| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Miguel y Santiago [CEO2003 - 1] |
0 | 2'01 | Selma Mutal | Nostalgic, restrained & ethereal in a Andean Spirit. Acoustic guitar, ... | 社会悲剧 忧伤 全景 美国独立制片电影... | Em | 67 | |||
|
Miguel y Mariela [CEO2003 - 2] |
0 | 3'45 | Selma Mutal | Meticulous & melancholic. Acoustic guitar, piano, fretless bass & ... | 社会悲剧 内心活动 忧伤 全景... | Gm | 93 | |||
|
En la Playa [CEO2003 - 3] |
0 | 0'53 | Selma Mutal | Pensive & patient. Charengo & fretless bass. | 耐心 爱情 社会悲剧 内心活动... | Bb | 106 | |||
|
Buscando a Santiago [CEO2003 - 4] |
0 | 1'00 | Selma Mutal | Nostlagic & chrystal clear. Acoustic guitar, piano & strings. | 爱情 社会悲剧 忧伤 全景... | Em | 133 | |||
|
De la Mano [CEO2003 - 5] |
0 | 3'17 | Javier Fuentes-León | Intimate & delicate. Solo acoustic guitar. | 社会悲剧 内心活动 忧伤 美国独立制片电影... | G | 61 | |||
|
El Parto [CEO2003 - 6] |
0 | 1'03 | Selma Mutal | Tender & serene. Acoustic guitar, piano, bass & strings. | 爱情 社会悲剧 内心活动 忧伤... | Gm | 93 | |||
|
Regreso al Mar [CEO2003 - 7] |
0 | 1'00 | Selma Mutal | Contemplative & calm. Charengo & piano. | 爱情 内心活动 耐心 社会悲剧... | Bm | 88 | |||
|
La Decisión [CEO2003 - 8] |
0 | 0'42 | Selma Mutal | Sad & restrained. Piano & strings. | 命运 忧伤 全景 谨慎... | Am | 88 | |||
|
Llevando a Santiago [CEO2003 - 9] |
0 | 2'08 | Selma Mutal | Intimate & dark. Piano, acoustic guitar & strings. | 内心活动 耐心 精致 社会悲剧... | Em | 89 | |||
|
La Vela [CEO2003 - 10] |
0 | 1'01 | Selma Mutal | Intimate & elegiac. Piano & strings. | 爱情 忧伤 耐心 社会悲剧... | Em | 89 | |||
|
Lanzando la Piedra [CEO2003 - 11] |
0 | 0'35 | Selma Mutal | Bucolic & restrained. Charengo, acoustic guitar & piano. | 爱情 社会悲剧 耐心 乡村... | Bm | 106 | |||
|
La Despedida [CEO2003 - 12] |
0 | 1'04 | Selma Mutal | Moving & nostalgic. Charango, acoustic guitar & piano. | 爱情 社会悲剧 内心活动 忧伤... | Gm | 93 | |||
|
El Final [CEO2003 - 13] |
0 | 3'02 | Selma Mutal | Aerial & quiet. Acoustic guitar & strings. | 爱情 社会悲剧 忧伤 全景... | Em | 89 | |||
|
Saliendo de Casa [CEO2003 - 14] |
0 | 0'44 | Selma Mutal | Delicate & pensive. Piano, acoustic guitar & cordes. | 内心活动 耐心 社会悲剧 忧伤... | Gm | 92 | |||
|
Antsivari-Dringa [OCR560115 - 1] |
0 | 4'28 | Traditionnal | Piece meant to incite and animate a bout of traditional fighting. ... | 民族 Mikea people antsiva 口哨... | Gbm | 89 | |||
|
Antsa An-Katsaky [OCR560115 - 2] |
0 | 3'43 | Traditionnal | Yodeling. Female voices duet. | 岳德尔唱法 民族 民族女声歌唱 Mikea people... | F | 97 | |||
|
Koiky [OCR560115 - 3] |
0 | 1'48 | Traditionnal | Yoddelled calls. Female voice. | 岳德尔唱法 女声民族合唱团 民族 Mikea people... | Gbm | 149 | |||
|
Marovany Tromba [OCR560115 - 4] |
0 | 4'03 | Traditionnal | Instrumental entertainment piece. Marovany (Malagasy zither). | 民族 marovany Mikea people 原声... | Am | 97 | |||
|
Antsa An-Katsaky 2 [OCR560115 - 5] |
0 | 3'50 | Traditionnal | Yodeling. Female voices duet. | 岳德尔唱法 民族 民族女声歌唱 Mikea people... | Bb | 118 | |||
|
Langoro Bilo [OCR560115 - 6] |
0 | 5'27 | Traditionnal | Ritual music with a magico-therapeutic fonction. Women's choir, ... | 女声民族合唱团 拍手 民族 langoro ... | Ebm | 172 |