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伤心| 专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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The Orphan [CEZ4231 - 13] |
0 | 1'43 | Emmanuelle Catlin | Sad & desolate. Cello & drone. | 地理政治 阿拉伯世界 现代 悬念 ... | Bm | 117 |
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Victory Attained [CEO2033 - 12] |
0 | 1'15 | Selma Mutal | Desolate & sad. Violin, arpeggiator, cello, sequencing, electronic ... | 历史旁白 琶音器 稳定的 使人心碎 ... | Cm | 143 |
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Abandonned Room [CEO2032 - 4] |
2'36 | Selma Mutal | Introspective, wandering & nostalgique. Glass harmonica, piano & ... | 历史旁白 巴氏水晶琴 伤心 安静 ... | Dbm | 101 |
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Abandonned Room [CEO2032 - 13] |
版本. | 2'29 | Selma Mutal | Remastered version. Introspective, wandering & nostalgique. Glass ... | 悬念 波动感 反省 历史旁白 ... | Fm | 89 |
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Vistas and Visions [CEZ4224 - 24] |
0 | 1'50 | Pascal Hautois | Peaceful & atmospheric. Piano, guitar & strings. Constant progression. | 疑问 新古典音乐 手工业 民族吉他 ... | Am | 110 |
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Quartier Perdu [CEO2031 - 5] |
1'35 | Baptiste Thiry | Melancholic & sentimental. French retro cinema. Accordion, piano & ... | 法国电影 多愁善感 键钮手风琴 命运 ... | Bm | 70 |
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Quartier Perdu 2 [CEO2031 - 27] |
版本. | 1'35 | Baptiste Thiry | Nostalgic & moving. string ensemble, piano & guitar. | 爱情 命运 感动 法国 ... | Bm | 70 |
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Quartier Perdu 3 [CEO2031 - 28] |
版本. | 1'08 | Baptiste Thiry | Solitary & sad. Solo accordion. | 键钮手风琴 法国 法国电影 忧伤 ... | Em | 139 |
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Via Visconti 2 [CEO2031 - 29] |
1'59 | Baptiste Thiry | Nostalgic & lonely. Solo Accordion. | 叙述 伤心 键钮手风琴 忧伤 ... | Fm | 70 |
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Via Visconti [CEO2031 - 8] |
版本. | 2'20 | Estelle Sauvain, Sylvaine Helary | Sad & solitary. Italian retro cinema. Jazzy. Accordion, flute & ... | 意大利电影 意大利 忧伤 感动 ... | Fm | 76 |
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Leone Ginzburg Variation 6 [CEO2028 - 6] |
0 | 1'13 | Baptiste Thiry | Sad & determined. String ensemble. | 历史旁白 弦乐乐团 命运 室内乐 ... | Gm | 118 |
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Electoral Defeat [CEZ4209 - 15] |
0 | 2'49 | Thierry Caroubi | Melancholic & cyclic. Piano, strings & electronics. | 社会悲剧 无情 无电声钢琴 拨奏 ... | Dbm | 120 |
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Cine Revue [CEZ4207 - 26] |
0 | 2'14 | Pierre-André Athané | Sentimental & lyrical. Strings & woodwinds. | 过时 多愁善感 五十年代 爱情 ... | Am | 90 |
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Respect & Sorrow [CEZ4206 - 3] |
0 | 2'28 | Pascal Hautois | Underscore. Disturbing & suspended. Small intrumental ensemble & ... | 抱歉 悬念 伴音 冷沙漠 ... | C | 63 |
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Footsteps in the Shadows [CEZ4206 - 7] |
2'02 | Selma Mutal | Underscore. Sad & desolate. Electronics. | 伴音 摇摆 抱歉 社会悲剧 ... | Fm | 82 |
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Footsteps in the Shadows 2 [CEZ4206 - 34] |
版本. | 1'35 | Selma Mutal | Underscore. Sad & desolate. Electronics. | 伴音 摇摆 抱歉 社会悲剧 ... | Gbm | 97 |
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Infinite Darkness [CEZ4206 - 15] |
1'44 | Selma Mutal | Underscore. Desolate & solitary. Electronics. | 下降 抱歉 伴音 气氛 ... | Gm | 68 |
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Infinite Darkness 2 [CEZ4206 - 38] |
版本. | 1'50 | Selma Mutal | Underscore. Desolate & solitary. Electronics & rhythm. | 下降 伴音 气氛 社会悲剧 ... | Gm | 86 |
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So Far From Home [CEZ4206 - 21] |
2'11 | Selma Mutal | Underscore. Solitary & heavy. Electric guitar & electronics. Fx ... | 社会悲剧 伴音 下降 抱歉 ... | Gm | 98 |
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So Far From Home 2 [CEZ4206 - 39] |
版本. | 1'45 | Selma Mutal | Underscore. Solitary & cycling. Electronics. | 伴音 下降 抱歉 延迟 ... | Gm | 65 |
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On the Brink [CEZ4206 - 22] |
0 | 2'43 | Benoit Cimbé | Underscore. Suspense. Disturbing & silent. Piano & electronics. | 伴音 疑问 气氛 抱歉 ... | Am | 72 |
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Behind Closed Doors [CEZ4206 - 23] |
0 | 1'41 | Selma Mutal | Underscore. Inexorable & disturbing. Electronics. | 伴音 无情 神秘 气氛 ... | Fm | 82 |
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Merde [SIG11096 - 3] |
0 | 4'02 | John Greaves | Sad then tumultuous. Male singer, piano, choir & electric guitar @ ... 歌词 | 忧伤 无电声钢琴 伤心 改变 ... | Em | 96 |
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Wasteland [CEZ4204 - 14] |
0 | 3'08 | Smooth One | Disturbing & moody. Crescendo & progression. Electric guitar, synth & ... | 气氛 抱歉 社会悲剧 调查研究 ... | Cm | 85 |
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Black Rainbow [CEZ4204 - 16] |
0 | 3'25 | Smooth One | Humid & vagabond. Synth, alto & rhythm. | 现代 社会悲剧 漂泊 潮湿 ... | Gm | 140 |
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Lucid Dream [BIB029 - 3] |
0 | 2'46 | Michael Peter Sajic | Warm dub influences hypnotize over emotive progressions. Texturally ... | 调查研究 社会悲剧 都市 感动 ... | Ebm | 128 |
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Haunted By Hope [BIB029 - 10] |
0 | 3'27 | Michael Peter Sajic | Ethereal vocals harmonize over tearful, crushed tones creating a ... | 感动 内心活动 忧伤 宁静 ... | G | 60 |
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