Hip Hop track. Catchy, cool, medium-fast, rancous, challenging & purposeful. Trap beat, synth, FX & percussion. For sport challenge, action, Hip Hop track. Catchy, cool, medium-fast, rancous, challenging & purposeful. Trap beat, synth, FX & percussion. For sport challenge, action, highlights, video games & individual sport.
Bright, retro, upbeat. Phasing guitars drift out with wistful 80s chords atop chugging synth bassline with slap bass affectations. Straightforward Bright, retro, upbeat. Phasing guitars drift out with wistful 80s chords atop chugging synth bassline with slap bass affectations. Straightforward drumbeat gives a sense of determination, reminiscent of someone driving fast down a scenic highway. Floaty instrumentation with sparkling arpeggiations and angelic choirs. Searing solo guitar conjures picturesque sunsets in a dramatic location, by the ocean or driving through a large forest.
Bright, retro, upbeat. Phasing guitars drift out with wistful 80s chords atop chugging synth bassline with slap bass affectations. Straightforward Bright, retro, upbeat. Phasing guitars drift out with wistful 80s chords atop chugging synth bassline with slap bass affectations. Straightforward drumbeat gives a sense of determination, reminiscent of someone driving fast down a scenic highway. Floaty instrumentation with sparkling arpeggiations and angelic choirs. Impassioned style conjures picturesque sunsets in a dramatic location, by the ocean or driving through a large forest. Instrumental version.
Bright, retro, upbeat. Phasing guitars drift out into an expansive soundscape, joined gradually by muted 80s guitar picking. Wistful energy, Bright, retro, upbeat. Phasing guitars drift out into an expansive soundscape, joined gradually by muted 80s guitar picking. Wistful energy, reminiscent of someone speeding down a scenic highway. Floaty instrumentation with sparkling arpeggiations and pads. Impassioned style conjures picturesque sunsets in a dramatic location, by the ocean or driving through a large forest. Stripped back underscore version.
Bright, retro, upbeat. Phasing guitars drift out supported by chugging 80s bassline. Wistful energy, reminiscent of someone speeding down a scenic Bright, retro, upbeat. Phasing guitars drift out supported by chugging 80s bassline. Wistful energy, reminiscent of someone speeding down a scenic highway. Floaty instrumentation contrasts with straightforward bassline. Impassioned style conjures picturesque sunsets in a dramatic location, by the ocean or driving through a large forest. Stripped back underscore version.
Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter, pushed gently by anticipatory drumbeat. Breakthrough at 00:40 into pop Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter, pushed gently by anticipatory drumbeat. Breakthrough at 00:40 into pop sensibility, with glittering synths and dramatic reversed cymbals. 80s guitar plays sharp jazzy notes amidst echoing percussion and heavy-set bass. Reminiscent of the sun going down on a holiday destination, headlights shining down a road as darkness grows.
Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter, pushed gently by anticipatory drumbeat. Breakthrough at 00:40 into pop Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter, pushed gently by anticipatory drumbeat. Breakthrough at 00:40 into pop sensibility, with glittering synths and dramatic reversed cymbals. 80s guitar plays sharp jazzy notes amidst echoing percussion and heavy-set bass. Reminiscent of the sun going down on a holiday destination, headlights shining down a road as darkness grows. Instrumental version.
Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter. Breakthrough at 00:40 into pop sensibility, with glittering synths. 80s Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter. Breakthrough at 00:40 into pop sensibility, with glittering synths. 80s guitar plays sharp jazzy notes amidst echoing percussion and heavy-set bass. Reminiscent of the sun going down on a holiday destination, headlights shining down a road as darkness grows. Stripped back underscore version.
Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter. Breakthrough at 00:40 into pop sensibility, with glittering synths. Cool, adventurous, poppy. Thick synth chords with atmospheric delay scatter. Breakthrough at 00:40 into pop sensibility, with glittering synths. Reminiscent of the sun going down on a holiday destination, headlights shining down a road as darkness grows. Stripped back underscore version.
Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Introspective, intimate & wandering hip-hop-pop sung in Spanish. Pushing away the pain. Female singer, electric guitar, slide, synth & electronic Introspective, intimate & wandering hip-hop-pop sung in Spanish. Pushing away the pain. Female singer, electric guitar, slide, synth & electronic percussion.歌词
ES:
estoy cansada y no lo entiendo
intento expresarlo con palabras
y al final salen bostezos
el miedo
de verme en un espejo
y disociar entre la imagen
y entre lo que en si proyecto
casi ni veo cine
desecho mis deseos
ya no hago lo que quiero
porque nunca tengo tiempo
y me lamento
y lo único pienso
es que me come la ciudad
y que me enreda el pelo el viento
pensé que amar sería suficiente
pero me siento sola y peleada con mi mente
no creo en mi talento como antes
no soy la que era antes
no soy suficiente
o soy demasiado grande
no soy nada fuerte
o es que tengo mucho aguante
no recuerdo nada lo que es sentirme bien
con el alma llena como un niño
que empieza a correr
pinto todo de color pastel para creer
que algún día la ternura me va a devolver
todo lo que el tedio y lo que el daño me han quitado
las horas de un sueño malgastado
pinto todo de color pastel para creer
que algún día la ternura me va a devolver
todo lo que el tedio y lo que el daño me han quitado
las horas de sueño que las noches me han robado
las horas de sueño que las noches me han robado
las horas de sueño que las noches me han robado
tal vez el camino equivocado
sea siempre el que me ha conquistado
ya tengo el enigma descifrado
el tiempo se pasa muy despacio
no busco na' de nadie
la suerte no me sobra pero siempre se comparte
escribo versos con punto y a parte
porque un punto y seguido implica motivos pa' seguir adelante
pero tranquilas que aquí mando yo
el agua limpia todo y últimamente está lloviendo un montón
no quiero sentir ni un remordimiento nunca más
la sensación que mas me pesa es la de recordar
algún día estaré bien lo puedo asegurar
sentirme a mí misma es suficiente pa' avanzar
igual que el pie que se siente a sí mismo al andar
igual que dos enamorados dentro de un maizal
escribo para mí y para reafirmar
que puede que algún día este cigarro se apague sin más
y no lo entenderás por no haber querido preguntar
ya no te sientas mal por mí me he cambiado de piel
a veces tu recuerdo incluso me sabe a miel
he estado imaginándome que es lo que quiero ser
y solo busco ser más gata que nunca y correr
y correr y correr y correr
y correr
pinto todo de color pastel para creer
que algún día la ternura me va a devolver
todo lo que el tedio y lo que el daño me han quitado
las horas de un sueño malgastado
pinto todo de color pastel para creer
que algún día la ternura me va a devolver
todo lo que el tedio y lo que el daño me han quitado
las horas de sueño que las noches me han robado
EN:
I'm tired and I don't understand
I try to put it into words
and in the end yawns come out
the fear
of seeing myself in a mirror
and dissociate between the image
and between what I project
I almost don't watch movies
I discard my desires
I no longer do what I want
because I never have time
and I lament
and the only thing I think
is that the city eats me up
and that the wind is tangling my hair
I thought that loving would be enough
but I feel lonely and at odds with my mind
I don't believe in my talent like before
I'm not what I used to be
I'm not enough
or I'm too big
I'm not strong at all
or is it that I have too much endurance
I don't remember what it's like to feel good
with a soul as full as a child
who starts to run
I paint everything in pastel colors to believe
that someday tenderness will return to me
all that boredom and hurt have taken away from me
the hours of a wasted dream
I paint everything in pastel colors to believe
that someday tenderness will return to me
all that boredom and hurt have taken away from me
the hours of sleep that the nights have stolen from me
the hours of sleep that the nights have stolen from me
the hours of sleep that the nights have stolen from me
maybe the wrong path
is always the one that has conquered me
I already have the enigma deciphered
time goes by very slowly
I'm not looking for anything from anyone
luck is not enough for me but I always share it
I write verses with a full stop, new paragraph
because a full stop, no new paragraph implies reasons to keep going on
but don't worry I'm in charge here
water cleans everything and lately it's been raining a lot
I don't want to feel a single remorse anymore
the feeling that weighs me down the most is the one of remembering
someday I'll be alright I can assure you
feeling myself is enough to move forward
just like the foot that feels itself when walking
just like two lovers inside a cornfield
I write for myself and to reaffirm
that maybe someday this cigarette will go out just like that
and you won't understand because you didn't want to ask
don't feel bad for me anymore I've changed my skin
sometimes your memory even tastes like honey to me
I've been imagining what I want to be
and I'm just trying to be more cat than ever and run
and run and run and run and run
and run
I paint everything in pastel colors to believe
that someday tenderness will return to me
all that boredom and hurt have taken away from me
the hours of a wasted dream
I paint everything in pastel colors to believe
that someday tenderness will return to me
all that boredom and hurt have taken away from me
the hours of sleep that the nights have stolen from me
Stoner rock / hard rock. Fat, determined, heavy & proud. Lead guitar @ 0'54. Distorded guitar & drum. Riffs & drum. For video games / extreme sports Stoner rock / hard rock. Fat, determined, heavy & proud. Lead guitar @ 0'54. Distorded guitar & drum. Riffs & drum. For video games / extreme sports / motor racing.
Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Female Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Female vocals rap with a confident energy, lyrics about partying and giving off a sense of style and pride. Bass and drum create an undeniable dance energy alongside male vocal hook. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit.歌词
Yeah let's move it, get to it, this is how we do it, Yeah let's move it, get to it,
this is how we do it,
Do it, do it, do do do it,
Do it, do it, do do do it.
Move Uh
Move Move
Do it do it do it do it,
Do it do it do it do it,
Do it do it do it do it,
Do it do it do it do it,
Get get get.
Yeah let's move it, get to it, this is how we do it,
Yeah let's move it, get to it, this is how we do it,
Move,
This is how we do it, Move,
Do it do it,
Yeah let's move it, get to it, this is how we do it,
Yeah let's move it, get to it, this is how we do it,
Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy alongside male vocal hook about taking action in a party situation. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. No lead vocal version.
Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. Instrumental version.
Determined, energetic, rude. Subtle bassline and finger clicks spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Determined, energetic, rude. Subtle bassline and finger clicks spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. Stripped back underscore version.
Inspiring, motivating, cinematic. Bright synth bursts with reflective piano and bright string textures build with innocent chimes, acoustic guitar Inspiring, motivating, cinematic. Bright synth bursts with reflective piano and bright string textures build with innocent chimes, acoustic guitar and laid back beats. Piano and string bridge at 00:58 leads into a dramatic B section from 01:23, with propulsive drums and celebratory melodies. Aspirational cue with an epic, rousing final section with powerful electric guitar, full of energy and euphoric wonder.
Rousing, mysterious, emotive. Reflective piano with brooding strings drift ethereally. Tentative intro builds with driving short strings and Rousing, mysterious, emotive. Reflective piano with brooding strings drift ethereally. Tentative intro builds with driving short strings and heartbroken melodies to become determined and motivating with powerful trailer percussion, pulsing synths and rising orchestra. Strong, wondrous and courageous orchestral trailer cue.
Emotive, grand, foreboding. Shrouded ambient sound gives way to downbeat guitar and light percussion. Austere emotion communicated by guitar sequence Emotive, grand, foreboding. Shrouded ambient sound gives way to downbeat guitar and light percussion. Austere emotion communicated by guitar sequence conveys a sense of magnitude, a panoramic of an expansive landscape tinged with a feeling of sorrow. Droning bass notes support energy, before passionate drums play driving sombre but determined energy forward.
Emotive, grand, foreboding. Downbeat guitar plays out a post-rock sequence conveying austere emotion and a sense of magnitude. Droning bass notes Emotive, grand, foreboding. Downbeat guitar plays out a post-rock sequence conveying austere emotion and a sense of magnitude. Droning bass notes support energy, before passionate drums play driving sombre but determined energy forward. Stripped back underscore version.
