| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
What Will Be, Will Be [CEZ4671 - 13] |
2'33 | Benjamin Doherty | Dramedy. Reflective, suspended & elegant. Cello, muted guitar, | 害羞 悲喜剧 反省 light tension | Dm | 110 | ||||
|
What Will Be, Will Be
[CEZ4671 - 29] |
版本. | 2'33 | Benjamin Doherty | Underscore version | 害羞 悲喜剧 反省 light tension | Dm | 110 | |||
|
Restless Sands [ISC101 - 6] |
2'25 | Michel-Yves Kochmann | Middle Eastern. Adventurous, confident, dynamic & bewitching. Oud, | 调查研究 冒险片 阳光 地理政治 | C | 100 | ||||
|
Restless Sands Alternate 1 [ISC101 - 19] |
版本. | 2'25 | Michel-Yves Kochmann | Version without percussion. | 调查研究 冒险片 阳光 地理政治 | C | 100 | |||
|
Restless Sands Alternate 2 [ISC101 - 20] |
版本. | 2'25 | Michel-Yves Kochmann | Version without lead. | 调查研究 冒险片 阳光 地理政治 | C | 100 | |||
|
Darkish Projections [CCB1068 - 6] |
2'04 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Threatening, | 信息技术 催眠 旋律重复的音乐 科幻片 | Ebm | 130 | ||||
|
Darkish Projections Edit 20
[CCB1068 - 25] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 信息技术 催眠 旋律重复的音乐 科幻片 | Ebm | 129 | |||
|
Darkish Projections Edit 30
[CCB1068 - 26] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 信息技术 催眠 旋律重复的音乐 科幻片 | Ebm | 130 | |||
|
Darkish Projections Sting [CCB1068 - 27] |
版本. | 0'11 | Louis-Ronan Choisy | Sting | 信息技术 催眠 旋律重复的音乐 科幻片 | Ebm | 129 | |||
|
A Quiet Reflection [CCB1068 - 9] |
2'13 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Constant, | light tension 疑问 神秘 当代艺术 | Abm | 118 | ||||
|
A Quiet Reflection Edit 20 sec [CCB1068 - 34] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | light tension 疑问 神秘 当代艺术 | Abm | 119 | |||
|
A Quiet Reflection Edit 30 sec [CCB1068 - 35] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | light tension 疑问 神秘 当代艺术 | Abm | 118 | |||
|
A Quiet Reflection Sting [CCB1068 - 36] |
版本. | 0'17 | Louis-Ronan Choisy | Sting | light tension 疑问 神秘 当代艺术 | Abm | 118 | |||
|
Miniatures No 2 [AUD046 - 2] |
0'27 | Bruno Letort | Orchestral. Stealthy, intriguing & mysterious. Piano, pizz & cello. | 社会悲剧 阴险 疑问 神秘 | Dm | 90 | ||||
|
Miniatures No 2 Short Edit [AUD046 - 7] |
版本. | 0'13 | Bruno Letort | Short edit version | 社会悲剧 阴险 疑问 神秘 | Am | 90 | |||
|
Brute Force Attack [TBX217 - 1] |
1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | Cm | 115 | ||||
|
Brute Force Attack
[TBX217 - 11] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones, | 固执 信息技术 气势 琶音器 | C | 117 | |||
|
Brute Force Attack
[TBX217 - 12] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | C | 115 | |||
|
Brute Force Attack (30 Sec) [TBX217 - 13] |
版本. | 0'30 | Gary Meek | Explorative, nervous, futuristic. Sharp resonant synths and juddering | 固执 信息技术 气势 琶音器 | Cm | 115 | |||
|
Brute Force Attack (Sting) [TBX217 - 14] |
版本. | 0'12 | Gary Meek | Explorative, nervous, futuristic. Sharp sci-fi synths and juddering | 固执 信息技术 气势 琶音器 | C | 153 | |||
|
Mainframe [TBX217 - 5] |
2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 科学 调查研究 信息技术 太空 | Eb | 109 | ||||
|
Mainframe (Underscore) [TBX217 - 27] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Underscore No
[TBX217 - 28] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (30 Sec) [TBX217 - 29] |
版本. | 0'30 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Sting) [TBX217 - 30] |
版本. | 0'15 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle | 调查研究 科学 信息技术 太空 | Eb | 108 | |||
|
Bit Crusher [TBX217 - 6] |
