| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Fear Within [CEZ4040 - 29] |
0 | 1'37 | Elisabeth Skornik, Guy Skornik | Dark slow drone with subtle FX. | 抱歉 低沉 有毒 深邃 | C | 123 | |||
|
Partir, Revenir [CEZ4039 - 29] |
0 | 2'49 | Hélène Blazy | As happy as Ulysses whoever has had a fine trip... Electronic and | 后古典 悬念 响亮 气氛 | A | 144 | |||
|
Stone Desert [CEZ4038 - 11] |
0 | 1'19 | Laurent Caillon | Unstable. Troubling. Piano & cellos. | 叙述 抱歉 稀疏 伴音 | F | 64 | |||
|
Dark Hole [AMS5069 - 4] |
2'22 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Insidious, inexorable but courageous. Drum | 科幻片 八十年代 周期性的 electronic score | Cm | 126 | ||||
|
Dark Hole Alternate 1 [AMS5069 - 21] |
版本. | 2'22 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 科幻片 八十年代 周期性的 electronic score | Cm | 80 | |||
|
Dark Hole Alternate 2 [AMS5069 - 22] |
版本. | 2'22 | Dario Ferrante, Jure Jerebic | Underscore version. | 科幻片 八十年代 周期性的 electronic score | C | 80 | |||
|
Dark Hole Edit 1 30 sec [AMS5069 - 23] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 科幻片 八十年代 周期性的 electronic score | Cm | 80 | |||
|
Dark Hole Edit 2 15 sec [AMS5069 - 24] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 科幻片 八十年代 周期性的 electronic score | Gm | 80 | |||
|
Epicenter [CEG5060 - 6] |
2'03 | Arttu Silvast | Hybrid Scoring. Fast & tense intro, with repetitive sequence & | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | ||||
|
Epicenter Alternate 1 [CEG5060 - 21] |
版本. | 2'04 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 2 [CEG5060 - 22] |
版本. | 2'26 | Arttu Silvast | Short version | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 3 [CEG5060 - 23] |
版本. | 2'26 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Gangsta Lean [BIB297 - 5] |
2'00 | Audio Aroma, Ari Goldhand | Modern, leftfield, stylish. Jagged bell notes fall out in a rough but | 社会悲剧 稳定的 夜晚 都市景色 | Ebm | 116 | ||||
|
Gangsta Lean (Underscore) [BIB297 - 15] |
版本. | 1'59 | Audio Aroma, Ari Goldhand | Modern, leftfield, stylish. Jagged bell notes fall out in a rough but | 社会悲剧 稳定的 夜晚 都市景色 | Ebm | 116 | |||
|
Under the Line [ISC116 - 1] |
2'16 | Francesco Bondi | Electro clash. Edgy, powerful, heavy & rough. Jerky break @ 0'58. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | ||||
|
Under the Line Alternate 1 [ISC116 - 11] |
版本. | 2'16 | Francesco Bondi | Version without percussion. | 撞击电子乐 固执 动人 沉重 | Ab | 120 | |||
|
Under the Line Alternate 2 [ISC116 - 12] |
版本. | 2'16 | Francesco Bondi | Version without lead. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | |||
|
Pendulum Curve [CEZ4700 - 22] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Neo-classical. Dramatic, punctuated, tragic & stubborn. String | 时间(滴答声) 进行中 固执 严谨 | Am | 108 | |||
|
Regret or Remorse [CEG5059 - 11] |
1'55 | Felix Halbe | Introspective, lonely, sad & quite desperate. Haunting piano | 反省 漂泊 抱歉 警匪片 | Em | 111 | ||||
|
Regret or Remorse Alternate [CEG5059 - 20] |
版本. | 1'55 | Felix Halbe | Minimalist version without synth. | 反省 漂泊 抱歉 警匪片 | Em | 111 | |||
|
Connecting The Dots [TBX231 - 10] |
2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with a dusty sense | 自然灾害 阴险 气氛 画面感 | D | 70 | ||||
|
Connecting The Dots
[TBX231 - 25] |
版本. | 2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with dusty | 自然灾害 阴险 气氛 画面感 | D | 70 | |||
|
Connecting The Dots
[TBX231 - 26] |
版本. | 2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with dusty bass | 自然灾害 阴险 气氛 画面感 | D | 70 | |||
|
Letters [TBX230 - 11] |
1'22 | Logan Ferguson | Nostalgic, dramatic, quirky. Piano and detuned synth wander out amid | 电影节奏 社会悲剧 固执 改变 | Cm | 100 | ||||
