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南非| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Anillo De Oro [OCR560153 - 13] |
0 | 3'23 | Eustaquio Alvis from P.D. | Huayno. Song. Charango & male voice. | 盖丘亚语歌唱 小型八弦 民族 huayno | D | 90 | |||
|
|
Valle Qayarita [OCR560153 - 14] |
0 | 3'28 | Florindo Alvis from P.D. | Huayno. Love declaration. Solo charango. | 小型八弦 民族 huayno 玻利维亚 | Abm | 96 | |||
|
|
Siway Sarita [OCR560153 - 15] |
0 | 3'51 | Barbara Reynaga de Alvis , Eustaquio Alvis from P.D. | Waynu. Song. Charango & female voice. | 盖丘亚语歌唱 小型八弦 民族 玻利维亚 | Ab | 97 | |||
|
|
Mi Coranzoncito [OCR560153 - 16] |
0 | 4'03 | Barbara Reynaga de Alvis , Eustaquio Alvis from P.D. | Waynu pasacalle. Song. Charango, male & female voice. | 盖丘亚语歌唱 小型八弦 民族 玻利维亚 | Eb | 98 | |||
|
|
Carnaval Norte Potosi [OCR560153 - 17] |
0 | 3'28 | Eustaquio Alvis, Florindo Alvis from P.D. | Carnival huayno. Charangos duet. | 盖丘亚语歌唱 小型八弦 民族 huayno | Gm | 91 | |||
|
|
Valle Mayu [OCR560153 - 18] |
0 | 3'13 | Barbara Reynaga de Alvis , Eustaquio Alvis from P.D. | Waynu. Singing almost shouted. Charango & female voice. | 盖丘亚语歌唱 小型八弦 民族 玻利维亚 | Bbm | 143 | |||
|
|
Uncia Lomita [OCR560153 - 19] |
0 | 3'58 | Eustaquio Alvis, Florindo Alvis from P.D. | Huayno. Song calling out to love. Charangos & male voice. | 盖丘亚语歌唱 小型八弦 民族 huayno | E | 96 | |||
|
|
Porque Me Aborreces Tanto [OCR560153 - 20] |
0 | 4'34 | Eustaquio Alvis from P.D. | Huayno. Song. Charango & male voice. | 盖丘亚语歌唱 小型八弦 民族 huayno | Bm | 95 | |||
|
|
Porque Te Vas Palomitay [OCR560153 - 21] |
0 | 3'23 | Eustaquio Alvis, Florindo Alvis from P.D. | Bolivia. Huayno. Charango duet. | 盖丘亚语歌唱 小型八弦 民族 huayno | Gm | 99 | |||
|
Pajarillo [OCR560120 - 1] |
0 | 5'04 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | Joropo. Cuatro, bandola & maracas. | 四弦吉他 沙槌 委内瑞拉 原声 | A | 166 | |||
|
|
Linda Barinas [OCR560120 - 2] |
0 | 3'21 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) | Pasaje, instrumental version. Cuatro, bandola & maracas. | 四弦吉他 沙槌 llanera music 委内瑞拉 | A | 134 | |||
|
|
Quitapesares [OCR560120 - 3] |
0 | 2'47 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | Joropo. Thought to alleviate the pain of those listening to it. | 四弦吉他 沙槌 委内瑞拉 原声 | A | 172 | |||
|
|
Alcaravan Companero [OCR560120 - 4] |
0 | 3'29 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) | Pasaje, instrumental version. Cuatro, bandola & maracas. | 四弦吉他 沙槌 委内瑞拉 原声 | A | 134 | |||
|
|
Zumba Que Zumba [OCR560120 - 5] |
0 | 3'09 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | Venezuela. Extremely popular joropo. Cuatro, bandola & maracas. | 四弦吉他 llanera music 霍洛波舞曲 沙槌 | Dm | 166 | |||
|
|
Pot-Pourri [OCR560120 - 6] |
0 | 3'16 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) | 3 pasajes : Pariaguan, El as de oro & El beso robado. Cuatro, bandola | 四弦吉他 沙槌 委内瑞拉 llanera music | A | 136 | |||
|
|
Quirpa [OCR560120 - 7] |
0 | 2'46 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | Joropo. Cuatro, bandola & maracas. | 四弦吉他 沙槌 委内瑞拉 原声 | Bm | 166 | |||
|
|
Periquera [OCR560120 - 8] |
0 | 2'54 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | Joropo. Refers to the noise of a prattling crowd of parrots in the | 四弦吉他 沙槌 委内瑞拉 霍洛波舞曲 | D | 163 | |||
|
|
Yo Vivo Por Tres Motivos [OCR560120 - 9] |
0 | 3'25 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) | Pasaje. Cuatro, bandola & maracas. | 四弦吉他 沙槌 委内瑞拉 llanera music | A | 117 | |||
|
|
Seis Por Derecho [OCR560120 - 10] |
0 | 4'17 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) from P.D. | One of the most characteristic danced joropos of the musica llanera. | 四弦吉他 沙槌 委内瑞拉 霍洛波舞曲 | A | 166 | |||
|
|
Mi Camaguan [OCR560120 - 11] |
0 | 2'35 | Cheo Hurtado, Gerson Garcia, Pedro Jose Hurtado (interprète) | Pasaje. Camaguan is the name of a village in the province of Apure. | 四弦吉他 沙槌 委内瑞拉 llanera music | Am | 143 |
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