| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Fear Inside [CEZ4081 - 13] |
0 | 1'40 | Jean-François Vrod | Sinister & scary. Prepared piano solo. | 恐怖片 灾难 低沉 夜晚 | B | 91 | |||
|
Exorcism [CEZ4081 - 24] |
0 | 3'15 | Pierre Bernard | Funereal & scary. Bells & electronic treatment. | 诡异 恐怖片 铃铛钟 魔幻电影 | Em | 152 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | 轰隆声 令人不安 不和谐音 嗡嗡声 | Gm | 117 | |||
|
No Access [CEZ4067 - 25] |
0 | 2'24 | Vincent Leibovitz | Mysterious & nocturnal. Double bass & electronics. | 调查研究 机器人 稳定的 自然灾害 | Bbm | 90 | |||
|
Vendetta [CEV3003 - 17] |
0 | 1'18 | Pierre Bats, Olivier Samouillan, Dejan Spasovik | Mystrious, tense & nocturnal. Flutes & percussion. | 地理政治 中东 当代中东音乐 全景 | Ab | 86 | |||
|
Balkania [CEV3003 - 21] |
0 | 1'18 | Olivier Samouillan, Dejan Spasovik | Poignant & desolate. Brascht violin ensemble. | 地理政治 东欧吉普赛人 bratsch viola 抱歉 | Bb | 101 | |||
|
La Ligne De Démarcation [CEZ4060 - 19] |
0 | 0'56 | Teddy Lasry | Unsettled. Theme of "Mayn Shetl" (tr 3). Solo piano with echo fx. | 灾难 历史旁白 悲剧 社会悲剧 | Dm | 73 | |||
|
Opfor [CEZ4060 - 34] |
0 | 2'26 | Maurice Delaistier, Teddy Lasry | Violin & piano ostinato. | 犹太教 历史旁白 悲剧 社会悲剧 | Bb | 103 | |||
|
Diaspora [CEZ4060 - 38] |
0 | 0'50 | Teddy Lasry | Main theme of "Yiddishland". Solo violin. | 犹太教 小提琴 意第绪语 感动 | Em | 72 | |||
|
Iceland [CEZ4058 - 16] |
0 | 2'22 | Pernilla Österberg | Empty & graceful. Ambient drone with sparse piano & strings. | 气氛 安静 飞行 悬念 | Abm | 78 | |||
|
Foghorn [CEZ4057 - 35] |
0 | 2'14 | Youenn Le Berre | Light in the mist. Synth drone with distant bagpipe melody. | 低沉 海底 稳定的 进行中 | Bb | 65 | |||
|
Laps 1 [CEZ4021 - 5] |
0 | 0'20 | Bernard Parmegiani | Industry. Drones. Sound design. | 电子音乐 sequencing 怪异 六十年代 | E | 121 | |||
|
Le Temps Perdu [CEZ4021 - 25] |
0 | 1'43 | Bernard Parmegiani | Horrror. esoteric. Electro-acoustic. | 诡异 恐怖 电子音乐 恐怖片 | Gbm | 98 | |||
|
Diary [CEZ4052 - 3] |
0 | 2'00 | Daniel Finot, Arnaud Rozenblat | Old piano with pulse bass figure & high pitched fx. Pensive. | 周期性的 心理剧 社会悲剧 固执 | Bm | 82 | |||
|
The Final Wait [CEZ4051 - 1] |
0 | 2'21 | Bruno Alexiu | Pure suspense. Long dark & dynamic string ambience. | 自然灾害 嗡嗡声 历史旁白 悬念 | Gbm | 108 | |||
|
Distant Cannon [CEZ4043 - 20] |
0 | 1'04 | Marc-Olivier Dupin | Freeze frame in time. Circling insistent strings with bass stabs. | 波动感 嗡嗡声 神秘 恐怖片 | Abm | 130 | |||
|
Phone Tapping [CEZ4040 - 20] |
0 | 1'38 | Elisabeth Skornik, Guy Skornik | Layered voices and scanner FX over synth drone. | 间谍片 (音效)广播 (音效)电话 神秘 | C | 127 | |||
|
Ghost Liner [CEZ4033 - 8] |
0 | 5'21 | Christian Zanesi | Strange, liner noises with futuristic & vocal FX. | (音效)船哨声 海滨 开阔 电子音乐 | Dm | 68 | |||
|
Cyclic Light [CEZ4033 - 19] |
0 | 2'02 | Christian Zanesi | Constant. Simple, shimmering synth with high piteched drone. | 高音 气氛 电子音乐 稳定的 | Db | 103 | |||
|
Analog Dance [AUD044 - 1] |
2'02 | Frederic Sicart | Retro Electro. Quirky, playful & lively. Break @ 0'58, @ 1'29. Analog | 怪异 机器人 六十年代 电子 | D | 140 | ||||
|
Analog Dance (Short Edit) [AUD044 - 6] |
版本. | 0'29 | Frederic Sicart | Short edit | 怪异 机器人 六十年代 电子 | Gbm | 140 | |||
|
Analog Dance (No Drums) [AUD044 - 11] |
版本. | 2'02 | Frederic Sicart | No beat version | 怪异 机器人 六十年代 电子 | Dm | 140 |