80's. Pop song. Soulful, simple & uplifting. Male singer, claps, 80's. Pop song. Soulful, simple & uplifting. Male singer, claps, synth & rhythm.歌词
I know it's raining tonightAnd even if it's cold outsideYou're not aloneYou're not aloneI know it's raining BabyAnd even if it's cold tonightYou're not alone
Just let me take you downTake you downJust let me take you downTake you downJust let me take you downJust let me take you downTake you downTake
Joyful & dancing. Song. Sung in Italian. Festive & traditional. Joyful & dancing. Song. Sung in Italian. Festive & traditional. Country dance. Female voice, accordion, mandolin, claps & rhythm.歌词
Italiano
Parenti, amici, sono tutti qua,
Venuti da tanti Paesi d'Italia,
Famiglie di Francia, e anche dall’Australia,
Rosetta si sposa: gran festa si farà!
Bi-tum, Bi-tum, Bi-tum,
Batti piedi, batti le mani, Tum, bi-tum, bi-tum,
alza le braccia, gira, gira,
Tum, bi-tum, bi-tum,
Organetto e tamburello
Tum, bi-tum, bi-tum, si balla la tarantella.
Si celebran le nozze come in Sicilia,
con tutte le comari a “mucatori” ??, i maschi quasi tutti, portano la coppola,
C'è vino, salam, prosciutto e ricotta
La mamma di Rosa si commuove e piange,
perché a sua bambina lontana sarà,
il padre un po brillo canta troppo forte
presto un nipotino in casa arriverà Français
Les parents, les amis sont tous là, Venus de tant de villages d’Italie Des familles de France, et aussi d’Australie Rosetta se marie : une grande fête se prépare !
Bi-tum, Bi-tum, Bi-tum,
On tape des mains, on bat des mains Tum, bi-tum, bi-tum,
On lève les bras, on tourne, on tourne
Tum, bi-tum, bi-tum,
Accordéon et tambourin Tum, bi-tum, bi-tum, on danse la tarentelle
On célèbre la noce comme en Sicile Avec toutes les commères qui portent foulard Presque tous les hommes ont une casquette Il y a du vin, du salami, du jambon et de la ricotta
La maman de Rosa est émue et pleure Parce que sa fille partira loin Le père un peu éméché chante trop fort Bientôt un neveu arrivera
English
Family and friends are all here Come from village all over Italy Families from France, Australia too Rosetta is getting married:
A big party is getting underway
Bi-tum, Bi-tum, Bi-tum,
we clap our hands, we clap our hands Tum, bi-tum, bi-tum,
we lift our arms, we spin we spin Tum, bi-tum, bi-tum,
Accordion and tambourine Tum, bi-tum, bi-tum, we dance the tarentelle
We celebrate the wedding like in Sicily With all the old girls in headscarves Almost all the men wear caps There’s wine, salami, ham and ricotta.
Rosa’s mama is moved to tears Because her daughter will move far away Father is a little tipsy and sings too loud Soon a nephew will arrive
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Italiano : RitornelloChe bella storia, storia d'amore, amore mio, mi porti sù, sù, sù
lassù nel cielo, cielo d'estate solo per noi. (l'estat' è solo per noi) Strofa :Noi siam' felici il giorno la notte con cento mila baci l'amore è sempre piu dolce mi porta sempre più in alto, sempre più forte Français :
RefrainQuelle belle histoire, Histoire d'amour, Mon amour, tu m'emportes là-haut, la-haut dans le ciel, le ciel d'été, rien que pour nous (l'été n'est rien que pour nous.) Couplet:Nous sommes heureux le jour et la nuit avec cent mille baisers l'amour est toujours plus doux il m'emporte toujours plus haut Et toujours plus fort. English :
ChorusWhat a lovely story A love story My love You take me up there Up there in the sky The summer sky Just for us (the summer just for us)
VerseWe are happy Day and night With a hundred thousand kisses Love is always sweeter It takes me up there And always more intense
Song. Sung in Italian. 60's. Dancing, joyful & exotic. Male voice, Song. Sung in Italian. 60's. Dancing, joyful & exotic. Male voice, electric guitar, strings, brass & rhythm.歌词
ItalianoDivent' un uomo fatto, Lei torna ragazza, ma quanto sto bene, quando quando ma quanto sto bene, quà , tra le braccia di tua madre!
