| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Looks Like the Rain [BIB084 - 8] |
3'18 | Matthew Finch | Emotive, heartbroken, sentimental. Emotional piano with reflective 歌词 | 青春剧 社会悲剧 流行歌曲 英语歌唱 | Bbm | 110 | ||||
|
Looks like the Rain -
[BIB084 - 18] |
版本. | 3'18 | Matthew Finch | Emotive, heartbroken, sentimental. Instrumental version. Emotional, | 青春剧 浪漫喜剧 社会悲剧 日常生活 | Db | 110 | |||
|
Use Me [BIB084 - 10] |
2'50 | Matthew Finch | Attitude, confident, sexy. Funky electric guitars with upbeat drums 歌词 | 九十年代 室外 朗朗上口 流行摇滚 | Cm | 105 | ||||
|
Use Me - Instrumental [BIB084 - 20] |
版本. | 2'51 | Matthew Finch | Attitude, confident, sexy. Instrumental version. Funky electric | 九十年代 室外 朗朗上口 流行摇滚 | Cm | 105 | |||
|
Pas Drum I [BIB077 - 1] |
0 | 2'42 | Augustus Cuthbad Crawford Collins | Driving, confident, sophisticated. Stylish big band jazz cue | 动人 鼓 火热 电影爵士乐 | Cm | 140 | |||
|
Brand New Day [BIB077 - 4] |
2'51 | Tim Harrison, Aram Zarikian | Stylish, confident, dramatic. Sophisticated and sultry swing with a | 朗朗上口 爵士俱乐部 摇摆爵士 态度 | Gm | 76 | ||||
|
Brand New Day - Underscore [BIB077 - 16] |
版本. | 1'57 | Tim Harrison, Aram Zarikian | Stylish, confident, dramatic. Sophisticated and sultry, percussive | 日间节目 鼓 严谨 电视连续剧 | Gm | 76 | |||
|
A Different Kind of Beast [BIB082 - 6] |
3'31 | Carmen Mary Bradford, Simon Brown | Warm, hopeful, innocent. Cool and relaxed indie pop with male vocals 歌词 | 流行歌曲 日常生活 朗朗上口 男歌手 | Bbm | 119 | ||||
|
A Different Kind of Beast -
[BIB082 - 16] |
版本. | 3'31 | Carmen Mary Bradford, Simon Brown | Warm, hopeful, innocent. Cool and relaxed indie pop with male vocals | 日常生活 朗朗上口 印度流行音乐 室外 | Db | 120 | |||
|
Vintage Gaming [CEZ4334 - 2] |
0 | 1'48 | Jean-Pierre Sluys | Synthwave 80's. Retro video games. Confident, energetic & lively. | 复古游戏 美式复古电视剧 电视主题曲 合成波 | B | 90 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Monster [BIB052 - 10] |
2'03 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Am | 106 | ||||
|
Monster (BED) [BIB052 - 18] |
版本. | 2'09 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Em | 106 | |||
|
It's Good to be Bad [CEZ4305 - 3] |
0 | 2'20 | Eric Lohrer | Progressive rock. Wild, urgent & obstinate. Electric guitar, synth & | 果断 车库摇滚 电视连续剧 电吉他 | Am | 156 | |||
|
The Perfect Heist [CEZ4305 - 8] |
0 | 2'08 | Rémi Saboul | Interrogative, suspenseful & mysterious. Clavinet, electric guitar & | 间谍片 神秘 电视连续剧 疑问 | Cm | 127 | |||
|
Mustang Fury [CEZ4305 - 9] |
0 | 2'23 | The Wave Chargers | Surf rock. Frantic, epic & conquering. Twangy guitar with tremolo, | 冲浪摇滚 twangy吉他 电视连续剧 火热 | Am | 90 | |||
|
From the Unknown [CEZ4305 - 14] |
0 | 2'42 | Stéphane Laporte, Sylvain Quément | Progressive rock. Disturbing, mysterious & dark. Glockenspiel, | 渐进摇滚 恐怖片 电视连续剧 钟琴 | Am | 89 | |||
|
Magical Nights [IOM043 - 3] |
2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with 歌词 | 女歌手 舞动 流行摇滚 浪漫喜剧 | Em | 104 | ||||
|
Magical Nights (Instrumental) [IOM043 - 18] |
版本. | 2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with | 舞动 流行摇滚 浪漫喜剧 动人 | Em | 104 | |||
