| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Wings of Peace [CEZ4124 - 22] |
0 | 3'05 | Marc-Olivier Dupin | Lyrical & uplifting. Soprano & string ensemble. | 女高音(声乐) 宁静 抒情 梦幻 | F | 82 | |||
|
Hidden Wonders [ISC034 - 5] |
3'28 | New Earth Project | Film Score. Calm, soothing & nostalgic intro evolving with piano, | 冒险片 骑马 画面感 高潮 | Em | 130 | ||||
|
Hidden Wonders Alternate 1 [ISC034 - 18] |
版本. | 3'28 | New Earth Project | Alternative version without percussion. | 冒险片 骑马 画面感 高潮 | Em | 130 | |||
|
Hidden Wonders Alternate 2 [ISC034 - 19] |
版本. | 3'28 | New Earth Project | Alternative version without vocal. | 冒险片 骑马 画面感 高潮 | Em | 130 | |||
|
Mistress of Magic [EOS82 - 6] |
0 | 4'08 | Hugues Duchesne | Scoring. Moving, lyrical & majestic. Cinematic orchestra & lyrical | 飞行 冒险片 经典女声 画面感 | Ebm | 82 | |||
|
Voice of the Trade Winds [CEZ4476 - 14] |
0 | 2'13 | Benoit Cimbé | Fairy-like, mysterious, astral & dreamy in an esoteric spirit. Female | 仙境 回响 天气预告 从容 | A | 81 | |||
|
The Voice of France [CEO2115 - 22] |
0 | 01'05 | Gréco Casadesus | Serene, emotional, ceremonial, lyrical & solemn. Female soprano voice | 抒情 感动 宁静 爱国主义 | F | 104 | |||
|
Faithful to the Last [CEO2100 - 17] |
0 | 2'14 | Bruno Alexiu | Confident, tender & unifying. String orchestra, french horn, piano & | 温柔 飞行 爱情 乡村 | Am | 125 | |||
|
The Voice of Humanity [CEO2100 - 30] |
0 | 2'29 | Bruno Alexiu | Solemn, sad & poignant. Cello & female voice in unison, string | 命运 心理剧 使人心碎 抱歉 | Gm | 67 | |||
|
Act. 1, VI. Tanz des Herolds [CLA1202 - 6] |
0 | 1'41 | 弗兰克·马丁 | 6th scene. Fiery & female. Soprano, contre-alto and symphony | 火热 果断 女性 芭蕾舞曲 | Em | 164 | |||
|
Act. 1, VII. Aschenbrödel
[CLA1202 - 7] |
0 | 6'42 | 弗兰克·马丁 | 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, | 伤心 反省 芭蕾舞曲 严谨 | Em | 65 | |||
|
Act. 1, IX. Entree des Fee [CLA1202 - 9] |
0 | 4'32 | 弗兰克·马丁 | 9th scene. Interrogative & mysterious. Contre-alto, soprano and | 疑问 神秘 芭蕾舞曲 严谨 | Gbm | 90 | |||
|
Act. 3, III. Entree des
[CLA1202 - 20] |
0 | 5'53 | 弗兰克·马丁 | 3rd scene. Determined, rigorous & tragic. Soprano, tenor, contre-alto | 果断 芭蕾舞曲 严谨 悲剧 | Bm | 148 | |||
|
Quell'augellin che canta [CLA1814 - 1] |
0 | 2'02 | Luca Marenzio | Confident & mystic. Alto, bass, soprano, tenor and arpa doppia. 歌词 | 自信 文艺复兴时期音乐 神奇 严谨 | G | 140 | |||
|
Cruda Amarilli, che col nome
[CLA1814 - 2] |
0 | 4'33 | Luca Marenzio | Serious & solemn. Alto, bass, soprano, tenor and lute. 歌词 | 严谨 自信 文艺复兴时期音乐 神奇 | Am | 65 | |||
|
Deh, poi ch'era ne' fati
[CLA1814 - 3] |
0 | 1'36 | Luca Marenzio | Solemn & delicate. Alto, bass, soprano, tenor and lute. 歌词 | 庄重 严谨 中音(声乐) 男低音(声乐) | Em | 70 | |||
|
O fido, o caro Aminta [CLA1814 - 4] |
0 | 2'57 | Luca Marenzio | Rigorous & solemn. Alto, bass, soprano, tenor and chamber orchestra. | 严谨 庄重 中音(声乐) 男低音(声乐) | Am | 70 | |||
|
O Mirtillo, Mirtillo, anima
[CLA1814 - 8] |
0 | 2'54 | Luca Marenzio | Calm & mystic. Alto, bass, soprano, tenor and harp. | 神奇 耐心 文艺复兴时期音乐 严谨 | Am | 68 | |||
|
Arda pur sempre o mora [CLA1814 - 10] |
0 | 2'05 | Luca Marenzio | Solemn & peaceful. Alto, bass, soprano, tenor and harpsichord. | 庄重 自信 文艺复兴时期音乐 宁静 | Am | 151 | |||
|
Com'é dolce il gioire, o
[CLA1814 - 11] |
0 | 2'41 | Luca Marenzio | Serious & confident. Alto, bass, soprano, tenor and harp. | 严谨 自信 文艺复兴时期音乐 庄重 | Dm | 67 | |||
|
Care mie selve, a Dio! [CLA1814 - 13] |
0 | 4'34 | Luca Marenzio | Patient & solemn. Alto, bass, soprano, tenor and lute. | 耐心 文艺复兴时期音乐 严谨 庄重 | Dm | 72 | |||
|
Se tu dolce mio ben mi
[CLA1814 - 14] |
0 | 8'51 | Luca Marenzio | Solemn & peaceful. Alto, soprano, harp, lute and viola da gamba. | 庄重 文艺复兴时期音乐 神奇 宁静 | D | 65 |