | 固执 气氛 沉重 夜晚 | Gm | 110 | ||||
|
Behind the Mask Alternate 1 [ISC116 - 27] |
版本. | 2'44 | Francesco Bondi | Version without lead. | 固执 气氛 沉重 夜晚 | G | 110 | |||
|
Behind the Mask Alternate 2 [ISC116 - 28] |
版本. | 2'44 | Francesco Bondi | Version without percussion. | 固执 气氛 沉重 夜晚 | Gm | 110 | |||
|
Focus and Tenacity [CEO2187 - 7] |
2'45 | Kirosen | Post-classical. Standby, unsettling & cyclic. Piano, string quartet & | 时间(滴答声) 间谍片 悬念 催眠 | Eb | 100 | ||||
|
Focus and Tenacity Alternate [CEO2187 - 11] |
版本. | 2'46 | Kirosen | No ticking version. | 间谍片 悬念 催眠 机械的 | Eb | 100 | |||
|
Hearts Ablaze [CEZ4690 - 3] |
2'28 | André Charlier, Benoît Sourisse | Instrumental gospel with a country touch. Very fast tempo. Energetic, | 动人 怪异 追逐场面 侦探喜剧 | G | 156 | ||||
|
Hearts Ablaze Alternate [CEZ4690 - 12] |
版本. | 2'27 | André Charlier, Benoît Sourisse | Alternate version with temple reverb effect | 动人 怪异 追逐场面 侦探喜剧 | G | 156 | |||
|
Elevate Frequency [AMS5063 - 3] |
2'08 | Zoltan Zadori | Investigation underscore. Intro with pulse that comes & goes. | 画面感 稳定的 进行中 间谍片 | E | 128 | ||||
|
Elevate Frequency Alternate 1 [AMS5063 - 15] |
版本. | 2'08 | Zoltan Zadori | Version without percussion | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 2 [AMS5063 - 16] |
版本. | 2'08 | Zoltan Zadori | Bed version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 3 [AMS5063 - 17] |
版本. | 2'08 | Zoltan Zadori | Underscore version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Anomaly Field [AMS5063 - 4] |
2'18 | Zoltan Zadori | Investigation underscore. Drone intro. Haunting & repetitive | 间谍片 阴险 画面感 进行中 | C | 90 | ||||
|
Anomaly Field Alternate 1 [AMS5063 - 18] |
版本. | 2'18 | Zoltan Zadori | Version without percussion | 间谍片 阴险 画面感 令人不安 | C | 90 | |||
|
Anomaly Field Alternate 2 [AMS5063 - 19] |
版本. | 2'18 | Zoltan Zadori | Bed version | 间谍片 阴险 画面感 令人不安 | Dbm | 90 | |||
|
Anomaly Field Alternate 3 [AMS5063 - 20] |
版本. | 2'18 | Zoltan Zadori | Underscore version | 间谍片 阴险 画面感 令人不安 | C | 90 | |||
|
Breathe [IOM044 - 4] |
1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with 歌词 | 时尚 广告 现代 态度 | Gm | 111 | ||||
|
Breathe (Instrumental) [IOM044 - 20] |
版本. | 1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with | 时尚 广告 现代 态度 | Gm | 111 | |||
|
Breathe (Underscore) [IOM044 - 21] |
版本. | 1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with | 时尚 广告 现代 态度 | Gm | 111 | |||
|
Trouble in Fairyland [CEZ4688 - 9] |
2'45 | Gréco Casadesus | Disturbing & suspenseful intro. Agitated & panicked @ 0'37. | 悬念 进行中 复古电影 令人不安 | Fm | 82 | ||||
|
Trouble in Fairyland
[CEZ4688 - 40] |
版本. | 1'17 | Gréco Casadesus | Alternate version feat woodwind @ 0'37. | 悬念 进行中 复古电影 令人不安 | C | 63 | |||
|
Trouble in Fairyland
[CEZ4688 - 41] |
版本. | 1'31 | Gréco Casadesus | Alternative version feat contrabassoon & climax @ 1'10. | 悬念 进行中 复古电影 令人不安 | Fm | 108 | |||
|
Clock of Fate [CEG5058 - 8] |
1'22 | Les Cosmonotes | Creepy Clocks & Ticking. Eerie, dark, haunted & almost horrific. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | ||||
|
Clock of Fate Alternate [CEG5058 - 17] |