|
Magical Nights (Bed) [IOM043 - 19] |
版本. | 2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with | 舞动 流行摇滚 浪漫喜剧 动人 | Em | 104 | |||
|
Enlightenment [IOM043 - 7] |
2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership and echoing | 怪异 六十年代迷幻乐 喜剧 动人 | Gm | 163 | ||||
|
Enlightenment (Bed) [IOM043 - 29] |
版本. | 2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership and echoing | 怪异 六十年代迷幻乐 喜剧 动人 | Cm | 163 | |||
|
Enlightenment (Underscore) [IOM043 - 30] |
版本. | 2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership gets off to a | 怪异 六十年代迷幻乐 喜剧 动人 | Cm | 82 | |||
|
Bursa Beats [IOM043 - 8] |
3'47 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | ||||
|
Bursa Beats (Bed) [IOM043 - 31] |
版本. | 3'46 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | Em | 98 | |||
|
Bursa Beats (Bed Sparse) [IOM043 - 32] |
版本. | 3'27 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | |||
|
Edges Of Ankara [IOM043 - 12] |
3'00 | Andrew Wilkins | Determined, rustic, traditional. Oud melody sends out an austere | 自信 热沙漠 六十年代迷幻乐 周期性的 | D | 90 | ||||
|
Edges Of Ankara (Oud Only) [IOM043 - 40] |
版本. | 1'23 | Andrew Wilkins | Determined, rustic, traditional. Oud melody sends out an austere | 自信 热沙漠 周期性的 果断 | D | 143 | |||
|
Edges Of Ankara (Sting) [IOM043 - 41] |
版本. | 0'24 | Andrew Wilkins | Determined, rustic, traditional. Oud melody lands with seriousness as | 自信 热沙漠 果断 动人 | D | 90 | |||
|
A Flash of Awarness [CEZ4668 - 7] |
2'53 | Laetitia Frenod | Electronic score. Supernatural, hypnotic, bewitching & surreal. Dark | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | ||||
|
A Flash of Awarness Edit 60sec [CEZ4668 - 41] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 30
[CEZ4668 - 42] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 20
[CEZ4668 - 43] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Sting [CEZ4668 - 44] |
版本. | 0'22 | Laetitia Frenod | Sting | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
The Thrill - Closing Theme [CEZ4668 - 9] |
1'03 | Laetitia Frenod | Electronic score. Hypnotic, repetitive & futuristic. Bass, 1980s | 令人不安 科幻片 进行中 恐怖片 | Ebm | 154 | ||||
|
The Thrill - Closing Theme
[CEZ4668 - 50] |
版本. | 1'03 | Laetitia Frenod | Version without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 51] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 52] |
版本. | 0'30 | Laetitia Frenod | 30 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 53] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 54] |
版本. | 0'20 | Laetitia Frenod | 20 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 55] |
版本. | 0'09 | Laetitia Frenod | Sting | 令人不安 科幻片 进行中 调查研究 | B | 153 | |||
|
El Desterrado [IOM014 - 3] |
2'47 | Camilo Toston | Waltzing, anticipatory, cool. Sharp sequence on a warm electric | 放松 摇摆 夏威夷吉他 当代西部片 | Gbm | 96 | ||||
|
El Desterrado (Underscore) [IOM014 - 13] |
版本. | 2'47 | Camilo Toston | Waltzing, anticipatory, cool. Sharp sequence on a warm electric | 放松 摇摆 当代西部片 乡村民谣 | Gbm | 96 |