Emotive, grand, foreboding. Shrouded ambient sound gives way to light percussion. A sense of magnitude and austere emotion, a panoramic of an Emotive, grand, foreboding. Shrouded ambient sound gives way to light percussion. A sense of magnitude and austere emotion, a panoramic of an expansive landscape tinged with a feeling of sorrow. Droning bass notes support energy, joined by incensed string layers. Stripped back underscore version.
Compelling, rapid, determined. Tentative strings and ambient noise moves into driving drumbeat and brave string melodies. Percussive impacts and Compelling, rapid, determined. Tentative strings and ambient noise moves into driving drumbeat and brave string melodies. Percussive impacts and heartbeat drums gift a sense of action, a crucial situation. Ornate piano trills convey a certain level of talent and agility. An experienced action hero saving the day. Soaring lead synths in last reprisal offer a thriller movie sense of danger and triumph.
Compelling, rapid, determined. Tentative strings and ambient noise moves into driving drumbeat and brave string melodies. Percussive impacts and Compelling, rapid, determined. Tentative strings and ambient noise moves into driving drumbeat and brave string melodies. Percussive impacts and heartbeat drums gift a sense of action, a crucial situation. An experienced action hero saving the day. Soaring lead synths in last reprisal offer a thriller movie sense of danger and triumph. Stripped back underscore version.
Compelling, rapid, determined. Tentative strings and ambient noise gift a sense of intrigue and slight concern. Heartbeat drums gift a sense of Compelling, rapid, determined. Tentative strings and ambient noise gift a sense of intrigue and slight concern. Heartbeat drums gift a sense of action, a crucial situation. An experienced action hero saving the day. Soaring lead synths in last reprisal offer a thriller movie sense of danger and triumph. Stripped back underscore version.
Militaristic, noble, proud. Chugging string sound indicates a sense of duty and honour, reminiscent of an army or action storyline. Slowly rising Militaristic, noble, proud. Chugging string sound indicates a sense of duty and honour, reminiscent of an army or action storyline. Slowly rising instrumentation warns of climax, working its way to catharsis at 00:43 with deep bass trumpets and climbing melodies. A protagonist fighting against all odds.
Militaristic, noble, proud. Euphoria joins with deep war drums indicating a sense of duty and honour, reminiscent of an army or action storyline. Militaristic, noble, proud. Euphoria joins with deep war drums indicating a sense of duty and honour, reminiscent of an army or action storyline. Slowly rising instrumentation warns of climax, working its way to catharsis at 00:43 with deep bass trumpets and climbing melodies. A protagonist fighting against all odds. Stripped back underscore version.
Militaristic, noble, proud. Euphoria joins with deep drums indicating a sense of duty and honour, reminiscent of an army or action storyline. Slowly Militaristic, noble, proud. Euphoria joins with deep drums indicating a sense of duty and honour, reminiscent of an army or action storyline. Slowly rising instrumentation warns of climax, working its way to catharsis at 00:43 with deep bass trumpets and climbing melodies. A protagonist fighting against all odds. Stripped back underscore version.
Futuristic, dazzling, epic. Twinkling synth arpeggiations build a heady and intricate backdrop alongside strings, a balance of modernity and class. Futuristic, dazzling, epic. Twinkling synth arpeggiations build a heady and intricate backdrop alongside strings, a balance of modernity and class. Piano sets out an austere gracefulness. Slow moving war drums communicate an inevitability, heroes journeying towards a great threat.
Futuristic, dazzling, epic. Heavy euphoria joins with strings and organ sounds, demonstrating a balance of modernity and class. War drums communicate Futuristic, dazzling, epic. Heavy euphoria joins with strings and organ sounds, demonstrating a balance of modernity and class. War drums communicate an inevitability, heroes journeying towards a great threat. Stripped back underscore version.
Futuristic, dazzling, epic. Heavy euphoria joins with strings and synth arpeggiations, demonstrating a balance of modernity and class. Winding Futuristic, dazzling, epic. Heavy euphoria joins with strings and synth arpeggiations, demonstrating a balance of modernity and class. Winding melodies convey a sense of fear and inevitability, heroes journeying towards a great threat. Stripped back underscore version.
