| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Rain of Petals [CEZ4647 - 4] |
2'01 | Wolfgang Lackerschmid, Andreas Suttner | Descending effect. Exotic, bucolic, peaceful & natural with a touch | 宁静 马林巴琴 自信 诞生 | Am | 86 | ||||
|
Rain of Petals Alternate 1 [CEZ4647 - 28] |
版本. | 2'01 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version without rythmic | 马林巴琴 宁静 手工业 诞生 | Am | 86 | |||
|
Rain of Petals Alternate 2 [CEZ4647 - 29] |
版本. | 2'01 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version marimba only | 马林巴琴 宁静 手工业 诞生 | Am | 86 | |||
|
Rain of Petals Edit 1 (60sec) [CEZ4647 - 30] |
版本. | 1'00 | Wolfgang Lackerschmid, Andreas Suttner | 60 second cut | 马林巴琴 宁静 手工业 诞生 | Am | 86 | |||
|
Rain of Petals Edit 2 (30sec) [CEZ4647 - 31] |
版本. | 0'30 | Wolfgang Lackerschmid, Andreas Suttner | 30 second cut | 马林巴琴 宁静 手工业 诞生 | Am | 86 | |||
|
Rain of Petals Edit 3 (15sec) [CEZ4647 - 32] |
版本. | 0'15 | Wolfgang Lackerschmid, Andreas Suttner | 15 second cut | 马林巴琴 宁静 手工业 诞生 | C | 86 | |||
|
Let Me Think [EOS126 - 7] |
0 | 2'44 | Arthur Guyard | Relaxed, awaiting & introspective. With a slight mystery. Drums, | 黑人电影 电吉他 疑问 懒惰 | Abm | 98 | |||
|
We Love Roy [EOS126 - 9] |
2'15 | Arthur Guyard | Relaxed, sensual & romantic. Drums, electric bass, clavinet, Hammond | 黑人电影 疑问 调查研究 夜晚 | Fm | 80 | ||||
|
We Love Roy Alternate [EOS126 - 14] |
版本. | 2'15 | Arthur Guyard | Alternative version. | 黑人电影 | Fm | 80 | |||
|
Solitary Drift [CEC8059 - 7] |
0 | 2'10 | Zhang Hao, Junrui Zhao | Graceful, suspenseful, restrained & calm. Zhongruan & percussion. | 地理政治 热沙漠 抱歉 稀疏 | G | 60 | |||
|
Dungeon Dash [ISC090 - 7] |
2'22 | Clément Panchout | Chiptune beat. Dramatic, eerie, retro & with attitude. 8-Bit synth & | 8 bit music 复古游戏 沉重 固执 | Fm | 150 | ||||
|
Dungeon Dash Alternate [ISC090 - 18] |
版本. | 2'22 | Clément Panchout | Version without percussion. | 8 bit music 复古游戏 固执 态度 | Fm | 151 | |||
|
Resin and Bone [AMS5046 - 1] |
1'57 | Xavier Pacqueteau, Felix Weber | Horror trailer. Suspenseful, dangerous & relentless. Build-up with | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | ||||
|
Resin and Bone Alternate 1 [AMS5046 - 9] |
版本. | 1'57 | Xavier Pacqueteau, Felix Weber | Version without percussion | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 2 [AMS5046 - 10] |
版本. | 1'57 | Xavier Pacqueteau, Felix Weber | Version with percussion only | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 3 [AMS5046 - 11] |
版本. | 1'57 | Xavier Pacqueteau, Felix Weber | Version without strings | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 4 [AMS5046 - 12] |
版本. | 1'57 | Xavier Pacqueteau, Felix Weber | Bed | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 5 [AMS5046 - 13] |
版本. | 1'57 | Xavier Pacqueteau, Felix Weber | Underscore | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 6 [AMS5046 - 14] |
版本. | 0'32 | Xavier Pacqueteau, Felix Weber | 30 seconds cut | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Resin and Bone Alternate 7 [AMS5046 - 15] |
版本. | 0'16 | Xavier Pacqueteau, Felix Weber | 15 seconds cut | 画面感 恐怖片 进行中 令人不安 | Cm | 120 | |||
|
Shadow of the Law [ISC088 - 8] |
2'33 | Lionel Fabert | Hip-Hop investigation. Pulsating, serious & increase intensity. | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | ||||
|
Shadow of the Law Alternate 1 [ISC088 - 24] |
版本. | 2'33 | Lionel Fabert | Version without beat | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 137 | |||
|
Shadow of the Law Alternate 2 [ISC088 - 25] |
版本. | 2'33 | Lionel Fabert | Underscore | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | |||
|
The Land of Oblivion Variation [CEO2177 - 9] |
0 | 2'32 | Antoine Glatard | Emotional, restrained, thoughtful & narrative. String orchestra. | 感动 反省 电影原声带 弦乐乐团 | Fm | 103 | |||
|
A New Cycle [EOS121 - 2] |
