Uncertain, explorative, adventurous. Xylophone hits create an Uncertain, explorative, adventurous. Xylophone hits create an ambivalent atmosphere, flutes gift slight tension that is broken with rise into full instrumentation at 01:02. Soaring trumpets give a sense of worry with troubled melodies. Bright instruments contrast anxious melodies with fun and vibrant textures.
Uncertain, explorative, adventurous. Xylophone hits create an Uncertain, explorative, adventurous. Xylophone hits create an ambivalent atmosphere, slight tension created with use of accompanying piano. Binary chord sequence instils a feeling of persistence and determination. Bright instruments contrast anxious melodies with fun and vibrant textures. Stripped back underscore version.
Uncertain, explorative, adventurous. Xylophones and flutes create an Uncertain, explorative, adventurous. Xylophones and flutes create an ambivalent atmosphere, slight feelings of tension fully realised as instrumentation grows. Binary chord sequence instils a feeling of persistence and determination. Bright instruments contrast anxious melodies with fun and vibrant textures. Stripped back underscore version.
Mysterious, pacy, sinister. Brisk xylophone hits convey a feeling of Mysterious, pacy, sinister. Brisk xylophone hits convey a feeling of subtle panic that is helped to grow by clarinets and percussion. Dynamic instrumentation communicates a recurring danger, like an individual fleeing an enemy through a crowd. Heavy-set bass melodies at 00:57 help to drive feelings of anxiety forward with force, reiterating the feeling of emergency and danger. Sharp instrumentation drives home urgency and fast-paced atmosphere.
Mysterious, pacy, sinister. Brisk xylophone hits convey a feeling of Mysterious, pacy, sinister. Brisk xylophone hits convey a feeling of subtle panic that is helped to grow by harsh, frantic piano. Dynamic instrumentation communicates a recurring danger, like an individual fleeing an enemy through a crowd. Heavy-set bass melodies at 00:57 help to drive feelings of anxiety forward with force, reiterating the feeling of emergency and danger. Sharp instrumentation drives home urgency and fast-paced atmosphere. Stripped back underscore version.
Mysterious, pacy, sinister. Piano and clarinet play sharp worrying Mysterious, pacy, sinister. Piano and clarinet play sharp worrying sequence as percussion joins to convey feelings of panic. Urgency of the melodies communicate a recurring danger, like an individual fleeing an enemy through a crowd. Sharp instrumentation drives home urgency and fast-paced atmosphere. Stripped back underscore version.
Meaningful, adventurous, sophisticated. Xylophone sequence sets out a Meaningful, adventurous, sophisticated. Xylophone sequence sets out a warm and emotive introductory energy. Taken on by piano and clarinet before shifting into more explorative ground, bolstered by twinkling keys in dramatic arpeggiation. Impassioned strings offer an astute classiness, visions of a beautiful old house. Endless corridors and pictures of stern faces on the walls. Repeated arpeggiation gives a sense of wonder.
Meaningful, adventurous, sophisticated. Xylophone sequence sets out a Meaningful, adventurous, sophisticated. Xylophone sequence sets out a warm and emotive introductory energy. Taken on by piano and clarinet before shifting into more explorative ground. Visions of a beautoful old house, endless corridors and pictures of stern faces on the walls. Repeated arpeggiation gives a sense of wonder. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Energetic, animated, upbeat. Violin and clarinet launch into woozy, Energetic, animated, upbeat. Violin and clarinet launch into woozy, dynamic riff atop swift-moving, oom-pah rhythm. Brief slow section at 00:21, before launching back into original riff. Fun and frantic rhythm reminiscent of a chase scene in a cartoon.
Energetic, animated, upbeat. Muffled guitar and bass join with light Energetic, animated, upbeat. Muffled guitar and bass join with light percussion in a swift-moving, oom-pah rhythm. Brief slow section at 00:21, before launching back into speedy section. Fun and frantic rhythm reminiscent of a chase scene in a cartoon. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into violin melody, Excitable, fun. Light accordion playing leads into violin melody, joined by clarinet. Impassioned but lamenting performance gives way to oom-pah rhythm with screeching trumpet. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere.
