| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hostel [BIB182 - 11] |
0 | 3'31 | Simon Barker, Daniel Benjamin Traynor | Minimal, expansive and nostalgic synth pop score. Reverb guitar, | 悬念 反省 全景图 全景 | Dbm | 117 | |||
|
Washes [BIB182 - 12] |
0 | 1'30 | Andrew Shapiro | Dreamy, hypnotic, cinematic. Ethereal, glimmering textures of | 气氛 悬念 太空 宇宙音乐 | C | 68 | |||
|
Never Too Late [ISC004 - 4] |
1'48 | Gabriel Saban | Under pressure / fast action. Dominating brass, furious & animated | 冲突 画面感 超级英雄 冲击 | Am | 107 | ||||
|
Never Too Late Alternate [ISC004 - 15] |
版本. | 1'48 | Gabriel Saban | Alternate without percussion. Under pressure / fast action. | 冲突 画面感 超级英雄 冲击 | Am | 162 | |||
|
Maracana [CEL7013 - 4] |
0 | 2'01 | Silvano Michelino, Baptiste Thiry | Powerful, heavy, determined & percussive. Brazilian percussion | 画面感 团队运动 预告片 紧急 | Cm | 130 | |||
|
Ipanema House Beach [CEL7013 - 21] |
0 | 5'21 | Philippe Bozec, Patrice Carrié, Silvano Michelino | Brazilian/exotica house. Constant, festive, danceable & exotic. | 果断 动人 异域 俱乐部 | Dm | 128 | |||
|
The Final Frontier [CCB1050 - 3] |
0 | 2'37 | Adrien Degioanni | Ambient electro, electronica. Interrogative & mysterious intro then | 冲突 太空 工业 神秘 | Gm | 123 | |||
|
Mind Overlapped [EOS66 - 1] |
0 | 3'38 | Roberto Negro | Contemporary cue. Cyclic, introspective & disturbing. Steady & odd. | 令人不安 无电声钢琴 科学 社会悲剧 | Dm | 117 | |||
|
Climbing Ice Walls [EOS66 - 2] |
1'30 | Roberto Negro | Serious strings intro then determined & percussive to stubborn synth | 果断 间谍片 神秘 固执 | Cm | 90 | ||||
|
Climbing Ice Walls Alternate [EOS66 - 12] |
版本. | 1'45 | Roberto Negro | Alternate version. Crispy synth sequence & pulse then strings bed. | 神秘 间谍片 令人不安 电子琴 | Bbm | 90 | |||
|
The Unexpected [EOS66 - 3] |
0 | 2'44 | Roberto Negro | Post-classical / soundscape. Ethereal, dreamy & peaceful. Sparse & | 背景音 安静 海底 宁静 | F | 68 | |||
|
Crossing the Line [EOS66 - 4] |
0 | 3'28 | Roberto Negro | Experimental electronica. Analog synth arpeggios intro then | 工业 信息技术 电子实验室 奇怪 | Cm | 162 | |||
|
Interferences [EOS66 - 6] |
0 | 2'55 | Roberto Negro | Tense, cyclic & urgent. Piano & synth sequence. Suggested for | 周期性的 令人不安 调查研究 紧急 | Fm | 85 | |||
|
Patience [EOS66 - 7] |
0 | 2'04 | Roberto Negro | Introspective, wandering & calm. Cyclic piano & electronics. | 耐心 反省 中立 安静 | Gm | 85 | |||
|
The Academy of Sciences [CEZ4487 - 2] |
2'45 | Elisabeth Skornik, Guy Skornik | Noble, punctuated, solemn & determined in a 18th & 19th century | 庄重 历史旁白 命运 历史片 | Gm | 124 | ||||
|
The Academy of Sciences
[CEZ4487 - 19] |
版本. | 2'43 | Elisabeth Skornik, Guy Skornik | Noble, punctuated, solemn & determined in a 18th & 19th century | 庄重 命运 历史片 新古典音乐 | Gm | 124 | |||
|
Towards New Horizons [CEZ4487 - 4] |
0 | 2'32 | Elisabeth Skornik, Guy Skornik | Inspiring, peaceful & soaring in anticipation of a discovery. Layers | 悬念 神秘 跟踪摄影 命运 | A | 106 | |||
|
Can We Stop Progress? [CEZ4487 - 7] |
0 | 2'31 | Elisabeth Skornik, Guy Skornik | Action-packed, urgent & steady. Strings, electronics & percussion. | 新闻 固执 悬念 调查研究 | G | 120 | |||
|
Cogito Ergo Sum [CEZ4487 - 11] |
0 | 2'43 | Elisabeth Skornik, Guy Skornik | Punctuated, reflective, haunting & concerned. Strings, electronics & | 反省 命运 医疗 忧伤 | F | 100 | |||
|
The Human Machine [CEZ4487 - 12] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Punctuated, tense, mechanical & industrial. Staccato cello, bassoon, | 当代历史 固执 政治 历史片 | C | 124 | |||
|
Prescience [CEZ4487 - 16] |
0 | 2'29 | Elisabeth Skornik, Guy Skornik | Doubtful, interrogative & haunting. Constant rippling strings & | 摇摆 社会悲剧 阴险 疑问 | F | 116 | |||
|
Wrong Intuition [CEZ4487 - 17] |
0 | 2'36 | Elisabeth Skornik, Guy Skornik | Hopeless, sad, suspended & uncertain. Piano with echo fx, electronics | 反省 忧伤 命运 自然灾害 | Fm | 117 | |||
|
Mechanical Breath [CEZ4486 - 1] |
0 | 2'54 | Elisabeth Skornik, Guy Skornik | Constant, dynamic, industrial & repetitive. Like machinery with | 信息技术 工业噪音 工业 机械的 | D | 88 |