| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Clash of Titans [CEZ4225 - 1] |
0 | 1'37 | Baptiste Thiry | Cinematic. Violent & scary. Percussion & electronics. | 冲击 动作片 画面感 恐怖 | Gm | 105 | |||
|
Road Renegades [BIB023 - 11] |
0 | 2'02 | Pascal Macaigne | Driving, gritty, south-am blues rock. Distorted synths and bass | 公路电影 动作片 气势 当代西部片 | Am | 128 | |||
|
Drawing Blood [BIB023 - 14] |
0 | 2'13 | Pascal Macaigne | Durgy, overdriven basslines and keys exude swagger and mischief. Many | 模糊贝司 鼓 动作片 介绍 | Em | 90 | |||
|
The Spy [BIB023 - 19] |
0 | 2'16 | Pascal Macaigne | A 60's surf rock nod to spy and police series. Mysterious, dark and | 间谍片 侦探喜剧 连复段 动作片 | Em | 140 | |||
|
Punching Ball [CEZ4215 - 5] |
2'31 | Beat Assailant | Rap. Epic & urban. Synth, rapper & rhythm. Fx car.歌词 | 态度 说唱 极限运动 都市 | Am | 98 | ||||
|
Punching Ball 2 [CEZ4215 - 17] |
版本. | 2'39 | Beat Assailant | Hip hop. Epic & urban. Synth & rhythm. | (音效)汽车 动作片 现代 史诗 | Am | 98 | |||
|
Punching Ball 3 [CEZ4215 - 18] |
版本. | 2'39 | Beat Assailant | Hip hop. Epic & urban. Synth & rhythm. Fx car.歌词 | 说唱 极限运动 动作片 (音效)汽车 | Am | 98 | |||
|
TV Timeout [CEZ4214 - 8] |
0 | 3'05 | Luigi Marletta, Morgan Sansous | Death metal. Desolate & wild. Changing. Electric guitar, synth & | 动作片 极限运动 冲突 死亡金属 | Cm | 150 | |||
|
The Red Card [CEZ4214 - 13] |
0 | 4'12 | Philippe Bozec | Hip hop. Epic & showy. Synth & rhythm. | 动作片 态度 体育中的戏剧性 极限运动 | Bbm | 86 | |||
|
The Trojan Horse [CEO2027 - 12] |
0 | 2'25 | Bernard Grimaldi | Warlike & powerful. Tormented @ 1'14. Cluster and final with climax. | 画面感 小说纪录片 史诗 动作片 | Bm | 144 | |||
|
Thrill and Kill [CEO2005 - 3] |
0 | 1'15 | Bruno Alexiu | Tumultuous, urgent & beating. Orchestra. Percussive final with | 混乱 战争 无情 令人不安 | Cm | 143 | |||
|
Blind Vengeance [CEO2021 - 17] |
0 | 1'59 | Bruno Alexiu | Tragic & inexorable. Orchestra with corns. | 改变 军事冲突 中断 战争 | Gm | 62 | |||
|
Titans March [BIB003 - 4] |
0 | 2'27 | Sergey Kolosov | Rising string sweeps, paired with driving electric guitar. An | 果断 史诗 动作片 进步 | Dm | 120 | |||
|
Obscured by Clouds [BIB003 - 8] |
0 | 2'38 | Sergey Kolosov | A layering, positive track, building up to a sweeping and rousing | 企业宣传 朗朗上口 混乱 画面感 | A | 106 | |||
|
Change of Heart [BIB003 - 10] |
0 | 3'04 | Sergey Kolosov | Stabbing guitars and sweeping strings with a solid, tough driving | 果断 间谍片 爆炸 动作片 | Dm | 146 | |||
|
Runners High [BIB003 - 11] |
0 | 2'34 | Sergey Kolosov | A building and driving synth patter with programmed drums build to an | 企业宣传 果断 社会悲剧 动作片 | Cm | 117 | |||
|
The Space Below [BIB002 - 1] |
0 | 2'32 | Richard Andrew Canavan | Very post-rock driven, the cinematic and dark piece leads a | 高潮 中断 悬念 悬念 | Dm | 162 | |||
|
Life After the Apocalypse [BIB002 - 4] |
0 | 1'57 | Peter Henry Mayne | Sparse and cold soundscapes build with horn and string sections. | 军事冲突 进步 冒险片 画面感 | Am | 113 | |||
|
Adrenalin Rush [BIB002 - 5] |
0 | 2'30 | Harry George Lightfoot | A climactic piece with driving strings and a deep horn section give | 冒险片 进步 凯旋 画面感 | Abm | 97 | |||
|
Bedlam [BIB002 - 13] |
0 | 2'13 | Sergey Kolosov | A deeply epic piece with many crescendos in the percussion. Choral | 史诗 混乱 冒险片 画面感 | Dm | 75 | |||
|
War in the Pacific [CEO2020 - 18] |
0 | 1'47 | Gréco Casadesus | Chaotic & warlike. Symphony orchestra. | 军事冲突 动作片 战士 令人不安 | Em | 115 | |||
|
Ruthless [CEZ4129 - 2] |
1'58 | Baptiste Thiry | Tense & disturbing. Constant progression. Strings & electronic | 画面感 动作片 令人不安 预告片 | Dm | 150 | ||||
|
Ruthless 2 [CEZ4129 - 21] |
版本. | 0'30 | Baptiste Thiry | Loop. Determined & tense. Electronics & electronic percussion. | 画面感 令人不安 公司 不平稳 | Dm | 150 |