| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dust Devils [TBX223 - 3] |
2'28 | Lee Franklin, Ethan Maltby | Dusty, mysterious, dangerous. Large drum rolls marches forward with a | 固执 电影原声带 骄傲 美国西部 | Em | 80 | ||||
|
Dust Devils Underscore [TBX223 - 13] |
版本. | 2'28 | Lee Franklin, Ethan Maltby | Dusty, mysterious, dangerous. Large drum rolls marches forward with a | 固执 电影原声带 骄傲 美国西部 | Am | 80 | |||
|
Butterfly Effect [INP077 - 1] |
2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | 团队运动 嘻哈预告风 沉重 固执 | Cm | 140 | ||||
|
Butterfly Effect (Underscore) [INP077 - 11] |
版本. | 2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | Cm | 140 | ||||
|
No Second Chance [INP077 - 2] |
2'29 | Willie Eaglin, Ashley Holbrook | Cool, futuristic, ruthless. Bright but muffled strings weave their | 极限运动 电影节奏 气势 团队运动 | Am | 110 | ||||
|
No Second Chance (Underscore) [INP077 - 12] |
版本. | 2'29 | Willie Eaglin, Ashley Holbrook | Cool, futuristic, ruthless. Bright but muffled strings weave their | Am | 110 | ||||
|
Rupture [INP077 - 7] |
2'34 | Willie Eaglin, Ashley Holbrook | Cool, theatrical, competitive. Modest string movement leaks from | 极限运动 态度 嘻哈预告风 团队运动 | Am | 172 | ||||
|
Rupture (Underscore) [INP077 - 17] |
版本. | 2'34 | Willie Eaglin, Ashley Holbrook | Cool, theatrical, competitive. Modest string movement leaks from | Am | 172 | ||||
|
Scratch And Claw [INP077 - 9] |
2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | 嘻哈预告风 沉重 固执 极限运动 | Cm | 130 | ||||
|
Scratch And Claw (Underscore) [INP077 - 19] |
版本. | 2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | Cm | 130 | ||||
|
Dark Academia [CET9078 - 4] |
2'35 | Gabriel Saban | ☆ Nominated "Best Use - Movie Trailer" @Mark Awards US 2024 ☆ Neo | 骄傲 画面感 预告片 火热 | Am | 124 | ||||
|
Dark Academia Alternate 1 [CET9078 - 14] |
版本. | 2'35 | Gabriel Saban | Alternate version without percussion. | 画面感 骄傲 预告片 起飞 | Am | 124 | |||
|
Dark Academia Alternate 2 [CET9078 - 15] |
版本. | 2'35 | Gabriel Saban | Alternate version piano. | 画面感 骄傲 预告片 起飞 | Am | 124 | |||
|
Revenge of the Clocks [CEZ4458 - 19] |
2'39 | Michel Roche | Percussive trap beat with clockwork. Urgent intro then clocks go | electro beat 都市 打击流行乐 果断 | Am | 140 | ||||
|
Revenge of the Clocks
[CEZ4458 - 28] |
版本. | 2'39 | Michel Roche | Percussive trap beat with clockwork. Urgent intro then clocks go | electro beat 都市 打击流行乐 果断 | Am | 140 | |||
|
The Bell Tolls [CEZ4206 - 5] |
2'17 | Selma Mutal | Underscore. Nebulous & still. Fx bells & electronics. | 抱歉 悬念 疑问 伴音 | F | 63 | ||||
|
The Bell Tolls 2 [CEZ4206 - 32] |
版本. | 1'37 | Selma Mutal | Underscore. Nebulous & immobile. Fx bells, rhythm & electronics. | 抱歉 悬念 伴音 气氛 | Fm | 108 | |||
|
The Bell Tolls [CEZ4206 - 41] |
版本. | 2'16 | Selma Mutal | Remastered version. Underscore. Disturbing & inexorable. Electronics | 抱歉 悬念 疑问 伴音 | F | 62 | |||
|
Pictures at an Exhibition -
[ULY3010 - 17] |
0 | 5'55 | 莫杰斯特·彼得罗维奇·穆索尔斯基 | Majestuous & solemn. Symphony orchestra & Fx bells @ 2'44. | 庄重 庄严 交响乐队 铜管乐器合奏 | Bb | 118 | |||
|