Ha la pudore d'una bimba, E la dolcezza d'una mamma, l'appettito di una leonessa, e l'esperienza d'una regina, ah...
Le pesche non mi piacciono se sono verdi, Le pere, non mi piacciono se sono dure, le donne sono com' i frutti, migliore se sono mature. Lei sa placar' il mio ardore Posso gli aprir' il mio cuore, Dice che io la faccio ridere ma non mi parla di matrimonio!
Français
Je deviens un homme mûr Elle redevient jeune fille Mais qu’est-ce que je me sens bien
Quand, quand Qu'est-ce que je suis bien Là, dans les bras de ta mère
Elle a la pudeur d'une enfant Et la douceur d'une mère L'appétit d'une lionne Et l'expérience d'une reine, ah...
Les pêches ne me plaisent pas si elles sont vertes Les poires ne me plaisent pas si elles sont dures Les femmes sont comme les fruits Meilleures quand elles sont mûres
Elle sait calmer mon ardeur Je peux lui ouvrir mon cœur Elle dit que je la fais rire Mais ne parle pas de mariage.
English
I am becoming a mature man She is becoming a young girl How good I feel When when How good I feel Here in your mother’s arms
She has a child’s modesty And a sweetness of a mother The appetite of a lioness And the experience of a queen, ah…
I don’t like peaches when they’re green I don’t like pears when they’re hard Women are like fruit Better when they are ripe
She knows how to cool my ardour I can open my heart to her She says that I make her laugh But don’t talk to me about marriage
Song. Sung in Italian.Male voice, jazz band, mandolin & rhythm.歌词
ItalianoMio povero amico come stai?
cosa sta succedendo? (cosa sta succedendo?)
vedo che sei sempre giù di forma,
mi sembri molto triste,
e poi non ridi mai.
Dimmi che cosa c'è di sbagliato
non ti riconosco più (non ti riconosco più)
Bisogna che lo dica a tua madre
che sei un po’ palliduccio,
e che non mangi più.
Mio Pippo,
mio Peppe,
Peppino, non ti preoccupar,
Aspetta, con calma,
sicuro, che tua moglie tornerà
andiamo vieni, vieni, vieni con me
fuori fuori, non ti preoccupar,
tua moglie tornerà!
Ora va a rasarti quella barba,
e fa una bella doccia, (e fa una bella doccia,)
scegliei una camicia ben pulita,
pulita e ben stirata,
e il tuo capello nero
Ti porterò in un buon ristorante
a mangiare un po’ di pasta (a mangiar' un po’ di pasta) Vedremo tutte le belle ragazze,
passando per la strada
che mostrano le gambe.
Mio Pippo,
mio Peppe,
Peppino, non ti preoccupar,
Aspetta, con calma,
sicuro, che tua moglie tornerà
andiamo vieni, vieni, vieni con me
fuori fuori, non ti preoccupar,
tua moglie tornerà!
Français
Mon pauvre ami comment vas-tu ? Qu’est-ce qui t’arrive ? Je vois que tu es de moins en moins en forme, Tu as l’air très triste, Et tu ne ris jamais. Dis-moi ce qui ne va pas Je ne te reconnais plus Il faut le dire à ta mère Que tu es un peu trop pâle, Et que tu ne manges plus.
Mon Pippo, Mon Peppe, Peppino, Ne t’en fais pas Attends, Calmement, C’est sûr, Ta femme reviendra Allez, viens, viens, viens avec moi Sortons, ne t’inquiète pas Ta femme reviendra
Allez, va raser cette barbe, Et prends-toi une bonne douche Choisis une belle chemise propre, Propre et bien repassée, Et ton chapeau noir Je t’emmène dans un bon restaurant Manger des pâtes Nous regarderons toutes les jolies filles Qui se baladent dans la rue En montrant leurs jambes
English
My poor friend how are you doing? What happened to you? I see that you are less and less on form You look sad and you never laugh Tell me what’s up I don’t recognize you anymore Your mother should be told That you’re a bit too pale And you’re not eating anymore
My Pippo, My Peppe, Peppino, Don’t worry Wait, Be calm Your wife will come back
For sure Come on, come with me Let’s go out Don’t worry Your wife will come back
Come on, go and shave off this beard Take a good shower Pick out a nice clean shirt Clean and well-ironed And your black hat And I take you to a good restaurant We’ll eat pasta And watch the pretty girls Go by in the street Showing off their legs.