|
Letters (Underscore) [TBX230 - 24] |
版本. | 1'22 | Logan Ferguson | Nostalgic, dramatic, quirky. Piano and detuned synth wander out amid | 电影节奏 社会悲剧 固执 改变 | Cm | 100 | |||
|
Glamour & Anarchy [BIB296 - 9] |
2'29 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | ||||
|
Glamour & Anarchy
[BIB296 - 31] |
版本. | 2'29 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
Glamour & Anarchy (Bed) [BIB296 - 32] |
版本. | 2'24 | Elias Kolkas | Theatrical, driven, determined. Chugging bassline giving a sense of | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
Glamour & Anarchy (30 sec) [BIB296 - 33] |
版本. | 0'30 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
Disarm [CEG5058 - 6] |
0 | 1'03 | Les Cosmonotes | Minimal Clockwork. Waiting, hesitant, odd & glitchy. Clockwork FX, | (音效)滴答声 奇怪 沉重 机械的 | Abm | 150 | |||
|
Dead Beacon [AMS5061 - 4] |
1'50 | Felix Weber | Cinematic trap. Scratchy & repetitive with a slightly out of tune | 电影节奏 固执 阴险 疑问 | D | 140 | ||||
|
Dead Beacon Alternate 1 [AMS5061 - 29] |
版本. | 1'50 | Felix Weber | Version without percussion | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Alternate 2 [AMS5061 - 30] |
版本. | 1'50 | Felix Weber | Version with percussion only | 电影节奏 固执 阴险 疑问 | Abm | 140 | |||
|
Dead Beacon Alternate 3 [AMS5061 - 31] |
版本. | 1'50 | Felix Weber | Bed version | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Alternate 4 [AMS5061 - 32] |
版本. | 1'50 | Felix Weber | Underscore version | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Edit 1 30 sec [AMS5061 - 33] |
版本. | 0'32 | Felix Weber | 30 second cut | 电影节奏 固执 阴险 疑问 | Dm | 140 | |||
|
Dead Beacon Edit 2 15 sec [AMS5061 - 34] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 阴险 疑问 | Dm | 140 | |||
|
Istanbul Contrast [IOM043 - 4] |
2'39 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | ||||
|
Istanbul Contrast
[IOM043 - 20] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
Istanbul Contrast (Bed) [IOM043 - 21] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Traditional strings fall into trappy rhythm | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
The Machinery of Doom [CEZ4684 - 1] |
0 | 2'15 | Third Act | Post-classical music, neo-classical music, film score. Scheming, | orchestral score 悬念 阴险 疑问 | Fm | 110 | |||
|
Committed to Write [CEO2181 - 12] |
0 | 2'00 | Antoine Glatard | Narrative, melancholic & nocturnal. Introspective. Pizzicati & piano. | 疑问 反省 叙述 警匪片 | Cm | 120 | |||
|
March Of The Prowler [IOM042 - 10] |
1'37 | Rory Sheridan | Sharp, scary, creepy. Low and chugging strings offer a sharp and | 固执 有节奏感 悬念 无情 | Dm | 140 | ||||
|
March Of The Prowler
[IOM042 - 27] |
版本. | 1'37 | Rory Sheridan | Sharp, scary, creepy. Low and chugging strings offer a sharp and | 固执 有节奏感 悬念 无情 | Dm | 140 | |||
|
Live From Doha [BIB291 - 8] |
2'29 | Omer Agca | Fun, bustling, mysterious. Hand drums launch into pulsing | 态度 BEAT MAKING 舞动 固执 | Fm | 100 | ||||
|
Live From Doha Instrumental [BIB291 - 29] |
版本. | 2'29 | Omer Agca | Fun, bustling, mysterious. Hand drums launch into pulsing | 态度 BEAT MAKING 舞动 固执 | Fm | 100 | |||
|
Live From Doha Underscore [BIB291 - 30] |
版本. | 2'28 | Omer Agca | Fun, bustling, mysterious. Hand drums launch into pulsing and | 动人 态度 电影原声带 社会悲剧 | Fm | 100 | |||
|
Metaverse Protocol [ISC102 - 6] |
1'54 | Gregory Cotti | Emotional soundscape. Neo-futuristic. Nostalgic piano, echoing | 耐心 调查研究 全景 梦幻 | Dm | 112 | ||||
|
Metaverse Protocol Alternate [ISC102 - 16] |
版本. | 1'54 | Gregory Cotti | Underscore version. | 耐心 调查研究 全景 梦幻 | Dm | 147 |