| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Memory Mist [CEZ4042 - 8] |
0 | 2'21 | Silvano Michelino | Esoteric. Slow & quircky glokenspiel (kutawapas) and udu drum. | 金属 当代艺术 催眠 神秘 | Em | 70 | |||
|
Resonnance [CEZ4033 - 17] |
0 | 3'36 | Christian Zanesi | Evocative & quasi religious. Ceremony. Gentle chimes with pulse. | 金属 pulsation 官方仪式 催眠 | Bm | 68 | |||
|
Cut the Red Wire [CEG5058 - 2] |
0 | 1'08 | Les Cosmonotes | Suspenseful Clockwork. Waiting, undecided, minimal & dark. Metallic | 进行中 悬念 令人不安 时间(滴答声) | Cm | 90 | |||
|
The Final Lap [CEG5058 - 15] |
1'22 | Les Cosmonotes | Suspenseful Clockwork. Steady, strange & minimal. Rhythmic sound | (音效)滴答声 时间(滴答声) 金属 声音设计 | Bm | 85 | ||||
|
The Final Lap Alternate [CEG5058 - 19] |
版本. | 1'22 | Les Cosmonotes | Alternate without FX. | (音效)滴答声 时间(滴答声) 金属 声音设计 | Bm | 85 | |||
|
Grieving [CEO2183 - 12] |
0 | 1'18 | Irina Prieto Botella | Post-classical. Sad, introspective & bleak. Punctuated. Slow pulse | 医疗 耐心 悬念 稀疏 | Dm | 90 | |||
|
The Mechanics of Crime [CEG5051 - 1] |
3'16 | Bruno Alexiu | Obstinate, industrial, enigmatic & menacing. Electronic percussion, | 悬念 调查研究 沉重 固执 | Cm | 120 | ||||
|
The Mechanics of Crime
[CEG5051 - 9] |
版本. | 3'16 | Bruno Alexiu | Version with percussion only. | 节奏乐器组 工业 沉重 冲击 | Am | 120 | |||
|
The Mechanics of Crime Edit 1
[CEG5051 - 10] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 2
[CEG5051 - 11] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 3
[CEG5051 - 12] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 4
[CEG5051 - 13] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 悬念 调查研究 沉重 固执 | Cm | 120 | |||
|
Indicated [AMS5042 - 5] |
1'37 | Danijel Grubovic | Hybrid trailer. Metallic, mechanical & fierce. Build-up @ 0'18 with | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | ||||
|
Indicated Alternate 1 [AMS5042 - 40] |
版本. | 1'37 | Danijel Grubovic | No percussion version | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Alternate 2 [AMS5042 - 41] |
版本. | 1'37 | Danijel Grubovic | Percussion only version | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Alternate 3 [AMS5042 - 42] |
版本. | 1'37 | Danijel Grubovic | No voice fx version | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Alternate 4 [AMS5042 - 43] |
版本. | 1'37 | Danijel Grubovic | Bed | 画面感 爆炸 轰隆声 动作游戏 | Bbm | 147 | |||
|
Indicated Alternate 5 [AMS5042 - 44] |
版本. | 1'37 | Danijel Grubovic | Underscore | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Edit 1 (60 sec) [AMS5042 - 45] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Edit 2 (30 sec) [AMS5042 - 46] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Edit 3 (15 sec) [AMS5042 - 47] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 148 | |||
|
Ringing Crystal [CEO2167 - 20] |
1'50 | Olivier Militon | Evanescent, celestial, enchanting & magical. Keyboard, celesta, | 明朗 源泉 通透 仙境 | Fm | 89 | ||||
|
Ringing Crystal Edit (60s) [CEO2167 - 84] |
版本. | 1'00 | Olivier Militon | 60 second cut | 明朗 源泉 通透 仙境 | Fm | 91 | |||
|
Ringing Crystal Edit (30s) [CEO2167 - 85] |
版本. | 0'30 | Olivier Militon | 30 second cut | 明朗 源泉 通透 仙境 | Fm | 90 | |||
|
Ringing Crystal Edit (15s) [CEO2167 - 86] |
版本. | 0'15 | Olivier Militon | 15 second cut | 明朗 源泉 通透 仙境 | Fm | 90 | |||
|
The End of Times [CEG5043 - 4] |
0 | 3'28 | Denis Levaillant | Paranormal, psychotic, noisy, sinister & metallic. Drone/sound design | 恐怖片 神经病 心理剧 嗡嗡声 | Em | 86 | |||
|
Electrophobia [CEG5043 - 9] |
