| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Amor non Parli [CEZ4338 - 16] |
3'24 | Thierry Caroubi | Plaintive & moving. Female voice, recorder, viola da gamba, lute & | 直笛 双簧管 古典鲁特琴 安静 | G | 90 | ||||
|
Amor non Parli Alternate [CEZ4338 - 21] |
版本. | 3'20 | Thierry Caroubi | Plaintive & moving. Recorder, viola da gamba, lute & harpsichord.歌词 | 直笛 双簧管 文艺复兴时期音乐 女高音(声乐) | Ab | 98 | |||
|
Peasant's Complaint [CEZ4338 - 18] |
0 | 2'16 | Gilles Maugenest | Heavy & accentuated. Rebec, recorder & percussion. | rebec 直笛 中世纪 中世纪音乐(800-1400) | Gbm | 87 | |||
|
Victimes des Nazis [CEO2072 - 7] |
0 | 1'22 | Baptiste Thiry | Restrained, sad & suspended. Piano & string orchestra. | 社会悲剧 伤心 稀疏 当代历史 | Gm | 72 | |||
|
Editorial Room [CEZ4344 - 1] |
0 | 3'05 | Sophia Domancich, Raphaël Marc | Corporate. Investigation. Determined & serious. Piano, sequencing & | 公司 调查研究 果断 electro beat | Cm | 121 | |||
|
Twists and Turns [CEO2064 - 3] |
0 | 1'07 | Guy Skornik, Elisabeth Skornik | Bitter-sweet, mischievous & bouncy. Xylophone, bassoon, strings & | 讽刺 & 恶意 仿纪录片 疑问 悲喜剧 | F | 150 | |||
|
Women in Black [CEG5003 - 7] |
2'00 | Abaji | Plaintive & threatening. Dumbek, afghan rubab, mey, kemencheh & | 地理政治 非阿拉伯中东 神奇 气氛 | Cm | 104 | ||||
|
Women in Black 2 [CEG5003 - 32] |
版本. | 1'57 | Abaji | Plaintive & threatening. Afghan rubab, mey, kemencheh & percussion. | 地理政治 气氛 悬念 非阿拉伯中东 | Cm | 82 | |||
|
Women in Black 3 [CEG5003 - 33] |
版本. | 1'58 | Abaji | Plaintive & threatening. Dumbek, afghan rubab, & percussion. | 地理政治 疑问 非阿拉伯中东 气氛 | Gbm | 104 | |||
|
Women in Black 4 [CEG5003 - 34] |
版本. | 1'58 | Abaji | Plaintive & threatening. Afghan rubab & mey. | 逝去的文明 地理政治 非阿拉伯中东 气氛 | Cm | 65 | |||
|
Persepolis [CEG5003 - 15] |
2'27 | Abaji | Warlike & exhilarating. Afghan rubab, male voice, daf, dumbek & | 地理政治 骑马 非阿拉伯中东 野性 | Cm | 110 | ||||
|
Persepolis 2 [CEG5003 - 39] |
版本. | 2'27 | Abaji | Warlike & exhilarating. Afghan rubab, daf, dumbek & cymbals. | 逝去的文明 骑马 地理政治 非阿拉伯中东 | Cm | 110 | |||
|
The Caspian Sea [CEG5003 - 22] |
0 | 2'27 | Abaji | Panoramic & desolate. Cello kemencheh, strings & sequencing. | 逝去的文明 抱歉 非阿拉伯中东 全景 | A | 129 | |||
|
Kyoto Shadows [CEG5002 - 2] |
2'51 | Abaji | Japan. Geopolitics. TV series. Mysterious & patient. Shakuhashi, | 地理政治 调查研究 神秘 稳定的 | G | 60 | ||||
|
Kyoto Shadows 2 [CEG5002 - 22] |
版本. | 2'51 | Abaji | Geopolitics. TV series. Mysterious & patient. Bass, synths & | 地理政治 调查研究 神秘 悬念 | G | 60 | |||
|
Beijing Garden [CEG5002 - 18] |
0 | 2'04 | Abaji | China. Geopolitics. Peaceful & sparse. Guzheng & sequencing. | 中国 地理政治 古筝 反省 | Bm | 136 | |||
|
Hotel Room Dub [CEZ4326 - 10] |