Excitable, fun. Light accordion playing leads into sharp trumpet Excitable, fun. Light accordion playing leads into sharp trumpet stabs. Shift into piano and accordion in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into sharp trumpet Excitable, fun. Light accordion playing leads into sharp trumpet stabs and ornate clarinet. Shift into piano in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable atmosphere. Stripped back underscore version.
Mysterious, ominous, energetic. Baritone sax sets out a Phrygian Mysterious, ominous, energetic. Baritone sax sets out a Phrygian scale melody, decorated by eerie cimbalom strumming. Transition at 00:38 into faster pace with jazzy drum improvisation and frantic clarinet solos. Change in tempo creates a tumultuous dynamic, a feeling transitioning between quiet, sneaky passages and rushed, off the wall moments.
Mysterious, ominous, energetic. Double bass and accordion set out a Mysterious, ominous, energetic. Double bass and accordion set out a Klezmer sequence. Transition at 00:38 into faster pace with jazzy drum improvisation. Change in tempo creates a tumultuous dynamic, a feeling transitioning between quiet, sneaky passages and rushed, off-the-wall moments. Stripped back underscore version.
Mysterious, energetic. Double bass sets out a creeping sequence in a Mysterious, energetic. Double bass sets out a creeping sequence in a Phrygian scale. Transition at 00:38 into faster pace with jazzy drum improvisation and noticeably more hurried bass melody. Change in pace creates a tumultuous dynamic, a feeling transitioning between quiet, sneaky passages and rushed, off-the-wall moments. Stripped back underscore version.
Ominous, passionate. Raspy violin plays out an impassioned tune, Ominous, passionate. Raspy violin plays out an impassioned tune, cushioned by dulcet electric guitar. Heartfelt performance meshes with Klezmer style, transitioning into more impassioned section at 00:44. A panoramic view of a large Jewish wedding, people enjoying themselves, some dancing and some sitting quietly. Clarinet’s dynamic range imitating laughter supports a fun but astute atmosphere.
Ominous, passionate. Dulcet guitar strums alongside light percussion, Ominous, passionate. Dulcet guitar strums alongside light percussion, a heartfelt tune. Transitioning into a more hopeful section at 00:44. Sparse instrumentation gives a personal feel, a small family sitting and relaxing at home. Stripped back underscore version.
Alternate version without percussion. Insidious, mischievous, Alternate version without percussion. Insidious, mischievous, playful, quirky & campy. Pizzicato strings & clarinet. Dramedy trailer suggested for family affairs, cartoons & youth TV.
Mischievous, childlike & suspenseful but with a smile. Pizzicato, Mischievous, childlike & suspenseful but with a smile. Pizzicato, celesta, clarinet, xylophone & percussion. Ordinary family scenes.
Alternate without celesta. Mischievous, childlike & suspenseful but Alternate without celesta. Mischievous, childlike & suspenseful but smiling. Pizzicato, clarinet, xylophone & percussion. Ordinary family scenes.
Alternate without percussion. Mischievous, childlike & suspenseful Alternate without percussion. Mischievous, childlike & suspenseful but with a smile. Pizzicato, celesta, clarinet, xylophone. Ordinary family scenes.
Narrative intro with woodwind & strings. Old-fashioned comedy with a Narrative intro with woodwind & strings. Old-fashioned comedy with a tender touch @ 0'31 with pizzicato, mallet percussion & clarinet.
Intimate, mysterious & thoughful with a touch of nostalgia. Reverse Intimate, mysterious & thoughful with a touch of nostalgia. Reverse fx, Fender Rhodes keyboard & clarinet.