0 | 2'43 | Laurent Rochelle | Cyclic, resilient & poignant. Ostinato. Piano, soprano saxophone, | 乡村 周期性的 小说纪录片 社会悲剧 | Eb | 89 | |||
|
Love's on Every Corner [CEZ4649 - 10] |
2'15 | SHIFUMI | Trap beat, hip-hop beat. Romantic, arty & jerky. Electric and | 夜晚 陷阱音乐 朗朗上口 时尚 | C | 80 | ||||
|
Love's on Every Corner
[CEZ4649 - 45] |
版本. | 2'15 | SHIFUMI | Alternate no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 46] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 47] |
版本. | 1'00 | SHIFUMI | 60 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 48] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 49] |
版本. | 0'30 | SHIFUMI | 30 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 50] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 51] |
版本. | 0'15 | SHIFUMI | 15 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 52] |
版本. | 0'12 | SHIFUMI | Sting. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Time Runs Fast [CEG5051 - 6] |
3'33 | Bruno Alexiu | Haunting, steady, mechanical & robotic. Electronic percussion, bass | 紧急 低沉 沉重 稳定的 | Cm | 110 | ||||
|
Time Runs Fast Alternate [CEG5051 - 33] |
版本. | 3'33 | Bruno Alexiu | Version with percussion only. | 沉重 冲击 低沉 工业 | Cm | 110 | |||
|
Time Runs Fast Edit 1 (60s) [CEG5051 - 34] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Time Runs Fast Edit 2 (30s) [CEG5051 - 35] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Time Runs Fast Edit 3 (15s) [CEG5051 - 36] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Scandal in the Digital World [CEG5049 - 2] |
2'11 | Felix Halbe | Suspense. Mysterious, haunting & insidious. Synth sequences, | 无情 固执 画面感 悬念 | Cm | 140 | ||||
|
Scandal in the Digital World
[CEG5049 - 14] |
版本. | 2'02 | Felix Halbe | Reduced version without main synth ostinato. | 无情 固执 画面感 悬念 | C | 142 | |||
|
The Last Prayer [EOS125 - 3] |
0 | 2'33 | Anthony Mowat | Sad, gloomy & restrained. Piano, cello & percussion. | 悬念 地理政治 伤心 社会悲剧 | Dm | 110 | |||
|
Le Blues des Martyrs [EOS125 - 5] |
0 | 1'46 | Anthony Mowat, Tommy Rizzitelli | Weird, unsettling & sorrowful. Synth, metallic percussion & distant | 气氛 悬念 奇怪 令人不安 | Bm | 62 | |||
|
Nightcrawler [EOS125 - 7] |
0 | 1'42 | Anthony Mowat, Tommy Rizzitelli | Cavernous, tense & obstinate. Distant vocals, guitar, bass, drums, | 警匪片 令人不安 进行曲 固执 | Gb | 83 | |||
|
Faith [EOS125 - 8] |
0 | 2'08 | Anthony Mowat | Sad, with regret then resilience. Drums, guitar, bass & synth. | 忧伤 漂泊 夜晚 内心 | B | 80 | |||
|
The Arrival [EOS125 - 12] |
0 | 2'27 | Anthony Mowat, Laurent Rochelle | Suspenseful, voluptuous & nocturnal. Bass, piano, synth, saxophone, | 夜晚 气氛 电声低音 社会悲剧 | A | 118 | |||
|
Afterlife [EOS125 - 17] |
0 | 2'07 | Anthony Mowat, Tommy Rizzitelli | Atmospheric, suspended & nocturnal. Bass, drums, synths & guitar. | 夜晚 梦幻 都市 气氛 | Abm | 126 | |||
|
Fear [AMS5043 - 2] |
2'11 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Eerie & suspenseful intro with piano | 社会悲剧 后摇滚 严谨 电吉他效果器 | Ab | 131 | ||||
|
Fear Alternate 1 [AMS5043 - 15] |
版本. | 2'11 | Aleksandar Dimitrijevic | Version without bass & drums | 社会悲剧 后摇滚 严谨 电吉他效果器 | Cm | 118 | |||
|
Fear Alternate 2 [AMS5043 - 16] |
版本. | 1'55 | Aleksandar Dimitrijevic | Version with drums only | 社会悲剧 后摇滚 严谨 无情 | Ab | 131 | |||
|
Fear Alternate 3 [AMS5043 - 17] |
版本. | 2'11 | Aleksandar Dimitrijevic | Version with keyboards & synths only | 社会悲剧 后摇滚 严谨 无情 | Ab | 131 | |||
|
Fear Edit 1 (30 sec) [AMS5043 - 18] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 社会悲剧 后摇滚 严谨 电吉他效果器 | Abm | 131 | |||
|
Fear Edit 2 (15 sec) [AMS5043 - 19] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 社会悲剧 后摇滚 严谨 电吉他效果器 | Abm | 131 | |||
|
La Reine des Ténèbres [EOS119 - 1] |
0 | 3'50 | Dominique Malan | Lively, confident & whimsical. Drums, electric guitar, mallet | 仿纪录片 街道戏剧 摇摆 讽刺 & 恶意 | Em | 86 |