| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
El Matrimonio y la Zafra [OCR560208 - 16] |
0 | 5'13 | Leonel Castro | Sordo de canon. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | Em | 144 | |||
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
Controversia [OCR560208 - 19] |
0 | 13'38 | Raul Herrera, Luis Martin | Punto libre. Small ensemble composed by tres, acoustic guitar, Cuban | 民族 古巴 传统乐器合奏 锯琴 | Am | 144 | |||
|
Suite de la controversia -
[OCR560208 - 20] |
0 | 3'32 | Unknown | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | D | 104 | |||
|
Parade Amoureuse [EOS04 - 1] |
0 | 1'42 | Olivier Samouillan | Intimate & changing. Acoustic guitar, violin & double bass. | 社会悲剧 忧伤 原声 上升 | D | 135 | |||
|
Desorientation [EOS04 - 4] |
0 | 2'22 | Mathieu Bondil Cesari | Determinated, proud & accentuated. Violin, acoustic guitar & double | 迷人 果断 爵士俱乐部 吉普赛爵士 | Gm | 103 | |||
|
Sormiou Blue [EOS04 - 5] |
0 | 3'14 | Stephane Bularz | Carefree & old-fashioned. Violin, acoustic guitar & double bass. | 摇摆爵士 自信 动人 无忧无虑 | Gm | 144 | |||
|
Bolero Déconcertant [EOS04 - 7] |
0 | 4'40 | Nicolas Mouton | Accentuated & nostalgic. Violin, acoustic guitar & double bass. | 忧伤 进步 跟踪摄影 原声 | Em | 112 | |||
|
Gadjo Bobo [EOS04 - 8] |
0 | 2'48 | Stephane Bularz | Tender & nostalgic. Mandoline, double bass & acoustic guitar. | 地理政治 社会悲剧 自信 动人 | Am | 123 | |||
|
Petite Ours [EOS04 - 9] |
0 | 3'42 | Mathieu Bondil Cesari | Tender & dreamy. Violin, acoustic guitar & double bass. | 过时 浪漫喜剧 精致 社会悲剧 | Gm | 89 | |||
|
Dead Thought [EOS02 - 8] |
0 | 2'58 | David Poirier, Sébastien Saint-Lezin, Olivier Samouillan | Enigmatic & alarming. Acoustic guitar, distorted electric guitar, | 电子琴 气氛 令人不安 神秘 | Dm | 124 | |||
|
Príncipe de Ximento [OCR560150 - 1] |
0 | 3'59 | Raiz di Djarfogo (performer) | Coladeira. Acoustic guitar, cavaquinho, tumba (bass conga), chocalho | 民族 佛得角 佛得角半岛克里奥尔语歌唱 男子合唱 | Fm | 119 | |||
|
Alice [OCR560150 - 2] |
0 | 4'01 | Raiz di Djarfogo (performer) | Atalaïa baxu. Acoustic guitar, cavaquinho, tumba (bass conga), | 佛得角半岛克里奥尔语歌唱 民族 佛得角 男子合唱 | Dbm | 117 | |||
|
Rabolada [OCR560150 - 3] |
0 | 2'21 | Raiz di Djarfogo (performer) from P.D. | Coladeira. Its title is derived from the verb "rabolar", to jig | 佛得角半岛克里奥尔语歌唱 民族 传统男声独唱 佛得角 | Am | 121 | |||
|
Djarfogo [OCR560150 - 4] |
0 | 4'23 | Raiz di Djarfogo (performer) | "Fogo Island". Morna. About the sadness of leaving and longing to | 佛得角半岛克里奥尔语歌唱 民族 传统男声独唱 佛得角 | Bbm | 137 | |||
|
Braga Maria [OCR560150 - 5] |
0 | 4'45 | Raiz di Djarfogo (performer) from P.D. | Brial. Party music. Usually performed either around midnight or at | 佛得角半岛克里奥尔语歌唱 民族 佛得角 男子合唱 | Gbm | 86 | |||
|
Catchó [OCR560150 - 7] |
0 | 4'26 | Raiz di Djarfogo (performer) from P.D. | Coladeira. Acoustic guitar, cavaquinho, chocalho (Cape Verdean | 民族 佛得角半岛克里奥尔语歌唱 佛得角 男子合唱 | E | 121 |