版本. | 1'18 | Les Cosmonotes | Alternate without FX. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | |||
|
Reflecting [TBX227 - 7] |
0 | 2'37 | Jack Selby | Delicate, introspective, sorrowful. Gentle piano comes to rest with a | 社会悲剧 忧伤 历史旁白 爱情 | Bm | 76 | |||
|
The Grand Finale [CEZ4685 - 6] |
0 | 2'16 | Third Act | Cinematic, film score. Ineluctable, intense & impressive. Piano, | 命运 orchestral score 电视剧 无情 | Bm | 146 | |||
|
Restless Creativity [CEO2183 - 8] |
0 | 1'16 | Irina Prieto Botella | Contemporary music. Nervous & stealthy. Fulminant. Flutes, woodwinds | 阴险 疑问 火热 旋律重复的音乐 | Am | 100 | |||
|
Grieving [CEO2183 - 12] |
0 | 1'18 | Irina Prieto Botella | Post-classical. Sad, introspective & bleak. Punctuated. Slow pulse | 医疗 耐心 悬念 稀疏 | Dm | 90 | |||
|
Glimpses [EOS144 - 2] |
0 | 2'01 | Simon Gruwé | Cyclical, serious & cool. Arpeggios on marimba, synth, piano, guitar | 伴音 周期性的 神秘 科学 | Em | 97 | |||
|
Artificial Utopia [EOS144 - 3] |
0 | 2'48 | Simon Gruwé | Serious, constant & digital. Marimba, synth, guitar, piano & | 伴音 科学 电子琴 周期性的 | C | 100 | |||
|
Hidden [EOS144 - 9] |
0 | 2'10 | Simon Gruwé | Urgent, tense & stealthy. Piano, synth, percussion. | 伴音 固执 电子鼓 令人不安 | Em | 123 | |||
|
Betrayed [EOS144 - 10] |
0 | 2'33 | Simon Gruwé | Tense, serious & irredeemable. Political scandal. Piano, staccato | 伴音 无电声钢琴 弦乐部分 周期性的 | Cm | 105 | |||
|
Trapped in Retrogaming [CEZ4669 - 8] |
2'09 | Sebastijan Duh | Trapedy, hip-hop beat. Mocking but entertaining & cheerful. Synth & | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | ||||
|
Trapped in Retrogaming
[CEZ4669 - 47] |
版本. | 2'09 | Sebastijan Duh | Alternate no rhythm. | 悲喜剧 讽刺 & 恶意 好玩 稳定的 | G | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 48] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 49] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 50] |
版本. | 0'20 | Sebastijan Duh | 20 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 51] |
版本. | 0'11 | Sebastijan Duh | Sting | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 131 | |||
|
Enchanted Requiem [AMS5057 - 5] |
2'02 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Ethreal, shimmering & bewitching. Beatless | 固执 态度 电影节奏 沉重 | Am | 130 | ||||
|
Enchanted Requiem Alternate 1 [AMS5057 - 29] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Version without beat | 固执 态度 电影节奏 抒情 | Am | 130 | |||
|
Enchanted Requiem Alternate 2 [AMS5057 - 30] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Instrumental version | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 1 60
[AMS5057 - 31] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 2 30
[AMS5057 - 32] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 3 15
[AMS5057 - 33] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Lonely Echoes [BIB289 - 1] |
2'34 | Richard Lewis, Paper Boy | Epic, calm, anticipatory. Steady piano pedal note offers a sense of | 社会悲剧 反省 伴音 气氛 | D | 116 | ||||
|
Lonely Echoes Alt Version [BIB289 - 13] |
版本. | 2'35 | Richard Lewis, Paper Boy | Epic, calm, anticipatory. Steady piano pedal note is joined by | 社会悲剧 反省 伴音 气氛 | Dm | 116 |