Truck-driving "going home" country song. Confident & optimistic. Truck-driving "going home" country song. Confident & optimistic. Male singer, guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.歌词
DRIVIN’ HOME VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour, and going nowhere So when you need to slow down, I just turn that car around And take the back roads thru the country when I’m drivin’ home
VERSE Sweet country music, on the radio Playin’ all those old songs we used to know Ohh, They take me back, to a place not long ago When we took the back roads thru the country When we’re drivin’ home
INSTRUMENTAL break
VERSE Rollin’ hills, deep blue skies, farmer Brown will tip his hat when you drive by Oh, we’re movin’ so fast, leave your troubles in the past and Take the back roads thru the country when you’re drivin’ home
VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour and gettin’ nowhere So when you need to slow down, just turn this car around And take the back roads thru the country
Take the back roads thru the country Take the back roads thru the country when I’m drivin’ home Drivin’ home
Underscore. Truck-driving country song. Confident & optimistic. Underscore. Truck-driving country song. Confident & optimistic. Guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.
Honky-tonk / western-swing song in the spirit of the late 40's & Honky-tonk / western-swing song in the spirit of the late 40's & early 50's. Confident & bouncy. Male singer, fiddle & pedal steel solo @ 0'50, rhythm & piano.歌词
TOO MANY HONKY TONKS
VERSE I know she didn’t mean to hurt me She tried so hard to make it right I guess I lost out to the whisky But I wonder where my baby is tonight
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
INSTRUMENTAL
VERSE The neon lights are shinin’ Right thru the warm glow of this wine And my ole heart is pinin’ And I wonder where she’ll be
At closing time.
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
From lonely street to misery Uptown on down There’re just too many honky tonks around
Underscore. Honky-tonk / western-swing in the spirit of the late 40's Underscore. Honky-tonk / western-swing in the spirit of the late 40's & early 50's. Confident & bouncy. Fiddle & pedal steel solo @ 0'50, rhythm & piano.
Upbeat country song in a Louisiana / cajun mood. Like a party in the Upbeat country song in a Louisiana / cajun mood. Like a party in the bayou. Male singer, pedal steel, accordion, fiddle.歌词
GOODTIME HONKY TONK VERSE Just a little past the county line Where the kudzu’s growin’ up the cross road sign
Sun’s sinkin’ thru the pine You’ll find the goodtime honky tonk
VERSE Just one happy family Blowin’ off steam at the end of the week Yes sir, no ma’am, thank you, please At the goodtime honky tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
VERSE Jukebox sittin’ on the old front porch Punch those numbers and hit the floor We all know what we’re here for
At the goodtime Honky Tonk
VERSE None of that new country breed Just Hank and Lefty and some Brenda Lee Listen to Willie puff some weed At the goodtime Honky Tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
INSTRUMENTAL
REPEAT CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk At the goodtime Honky Tonk At the goodtime Honky Tonk Heyeeeee
Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a party in the bayou. Pedal steel, accordion, fiddle.
Relaxed, summery, positive. Playful muted electric guitar builds with Relaxed, summery, positive. Playful muted electric guitar builds with bright, confident riffs and light wordless male vocals, building in warm, gentle layers with drums to create a carefree, determined cue with a sense of joy.
Relaxed, summery, positive. Playful muted electric guitar builds with Relaxed, summery, positive. Playful muted electric guitar builds with bright, confident riffs, building in warm, gentle layers with drums to create a carefree, determined cue with a sense of joy. Instrumental version.
Relaxed, summery, positive. Playful muted electric guitar builds with Relaxed, summery, positive. Playful muted electric guitar builds with bright, confident riffs and light wordless male vocals, building in warm, gentle layers with drums to create a carefree, determined cue with a sense of joy.
Relaxed, summery, positive. Playful muted electric guitar builds with Relaxed, summery, positive. Playful muted electric guitar builds with bright, confident riffs in warm, gentle layers to create a carefree, determined cue with a sense of joy. Stripped back underscore version.