Italiano: A Londra sono stato, Mamma mia, Mamma mia, A Londra sono stato a mangiare un po’ di gnocchi. Il cuoco mi ha servito, Mamma mia, Mamma mia, dei gnocchi cosi cotti, Che sembrano cemento! A Parigi sono stato, Mamma mia, Mamma mia, A Parigi sono stato a mangiare maccheroni. Il cuoco mi ha servito, Mamma mia, Mamma mia, Tre scarsi maccheroni, che del gusto solo l’ombra! Ah, Mamma! Ah Mamma !Ah Mamma mia, la tua pasta, Al po-po-po-po-po-po-po-mo-do-ro, Nessuno la fà, con la tua salsa Con pep-pe-pe-pe-pe-pe-pe-pe-ron-ni. Dei ravioli, dei tortellini, E l'o-l'o-l'o-l'o-l'o-l'o-glio d'o-li-va, Da mamma mamma mia, io son' in paradiso, Da mam-ma mam-ma mi-a, io son in pa-pa-ra-diso. A Pechino loro fanno, Mamma mia, Mamma mia, A Pechino loro fanno Stranissimi spaghetti. Mangiar con le bacchette, Mamma mia, Mamma mia, Ma mangiar con le bacchette, c'è da diventar matto! A Miami ho ordinato, Mamma mia, Mamma mia, A Miami ho ordinato Pesto e parmigiano. E che mi hanno portato? Mamma mia, Mamma mia, E che mi hanno portato? Ketchup e coca cola!Ah, Mamma! Ah Mamma mia, la tua pasta, Al po-po-po-po-po-po-po-mo-do-ro, Nessuno la fà, con la tua salsa Con pep-pe-pe-pe-pe-pe-pe-pe-ron-ni. Dei ravioli, dei tortellini, E l'o-l'o-l'o-l'o-l'o-l'o-glio d'o-li-va, Da mamma mamma mia, io son' in paradiso, Da mam-ma mam-ma mi-a, io son in pa-pa-ra-diso.
Français: Je suis allé à Londres, Mamma mia, Mamma mia,Je suis allé à Londres manger des gnocchis.Le chef m’a servi, Mamma mia, Mamma mia,Des gnocchis tellement cuits,Qu’on aurait dit du ciment. Je suis allé à Paris, Mamma mia, Mamma mia,Je suis allé à Paris manger des maccheronis.Le chef m’a servit, Mamma mia, Mamma mia,Trois pauvres maccheronis, qui n’avait que l’ombre de leur goût ! Ah Mamma mia, tes pâtesAux tomates,Personne ne sait la faireAvec ta sauce aux piments.Des raviolis, des tortellinis,Et l’huile d’olive,De maman, Mamma mia, je suis au paradis A Pekin il font, Mamma mia, Mamma mia,A Pekin il fontD’étranges spaghettis.Manger avec les baguettes, Mamma mia, Mamma mia,Mais manger avec les baguettes, c’est à devenir fou
A Miami j’ai commandé, Mamma mia, Mamma mia,A Miami j’ai commandé,Du pesto et du parmesan.Et qu’est-ce qu’ils m’ont apporté ?Du ketchup et du coca cola !!
English: I went to London, Mamma mia, Mamma mia,I went to London and ate gnocchi.The chef served me, Mamma mia, Mamma mia,Gnocchi so overcookedYou’d have thought it was cement. I went to Paris Mamma mia, Mamma mia,I went to Paris and ate maccheroni, The chef served me, Mamma mia, Mamma mia,Three poor maccheroni, a pale shadow. Ah !Mamma mia,
your pastaWith tomatoes,No one, can make it your spicy sauceMamma’s ravioli, tortellini,And olive oilMamma mia I am in heaven In Peking they make Mamma mia, Mamma mia,In Peking they make strange spaghettiTo eat with chopsticks,
Mamma mia, Mamma mia,But to eat with chopsticks is to go crazy. In Miami I ordered Mamma mia, Mamma mia,In Miami I orderedPesto and parmesan.And what did they bring me?Ketchup and a Coca cola!!
