| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Deep Thinking [CEG5026 - 22] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Mysterious, almost threatening. Strings & drop like FX. Sound design. | 冷沙漠 海底 神秘 深邃 | Fm | 74 | |||
|
Magma in Fusion 2 [CEZ4380 - 4] |
0 | 2'13 | Maxence Dussere, David Gubitsch | Soundscape / drone. Deep, menacing, toxic & mysterious drone. | 深邃 低沉 夜晚 背景音 | C | 139 | |||
|
Crocodile's Jaws [CEG5017 - 13] |
0 | 2'25 | Abaji | Mysterious, aquatic & nocturnal. Mbira (kalimba), synth & water drops | 源泉 悬念 悬念 潮湿 | Cm | 80 | |||
|
Le Chauffe-Eau Maudit [CEO2087 - 5] |
1'30 | Pablo Pico | Disturbing, patient & humid . Bass clarinet, clarinet, vibraphone & | 中音单簧管 神秘 悬念 低音单簧管 | F | 84 | ||||
|
Le Chauffe-Eau Maudit
[CEO2087 - 16] |
版本. | 0'36 | Pablo Pico | Disturbing, mysterious & patient. Bass clarinet, clarinet & celesta. | 中音单簧管 神秘 钢片琴 悬念 | Fm | 89 | |||
|
A Hero in Us [ISC039 - 2] |
3'43 | Christophe Le Guen | Suspenseful intro with the sound of falling water drops & sound | 战士 历史巨片 战争 固执 | Am | 140 | ||||
|
A Hero in Us Alternate 1 [ISC039 - 13] |
版本. | 3'43 | Christophe Le Guen | Alternative version without percussion. | 战士 历史巨片 战争 固执 | Am | 140 | |||
|
A Hero in Us Alternate 2 [ISC039 - 14] |
版本. | 3'43 | Christophe Le Guen | Alternative version without choirs. | 战士 历史巨片 战争 固执 | Am | 140 | |||
|
L'Absurde [CEO2018 - 24] |
0 | 2'05 | Marc-Olivier Dupin | Unusual, simple & sparse. Solo piano. | 悬念 稀疏 命运 (外汇)掉落 | Gbm | 89 | |||
|
Roadtrip To Nowhere [CEZ4110 - 14] |
0 | 2'34 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Wandering but determined. Bass guitars with crunchy power chords. | 公路电影 伴音 模糊贝司 进行曲 | Am | 108 | |||
|
Deep Thinking [CEZ4103 - 20] |
2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics, strings & drop fx. | 深邃 顺畅 海底 地下 | Fm | 74 | ||||
|
Deep Thinking 2 [CEZ4103 - 21] |
版本. | 2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics & strings. | 伴音 气氛 神秘 sequencing | Fm | 74 | |||
|
Shake [BIB231 - 8] |
2'05 | Daniel Lobel, Nathaniel Pearn, Megan Steenkamp | Buoyant, heavy, hypnotic. Simplistic synth melody plays out amidst 歌词 | 态度 沉重 节奏感 团队运动 | Gm | 122 | ||||
|
Shake (Instrumental) [BIB231 - 25] |
版本. | 2'05 | Daniel Lobel, Nathaniel Pearn, Megan Steenkamp | Buoyant, heavy, hypnotic. Simplistic synth melody plays out amidst | 态度 沉重 节奏感 团队运动 | Fm | 122 | |||
|
Shake (Underscore) [BIB231 - 26] |
版本. | 2'05 | Daniel Lobel, Nathaniel Pearn, Megan Steenkamp | Hypnotic, fun, serious. Vocals chant, creating an organic energy | 态度 沉重 节奏感 团队运动 | Fm | 122 | |||
|
Fun Facts [MAG6041 - 1] |
0 | 2'02 | Jaymie Silk | Future beat. Rigorous, luminous & urban. Synth, programming and | 朗朗上口 future beat 现代 世界电子音乐 | Dbm | 81 | |||
|
Swampy Terrain [CEZ4148 - 4] |
0 | 1'49 | Thomas Dalle, Duncan Pinhas | Mysterious & vibrant. Electric guitar, hang drum & electronics. | 地下 气氛 冰冷 稀疏 | E | 104 | |||
|
Water Clock [CEZ4113 - 10] |
0 | 1'34 | Mathias Delplanque | Patient & melancholic. Sanzas & electronics. 100 BPM. | 时间(滴答声) 下雨 稳定的 社会悲剧 | Am | 100 | |||
|
Butchered Bodies [TBX231 - 9] |
2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | ||||
|
Butchered Bodies (Underscore) [TBX231 - 24] |
版本. | 2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | |||
|
Breathe [TBX170 - 7] |
2'42 | Jay Brewer | Bittersweet, tearful, striking. Recordings paint a serene scene, with | 稀疏 原声吉他 内心活动 迷人 | D | 65 | ||||
|
Breathe (Underscore) [TBX170 - 19] |
版本. | 2'45 | Jay Brewer | Bittersweet, tearful, striking. Recordings paint a serene scene, with | 稀疏 内心活动 迷人 诞生 | D | 65 | |||
|
Chemicals [EOS36 - 1] |
0 | 2'04 | Mathieu Harlaut | Electro industrial / action movie / underscore. Oppressive, tribal & | 阴险 悬念 上升 工业噪音 | Ab | 88 | |||
|
The Naked Truth [MAG6036 - 3] |
0 | 2'44 | Guillaume Costes | Chill trap. Aquatic, percussive & uplifting. Synth & rhythm. | 朗朗上口 冷阱 令人激动 室外 | Abm | 150 | |||
|
Midnight at the Oasis [CEG5010 - 17] |
2'23 | Abaji | Aftermath. Desert. Landscape. Sad & desolate. Qanun, percussion, | 多弦筝 灾难 抱歉 漂泊 | Bbm | 108 | ||||
|
Midnight at the Oasis
[CEG5010 - 32] |
版本. | 2'17 | Abaji | Desolate & panoramic. Kanun & synth. | 热沙漠 非阿拉伯中东 全景图 多弦筝 | Fm | 112 | |||
|
Electro Harmonics [CEZ4110 - 9] |
0 | 2'33 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Dreamy, relaxed & repetitive. Bass guitars with delay fx. | 电声低音 延迟 稳定的 周期性的 | G | 108 | |||
|
Rise of the Phoenix [CET9105 - 10] |
2'54 | Brian Delgado | Epic tension trailer. Intro like droplets in a cave. Slowly rising | 动作片 画面感 史诗 冒险游戏 | Fm | 130 | ||||
|
Rise of the Phoenix Alternate
[CET9105 - 29] |
版本. | 2'54 | Brian Delgado | Version without percussion. | 动作片 画面感 史诗 冒险游戏 | C | 130 | |||
|
Rise of the Phoenix Alternate
[CET9105 - 30] |
版本. | 2'54 | Brian Delgado | Tense version without strings & brass. | 动作片 画面感 史诗 冒险游戏 | Fm | 130 | |||
|
Retro Energy [AMS5006 - 5] |
2'23 | Vermair | Corporate Electro / Synthwave. Determined, serious, driving & | 固执 赛车 合成波 撞击电子乐 | Am | 109 | ||||
|
Retro Energy Alternate [AMS5006 - 15] |
版本. | 2'23 | Vermair | Alternate version without percussion. | 固执 赛车 合成波 撞击电子乐 | Dm | 109 |