| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Go Car Go [CEZ4515 - 9] |
3'24 | Joaquim Plossu | Drum & Bass. Pending & atmospheric intro with filtered synth layers. | 鼓和贝司 体育电竞 赛车 果断 | Em | 87 | ||||
|
Go Car Go Alternate [CEZ4515 - 27] |
版本. | 3'46 | Joaquim Plossu | Extented version with intro. | 鼓和贝司 体育电竞 赛车 果断 | Em | 86 | |||
|
Late Night Driving [CEZ4515 - 10] |
2'12 | Pura Pura | Drum & Bass. Nocturnal, urban & energetic with repetitive mysterious | 鼓和贝司 果断 夜晚 赛车 | Bbm | 80 | ||||
|
Late Night Driving Alternate [CEZ4515 - 28] |
版本. | 2'03 | Arthur Dutil | Short version without intro. | 鼓和贝司 果断 夜晚 赛车 | Bbm | 80 | |||
|
Skyline Timelapse [CEZ4515 - 14] |
0 | 2'36 | Pura Pura | Drum & Bass / electronica. Confident, optimistic, panoramic & arty in | 鼓和贝司 自信 神秘 梦幻 | A | 82 | |||
|
The Emperor's Tree [CEC8023 - 5] |
0 | 2'18 | 果敢 | Sparse, suspended & played with drum sticks then discontinuous | 传统亚洲 早期艺术 中国 太鼓 | Gbm | 86 | |||
|
Tibetan Ritual [CEC8023 - 7] |
0 | 2'34 | 果敢 | Solemn, ritualistic, discontinued & mystical. Tibetan gong & | 传统亚洲 非西方仪式 神奇 西藏 | D | 72 | |||
|
Custody Interview Room [TBX135 - 2] |
0 | 2'12 | Frank Spears | Enlightening, austere, patient. Slow and steady piano sets out a | 稳定的 警匪片 耐心 伴音 | C | 90 | |||
|
Change Is Coming [TBX134 - 4] |
2'07 | Benjamin Mcelroy | Urgent, sophisticated, intense. Sharp string revolutions create a | 果断 跟踪摄影 紧急 固执 | Bb | 147 | ||||
|
Change Is Coming (Underscore) [TBX134 - 16] |
版本. | 2'07 | Benjamin Mcelroy | Urgent, sophisticated, intense. Sharp string revolutions create a | 果断 跟踪摄影 紧急 固执 | Bb | 147 | |||
|
Atomic Heart [INP044 - 2] |
1'00 | Sergey Kolosov | Serious, powerful, foreboding. Blunt female vocals play out in a | 合成合唱 诡异 恐怖片 令人不安 | Am | 72 | ||||
|
Atomic Heart (Underscore) [INP044 - 14] |
版本. | 1'00 | Sergey Kolosov | Serious, powerful, foreboding. Blunt female vocals play out in a | 合成合唱 诡异 恐怖片 令人不安 | Am | 72 | |||
|
Closing Time [INP044 - 4] |
1'00 | Sergey Kolosov | Dark, anticipatory, cold. Icy female vocal samples play out a creepy | 诡异 合成合唱 恐怖片 令人不安 | Dm | 89 | ||||
|
Closing Time (Underscore A) [INP044 - 16] |
版本. | 1'00 | Sergey Kolosov | Dark, anticipatory, cold. Icy female vocal samples play out a creepy | 诡异 合成合唱 恐怖片 令人不安 | Dm | 89 | |||
|
Closing Time (Underscore B) [INP044 - 17] |
版本. | 1'00 | Sergey Kolosov | Anticipatory, cold. Breathy vocal samples play out foreboding melody, | 诡异 合成合唱 恐怖片 令人不安 | Dm | 89 | |||
|
Dreamers [INP044 - 5] |
1'00 | Sergey Kolosov, Paul Thorne | Quaint, graceful, elegant. Soft bell sounds play out an anticipatory | 合成合唱 诡异 令人不安 科幻片 | Abm | 77 | ||||
|
Dreamers (Instrumental) [INP044 - 18] |
版本. | 1'00 | Sergey Kolosov, Paul Thorne | Quaint, graceful, elegant. Soft bell sounds play out an anticipatory | 诡异 令人不安 科幻片 动荡 | Abm | 76 | |||