Echoes of The Black Bell [CET9107 - 4] |
2'40 | Philippe Briand, Salvador Casais | Cinematic trailer. Mysterious intro with bells, guitar & trailer fx. | 令人不安 进步 画面感 高潮 | Em | 122 | ||||
|
Echoes of The Black Bell
[CET9107 - 34] |
版本. | 2'40 | Philippe Briand, Salvador Casais | Version without percussion | 令人不安 进步 画面感 高潮 | Em | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 35] |
版本. | 2'40 | Philippe Briand, Salvador Casais | Version with percussion only | 令人不安 画面感 高潮 恐怖片 | Gm | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 36] |
版本. | 2'40 | Philippe Briand, Salvador Casais | Version without voice | 令人不安 进步 画面感 高潮 | Em | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 37] |
版本. | 2'40 | Philippe Briand, Salvador Casais | Bed version | 令人不安 进步 画面感 高潮 | Em | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 38] |
版本. | 2'40 | Philippe Briand, Salvador Casais | Underscore version | 令人不安 进步 画面感 高潮 | Em | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 39] |
版本. | 0'32 | Philippe Briand, Salvador Casais | 30 second cut | 令人不安 画面感 小钟 恐怖片 | Em | 122 | |||
|
Echoes of The Black Bell
[CET9107 - 40] |
版本. | 0'15 | Philippe Briand, Salvador Casais | 15 second cut | 令人不安 画面感 小钟 恐怖片 | Em | 122 | |||
|
Colaboi 2 [OCR560147 - 5] |
0 | 2'22 | Frederik Da Luz | Song to manage beefs. A cappella male singer. | 无伴奏合唱 传统男声独唱 民族 钟声 | Abm | 90 | |||
|
Run Rabbit Run [CEZ4113 - 23] |
0 | 2'35 | Daniel Diaz | Urgent & childlike. Alarm clock, guitars & electronics. 112 BPM. | 时间(滴答声) (音效)滴答声 公司 紧急 | Em | 112 | |||
|
Propagation [CEG5060 - 2] |
2'32 | Arttu Silvast | Hybrid Scoring. Tragic, sad, grim & unsettling. Evolving sequence | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | ||||
|
Propagation Alternate 2 [CEG5060 - 12] |
版本. | 2'32 | Arttu Silvast | Version without percussion | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Propagation Alternate 3 [CEG5060 - 13] |
版本. | 2'32 | Arttu Silvast | Underscore version | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Bells in The Dark [CET9107 - 7] |
2'57 | Philippe Briand | Cinematic trailer. Mysterious intro with small bells, heartbeat & | 万圣节 令人不安 预告片 固执 | Bm | 100 | ||||
|
Bells in The Dark Alternate 1 [CET9107 - 55] |
版本. | 2'57 | Philippe Briand | Version without percussion | 万圣节 令人不安 预告片 固执 | Bm | 100 | |||
|
Bells in The Dark Alternate 2 [CET9107 - 56] |
版本. | 2'57 | Philippe Briand | Version with percussion only | 万圣节 令人不安 预告片 固执 | Gm | 100 | |||
|
Bells in The Dark Alternate 3 [CET9107 - 57] |
版本. | 2'57 | Philippe Briand | Bed version | 万圣节 令人不安 预告片 固执 | Bm | 100 | |||
|
Bells in The Dark Alternate 4 [CET9107 - 58] |
版本. | 2'57 | Philippe Briand | Underscore version | 万圣节 令人不安 预告片 固执 | Bm | 100 | |||
|
Bells in The Dark Alternate 5 [CET9107 - 59] |
版本. | 0'31 | Philippe Briand | 30 second cut | 万圣节 令人不安 预告片 固执 | Bm | 100 | |||
|
Bells in The Dark Alternate 6 [CET9107 - 60] |
版本. | 0'16 | Philippe Briand | 15 second cut | 万圣节 令人不安 预告片 固执 | Bm | 100 | |||
|
The Last Hour [CET9107 - 10] |