0 | 2'32 | Barthélémy Corbelet | Weird & melancholic. Rhythm, piano with fx delay, female voice @ 1'11 | 悬念 悬念 神秘 进行中 | Gm | 101 | |||
|
Pola (Prince Fatty's dub) [CEZ4326 - 12] |
0 | 2'50 | Barthélémy Corbelet, Mike Pelanconi | Dub. Weird, sparse & mysterious. Echo fx, vocals, guitar & | 悬念 神秘 DUB 漂泊 | Bbm | 143 | |||
|
Rainstorm [CEZ4325 - 3] |
0 | 2'37 | Barthélémy Corbelet, Yoann le Dantec | Suspended, menacing & obsessive. Classical guitar, piano, wood-block | 地理政治 疑问 悬念 固执 | A | 89 | |||
|
A la Frontière du Réel [CEO2059 - 10] |
0 | 1'51 | Jérôme Lemonnier | Peaceful but with a worrying touch. Orchestra & whistled melody (I | 悬念 诡异 神经病 催眠 | Gbm | 81 | |||
|
Sur le Champs de Bataille 2 [CEO2059 - 14] |
2'00 | Jérôme Lemonnier | Sad & sentimental. Constant crescendo. 2nd theme @ 1'38. Piano, | 命运 弦乐乐团 悲剧 抱歉 | Dbm | 65 | ||||
|
Sur le Champs de Bataille [CEO2059 - 1] |
版本. | 3'41 | Jérôme Lemonnier | Tragic, dark & poignant. Orchestra with timpany. | 命运 电影原声带 感动 弦乐乐团 | Gbm | 100 | |||
|
Limit Cycle [INP006 - 12] |
0 | 2'14 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Relaxed, sparse, | 垃圾音效 催眠 吵闹 高潮 | Dbm | 162 | |||
|
Atitlan Lake [CEO2058 - 1] |
0 | 1'27 | Gregory Cotti | Majestic & melancholic. Cinematic orchestra, electric guitar & | 地理政治 画面感 小说纪录片 逝去的文明 | Bb | 74 | |||
|
Seaweed Overflow [CEO2058 - 3] |
0 | 1'27 | Gregory Cotti | Determined & majestic. Sequencing, percussion & cinematic strings. | 小说纪录片 地理政治 工业 气氛 | Gm | 167 | |||
|
Fatalitas [CEO2056 - 2] |
1'04 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Climax with cluster @ 0'45. | 完成 当代历史 调查研究 新闻 | Gm | 128 | ||||
|
Fatalitas Alternate 1 [CEO2056 - 12] |
版本. | 0'49 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & string ensemble. | 固执 政治 不平稳 强调突出 | G | 128 | |||
|
Fatalitas Alternate 2 [CEO2056 - 13] |
版本. | 0'32 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & rhythm. | 强调突出 新闻 固执 政治 | G | 64 | |||
|
Fatalitas Alternate 3 [CEO2056 - 14] |
版本. | 0'48 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. String ensemble. | 新闻 固执 政治 不平稳 | G | 128 | |||
|
Inflexible [CEO2056 - 4] |
1'39 | Elisabeth Skornik, Guy Skornik | Tragic, solemn & punctuated. String ensemble & electronics. | 进行曲 强调突出 悲剧 有节奏感 | Dm | 120 | ||||
|
Inflexible Alternate 1 [CEO2056 - 15] |
版本. | 1'38 | Elisabeth Skornik, Guy Skornik | Tragic, solemn & punctuated. String ensemble & electronics. | 悬念 悲剧 稳定的 灾难 | Dm | 60 | |||
|
Inflexible Alternate 2 [CEO2056 - 16] |
版本. | 1'39 | Elisabeth Skornik, Guy Skornik | Tragic, anguish, steady & punctuated. String ensemble & electronics. | 悬念 悲剧 稳定的 冒险游戏 | Dm | 60 |