|
Dreamers (Underscore) [INP044 - 19] |
版本. | 0'53 | Sergey Kolosov, Paul Thorne | Quaint, graceful, elegant. Female vocals sing anticipatory sequence | 合成合唱 诡异 令人不安 科幻片 | Abm | 77 | |||
|
Raised By Wolves [INP044 - 8] |
1'00 | Sergey Kolosov | Creepy, intimidating, powerful. Large dissonant note rises into the | 合成合唱 画面感 缓拍 诡异 | Dbm | 113 | ||||
|
Raised By Wolves
[INP044 - 25] |
版本. | 1'00 | Sergey Kolosov | Creepy, intimidating, powerful. Large dissonant note rises into the | 合成合唱 画面感 缓拍 诡异 | Dbm | 113 | |||
|
Raised By Wolves (Underscore) [INP044 - 26] |
版本. | 0'57 | Sergey Kolosov | Creepy, intimidating, powerful. Lonely female vocals convey a scary | 合成合唱 画面感 缓拍 诡异 | Dbm | 113 | |||
|
Bad Blood [INP044 - 9] |
1'00 | Sergey Kolosov | Epic, austere, tense. High, fluttering vocals are joined by scratchy | 合成合唱 诡异 科幻片 恐怖片 | Dm | 135 | ||||
|
Bad Blood (Alt Version) [INP044 - 27] |
版本. | 1'00 | Sergey Kolosov | Epic, austere, tense. High, fluttering vocals are joined by scratchy | 合成合唱 诡异 科幻片 恐怖片 | Dm | 135 | |||
|
Bad Blood (Underscore) [INP044 - 28] |
版本. | 1'00 | Sergey Kolosov | Epic, austere, tense. High, fluttering vocals create a sense of | 合成合唱 诡异 科幻片 恐怖片 | Dm | 139 | |||
|
Ominous Voices [INP044 - 11] |
1'00 | Sergey Kolosov | Nervous, lively, scary. Female choral voices sing out a tense | 合成合唱 神经病 悬念 强调突出 | Am | 62 | ||||
|
Ominous Voices (Underscore) [INP044 - 31] |
版本. | 1'00 | Sergey Kolosov | Nervous, lively, scary. Female choral voices sing out a tense | 合成合唱 神经病 悬念 强调突出 | Am | 62 | |||
|
Transference [ISC014 - 1] |
3'06 | Sandia | Atmospheric & broody intro evolving with piano, profound pads & | 画面感 固执 令人不安 科幻片 | Cm | 83 | ||||
|
Transference Alternate [ISC014 - 11] |
版本. | 3'06 | Sandia | Alternate version without percussion / drum. | 叙述 固执 科幻片 画面感 | Cm | 83 | |||
|
Electron Jazz [MAG6075 - 2] |
0 | 2'20 | Christophe Zurfluh | Urgent, very fast, swirling & tense. Jazz guitar, keyboards & rhythm. | 电子爵士 现代芭蕾 爵士 加速镜头 | Bbm | 130 | |||
|
Hypnotic Movement [MAG6075 - 5] |
0 | 2'42 | Christophe Zurfluh | Haunting, cyclic & pulsative. Synth bass sequence, synth chords & | 极简电子音乐 夜晚 科学 信息技术 | Dm | 96 | |||
|
Transmutation [MAG6075 - 9] |
0 | 2'59 | Christophe Zurfluh | Nocturnal, haunting & mysterious. Airy electric guitar, rhythmic, | 现代芭蕾 稳定的 极简电子音乐 夜晚 | Ebm | 124 | |||
|
Mirroring [MAG6075 - 16] |
0 | 2'52 | Christophe Zurfluh | Abstract, bizarre, wandering & nocturnal. Percussion, synth layers, | 背景电子乐 奇怪 原声电子 科学 | C | 81 | |||
|
Lovesickness [MAG6074 - 4] |
0 | 2'51 | Jumo | Electro. Pop. Nocturnal, wandering & melancholic. Analog synth and | 社会悲剧 调查研究 夜晚 都市景色 | Ab | 150 | |||
|
Meta Love [EOS78 - 3] |
0 | 2'03 | Esteban Fernandez | Abyssal intro then sparse & delicate piano. Wet & cold. Growling. | 气氛 悬念 神秘 太空 | C | 72 |