| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Jingle Bells [BIB024 - 13] |
0 | 2'26 | Christoffer Schou from P.D. | Soft, kitsch and playful with a folky take on the vocals. Sleigh 歌词 | 圣诞节 铃铛 稳定的 懒惰 | Bb | 125 | |||
|
All About We [BIB019 - 7] |
2'01 | Chandler Bennett, James Desmond, Panauh Kalayeh, Louis Samuel Summervile | Heartfelt piano keys and a positive uplifting vocal exploring a sense 歌词 | 节奏布鲁斯 男歌手 社会悲剧 多愁善感 | Am | 89 | ||||
|
All About We Instrumental [BIB019 - 15] |
版本. | 2'01 | Chandler Bennett, James Desmond, Panauh Kalayeh, Louis Samuel Summervile | Heartfelt piano keys. Positive and uplifting. | 社会悲剧 多愁善感 青春剧 忧伤 | Em | 89 | |||
|
Got Me Going Loco [BIB019 - 10] |
2'12 | Ahmad I. Brown, James Desmond, Panauh Kalayeh, Jeff A. Leauby | Ponderous, staccato beats, plucked synth strings with a effected 歌词 | 说唱 高音 都市景色 态度 | Am | 120 | ||||
|
Got Me Going Loco Instrumental [BIB019 - 16] |
版本. | 2'14 | Ahmad I. Brown, James Desmond, Panauh Kalayeh, Jeff A. Leauby | Ponderous, staccato beats, plucked synth strings. | 高音 都市景色 朗朗上口 社会悲剧 | Am | 120 | |||
|
La Puerta Abierta Remix [CEZ4167 - 26] |
2'36 | Pajaro Canzani, Daniel Diaz | Ethnic electronica. Electronics, male singer, ethnic drums & soprano 歌词 | 昆比亚 异域 歌曲 西班牙语歌唱 | Am | 164 | ||||
|
La Puerta Abierta [CEZ4167 - 18] |
版本. | 2'31 | Pajaro Canzani | Chicha song. Male vocal, soprano sax & ensemble. 歌词 | chicha 秘鲁 小型八弦 跳舞舞会 | Am | 82 | |||
|
Diamond Rush [BIB011 - 1] |
2'31 | Alessandro Gigante | Male vocals and themes of love and romance, coupled with warm 歌词 | 通俗音乐 爱情 民族民谣 流行民谣 | A | 92 | ||||
|
Diamond Rush 2 [BIB011 - 12] |
版本. | 2'31 | Timothy Jason Bidwell, Andrew John Stuart-Buttle | Warm guitars, quirky synths and percussion give this track a playful, | 民族民谣 流行民谣 开心 无忧无虑 | A | 92 | |||
|
Dreams Come True [BIB011 - 2] |
2'37 | Alice Miranda Patricia Haughton | Positive, hopeful, female vocals, underpinned with upbeat summery 歌词 | 女歌手 浪漫喜剧 自信 流行歌曲 | C | 94 | ||||
|
Dreams Come True 2 [BIB011 - 13] |
版本. | 2'38 | Timothy Jason Bidwell, Andrew John Stuart-Buttle | A positive, hopeful, upbeat track featuring summery guitars, | 厨房 流行民谣 室外 自信 | C | 94 | |||
|
Sing It Out [BIB011 - 8] |
2'31 | Cordelia Jeanne Gartside | Naive female vocals, themes of love and romance, ukelele & acoustic 歌词 | 民族民谣 女歌手 浪漫喜剧 自信 | D | 80 | ||||
|
Sing It Out 2 [BIB011 - 19] |
版本. | 2'32 | Timothy Jason Bidwell, Andrew John Stuart-Buttle | Acoustic guitars and ukelele add to the appeal of this wholesome, | 民族民谣 浪漫喜剧 自信 民族吉他 | D | 80 | |||
|
We Are Golden [BIB011 - 10] |
2'45 | Cordelia Jeanne Gartside | Female vocals, plucked strings and a driving pace combine with lyrics 歌词 | 流行歌曲 自信 印度流行音乐 朗朗上口 | Em | 148 | ||||
|
We Are Golden 2 [BIB011 - 21] |
版本. | 2'44 | Timothy Jason Bidwell, Andrew John Stuart-Buttle | Plucked strings and a driving pace combine to create a bittersweet | 自信 印度流行音乐 忧伤 朗朗上口 | Em | 148 | |||
|
O Lavrador Da Arada [OCR580035 - 17] |
0 | 7'08 | Traditionnal | "The ploughman with his swing plough". A cappella traditional female | 民族 葡萄牙 民族女声独唱 葡萄牙语歌唱 | Ab | 129 | |||
|
Rasoamaso [OCR561089 - 12] |
0 | 3'42 | Traditionnal | "The princess with the beautiful eyes". A cappella traditional female | 民族 女声民族合唱团 Bara people 马达加斯加歌唱 | Gb | 163 | |||
|
Holy Aho [OCR561089 - 19] |
0 | 3'34 | Traditionnal | "I'm going home". Traditional male singer, kantsa (Malagasy rattle), | 民族 Bara people 马达加斯加的管状齐特拉琴 传统男声独唱 | Ebm | 97 | |||
|
Puntos Espirutruanos [OCR560209 - 2] |
0 | 6'02 | Unknown | Punto. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Eb | 109 | |||
|
Arullo [OCR560209 - 3] |
0 | 3'04 | René Bonachea | Criolla. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Abm | 86 | |||
|
Falso Homenaje [OCR560209 - 4] |
0 | 3'33 | Enrique Bernal Valdivia | Guaracha. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | B | 111 | |||
|
El Director [OCR560209 - 5] |
0 | 2'15 | Rafael Gomez | Clave. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Bb | 165 | |||
|
Popurri de pasacalles [OCR560209 - 10] |
0 | 5'07 | Unknown | Pasacalles. Traditional male singers accompanied by acoustic guitars | 民族 男声民族合唱团 古巴 古典吉他 | Bb | 126 | |||
|
Temo al Olvido [OCR560209 - 12] |
0 | 2'57 | Rafael Gomez | Bolero ritmico or cancion. Traditional male singers accompanied by | 民族 男声民族合唱团 古巴 古典吉他 | Em | 154 | |||
|
Trigueña Linda [OCR560208 - 12] |
0 | 2'46 | Julio Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | C | 95 | |||
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 |