1'52 | Jon Du | Cinematic trailer. Repetitive & elvish intro with ticking fx & bells. | 火热 冲突 恐怖 恐怖片 | Dm | 140 | ||||
|
The Last Hour Alternate 1 [CET9107 - 76] |
版本. | 1'52 | Jon Du | Version without percussion | 火热 恐怖 恐怖片 万圣节 | Dm | 140 | |||
|
The Last Hour Alternate 2 [CET9107 - 77] |
版本. | 1'52 | Jon Du | Version with percussion only | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
The Last Hour Alternate 3 [CET9107 - 78] |
版本. | 1'52 | Jon Du | Bed version | 火热 恐怖片 万圣节 固执 | Dm | 140 | |||
|
The Last Hour Alternate 4 [CET9107 - 79] |
版本. | 1'52 | Jon Du | Underscore version | 火热 恐怖 恐怖片 万圣节 | Dm | 140 | |||
|
The Last Hour Alternate 5 [CET9107 - 80] |
版本. | 0'30 | Jon Du | 30 second cut | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
The Last Hour Alternate 6 [CET9107 - 81] |
版本. | 0'15 | Jon Du | 15 second cut | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
Fragments Of Truth [AMS5059 - 1] |
1'42 | Philippe Briand | Cinematic piano. Insistent piano intro. Suspended build-up @ 0'16 | 画面感 固执 令人不安 疑问 | Gm | 120 | ||||
|
Fragments Of Truth Alternate [AMS5059 - 7] |
版本. | 1'42 | Philippe Briand | Solo piano version | 固执 画面感 令人不安 疑问 | Gm | 120 | |||
|
Fragments Of Truth Edit 1 30
[AMS5059 - 8] |
版本. | 0'29 | Philippe Briand | 30 second cut | 画面感 固执 令人不安 疑问 | Gm | 120 | |||
|
Fragments Of Truth Edit 2 15
[AMS5059 - 9] |
版本. | 0'15 | Philippe Briand | 15 second cut | 画面感 固执 令人不安 疑问 | Gm | 120 | |||
|
It's All Good [AMS5055 - 2] |
2'37 | Philippe Briand | Latin inspired Hip Hop. Inspirational, catchy & building up with 歌词 | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | ||||
|
It's All Good Alternate 1 [AMS5055 - 14] |
版本. | 2'37 | Philippe Briand | Version without percussion | 嘻哈预告风 固执 团队运动 预告片 | Am | 99 | |||
|
It's All Good Alternate 2 [AMS5055 - 15] |
版本. | 2'37 | Philippe Briand | Version with percussion only | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
It's All Good Alternate 3 [AMS5055 - 16] |
版本. | 2'37 | Philippe Briand | Instrumental version | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
It's All Good Alternate 4 [AMS5055 - 17] |
版本. | 2'37 | Philippe Briand | Bed version | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
It's All Good Alternate 5 [AMS5055 - 18] |
版本. | 2'37 | Philippe Briand | Underscore version | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
It's All Good Edit 1 15
[AMS5055 - 19] |
版本. | 0'15 | Philippe Briand | 15 second cut | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
It's All Good Edit 2 30
[AMS5055 - 20] |
版本. | 0'30 | Philippe Briand | 30 second cut | 嘻哈预告风 固执 冲击 团队运动 | Am | 99 | |||
|
Humanity in Progress [ISC053 - 6] |
0 | 1'49 | Gabriel Saban | Noble intro, proud cello. Build up, federating, rigorous & | 企业宣传 历史旁白 骄傲 新古典音乐 | Em | 124 | |||
|
Préparation à Londres [CEO2048 - 8] |
0 | 2'40 | Emmanuel Denis | Investigation. Life drama. Tense & obstinate. Constant progression. | 赛事 果断 固执 政治 | Am | 91 | |||
|
La cathédrale engloutie -
[ULY3008 - 17] |
0 | 7'12 | 阿希尔-克洛德·德彪西 | Changing & unclassifiable. Piano. | 印象主义 梦幻 反省 夜晚 | Dm | 83 |