0 | 2'46 | Denis Levaillant | Nocturnal, eerie, vibrant & metallic. Like a trip in a spaceship. | 嗡嗡声 抱歉 恐怖片 诡异 | Bbm | 139 | |||
|
Nightmare of the Abyss [CEG5043 - 10] |
0 | 2'26 | Denis Levaillant | Constant, undulating, low, rumbling, resonant & menacing. Drone/sound | 嗡嗡声 令人不安 地下 有毒 | Eb | 99 | |||
|
No Time to Die [CET9092 - 1] |
1'57 | Zoltan Zadori | Cinematic. Clocklike intro with suspenseful & eerie pads & ticking | 画面感 恐怖 (音效)滴答声 时间(滴答声) | C | 110 | ||||
|
No Time to Die Alternate 1 [CET9092 - 11] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖 冲突 恐怖片 | C | 110 | |||
|
No Time to Die Alternate 2 [CET9092 - 12] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 时间(滴答声) 冲突 恐怖片 | Gm | 110 | |||
|
Timebreaker [CET9092 - 2] |
2'13 | Zoltan Zadori | Cinematic. Pending & ominous intro with clocklike fx, sound design & | 战士 恐怖 战争 冲突 | Em | 90 | ||||
|
Timebreaker Alternate 1 [CET9092 - 13] |
版本. | 2'13 | Zoltan Zadori | Alternate version without percussion. | 战士 恐怖 战争 冲突 | Em | 89 | |||
|
Timebreaker Alternate 2 [CET9092 - 14] |
版本. | 2'13 | Zoltan Zadori | Alternate version with percussion only. | 战士 恐怖 战争 冲突 | Abm | 90 | |||
|
Time Breach [CET9092 - 6] |
1'58 | Zoltan Zadori | Cinematic. Discontinuous, anxiety-inducing intro with rumbling, | 冲突 战争 (音效)开火 战士 | Dbm | 89 | ||||
|
Time Breach Alternate 1 [CET9092 - 21] |
版本. | 1'48 | Zoltan Zadori | Alternate version without percussion. | 冲突 战争 (音效)开火 战士 | Gbm | 89 | |||
|
Time Breach Alternate 2 [CET9092 - 22] |
版本. | 1'58 | Zoltan Zadori | Alternate version with percussion only. | 冲突 战争 (音效)开火 战士 | Fm | 90 | |||
|
Game Over [CET9092 - 8] |
1'45 | Zoltan Zadori | Cinematic. Discontinuous & eerie intro with sound design & heartbeat. | 冲突 画面感 (音效)滴答声 战争 | Dm | 120 | ||||
|
Game Over Alternate 1 [CET9092 - 25] |
版本. | 1'45 | Zoltan Zadori | Alternate version without percussion. | 冲突 画面感 战争 战士 | Dm | 120 | |||
|
Game Over Alternate 2 [CET9092 - 26] |
版本. | 1'45 | Zoltan Zadori | Alternate version with percussion only. | 冲突 画面感 (音效)滴答声 战争 | Am | 120 | |||
|
Strikeforce [CET9092 - 9] |
2'03 | Zoltan Zadori | Cinematic. Insidious, pure, undulating & metallic intro with sound | (音效)滴答声 冲突 画面感 恐怖片 | G | 162 | ||||
|
Strikeforce Alternate [CET9092 - 27] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | (音效)滴答声 冲突 画面感 恐怖片 | Gbm | 162 | |||
|
Underdog [INP063 - 6] |
2'20 | Markus Gleissner | Heavy, confident, powerful. Muffled sci fi impact and dissonance | 极限运动 动作片 沉重 固执 | Em | 92 | ||||
|
Underdog (Underscore) [INP063 - 17] |
版本. | 2'20 | Markus Gleissner | Heavy, confident, powerful. Muffled sci fi impact and dissonance | 极限运动 动作片 沉重 固执 | Em | 92 | |||
|
CPU Overload [CEZ4604 - 2] |
0 | 2'33 | Borussia | Electro hip hop. Future beat. Trap. Wonky beat. Tormented, bouncy, | 怪异 艺术风格 态度 信息技术 | Abm | 150 | |||
|
Touch Down [AUD001 - 4] |
1'29 | Dominique Grimaldi | Medium-fast tempo - Stressful and repetitive. Heavy synth and | 金属 夜晚 悬念 周期性的 | Gm | 70 | ||||
|
Touch Down Alternate 1 [AUD001 - 9] |
版本. | 0'10 | Dominique Grimaldi | Short alternate version. | 金属 夜晚 悬念 周期性的 | Gm | 140 | |||
|
Touch Down Alternate 2 [AUD001 - 14] |
版本. | 1'29 | Dominique Grimaldi | Alternate version without drum. | 金属 夜晚 悬念 周期性的 | G | 70 | |||
|
Danger is Closing in [CEO2154 - 9] |
1'50 | Marc-Olivier Dupin | Enigmatic, nightmarish, atmospheric, metallic & resonating. Cymbals | 复杂 神秘 恐怖 恐怖片 | Abm | 78 | ||||
|
Danger is Closing in Alternate [CEO2154 - 14] |
版本. | 1'44 | Marc-Olivier Dupin | Squeaky, disturbing & strange. Cymbals played with brushes & rain | 神秘 恐怖 恐怖片 金属 | Abm | 78 |