2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 动人 调查研究 | A | 100 | ||||
|
Bit Crusher (Underscore) [TBX217 - 31] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Underscore No
[TBX217 - 32] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (30 Sec) [TBX217 - 33] |
版本. | 0'30 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into factory-like | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Sting) [TBX217 - 34] |
版本. | 0'14 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into and sharp | 信息技术 电子琴 调查研究 神秘 | A | 133 | |||
|
Artificial Intelligence [TBX217 - 7] |
2'18 | Gary Meek | Promising, emotive, progressive. Mosaic synth gives a sense of | 信息技术 科学 工业 周期性的 | Bb | 161 | ||||
|
Artificial Intelligence
[TBX217 - 35] |
版本. | 2'18 | Gary Meek | Promising, emotive, progressive. Mosaic synth gives a sense of | 信息技术 科学 工业 周期性的 | Bb | 161 | |||
|
Artificial Intelligence (30
[TBX217 - 36] |
版本. | 0'30 | Gary Meek | Promising, emotive, progressive. Mosaic synth gives a sense of | 信息技术 科学 工业 周期性的 | Gm | 161 | |||
|
Artificial Intelligence
[TBX217 - 37] |
版本. | 0'16 | Gary Meek | Promising, emotive, progressive. Mosaic synth is pushed forward by | 信息技术 科学 工业 周期性的 | Gm | 120 | |||
|
Toccata Mechanica [ISC094 - 1] |
2'55 | Jérémy Dirat, Thomas Duran, Gabriel Saban | ☆ Nominated "Best Classical / Symphonic / Orchestral" @Mark Awards | 预告片 庄重 画面感 命运 | Gm | 172 | ||||
|
Toccata Mechanica Alternate [ISC094 - 11] |
版本. | 2'55 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Version without percussion. | 庄重 历史片 充满热情 预告片 | Gm | 172 | |||
|
Inner Drama [ISC094 - 5] |
2'22 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Cinematic neoclassical. Dramatic, edgy & adventurous. Build-up with | 历史片 固执 预告片 画面感 | Dm | 148 | ||||
|
Inner Drama Alternate 1 [ISC094 - 16] |
版本. | 2'22 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Version without percussion. | 历史片 固执 画面感 高潮 | Dm | 148 | |||
|
Inner Drama Alternate 2 [ISC094 - 17] |
版本. | 2'22 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Version with strings only. | 历史片 固执 高潮 史诗 | Dm | 148 | |||
|
Second Skin [ISC092 - 7] |
2'30 | Matheo Techer, Sandia | ☆ Nominated "Best Ambient / Minimalist" @Production Music Awards UK | 画面感 庄严 令人激动 广告 | Dbm | 140 | ||||
|
Second Skin Alternate 1 [ISC092 - 19] |
版本. | 2'30 | Matheo Techer, Sandia | Version without percussion | 庄严 画面感 令人激动 广告 | Dbm | 140 | |||
|
Second Skin Alternate 2 [ISC092 - 20] |
版本. | 2'30 | Matheo Techer, Sandia | Version without lead | 庄严 画面感 令人激动 广告 | Dbm | 140 | |||
|
Face à l'Institution [CEO2178 - 4] |
0 | 0'59 | Olivier Militon | Obstinate, inexorable & staccato. Piano, organ, strings & double | 当代历史 医疗 固执 庄重 | Cm | 103 | |||
|
Cross-Checking the Evidence [CEG5053 - 6] |
4'57 | Baptiste Charvet | Investigative cinematic jazz. Patient, mysterious, restrained & | 调查研究 耐心 疑问 固执 | Dm | 109 | ||||
|
Cross-Checking the Evidence
[CEG5053 - 25] |
版本. | 4'56 | Baptiste Charvet | Version without percussion. | 调查研究 耐心 疑问 固执 | D | 109 | |||
|
Moving Forward [TBX210 - 4] |
2'22 | Patrick Roberts | Wistful, journeying, determined. Resonant electric guitar follows a | 电影原声带 outro (end credits) 多愁善感 跟踪摄影 | Em | 100 | ||||
|
Moving Forward (Underscore) [TBX210 - 14] |
版本. | 2'22 | Patrick Roberts | Wistful, journeying, determined. Resonant electric guitar follows a | 电影原声带 outro (end credits) 多愁善感 跟踪摄影 | G | 100 | |||
|
Vendetta [ISC086 - 5] |
2'28 | Stanislav Barantsov | ☆ Nominated "Best Epic Hybrid" @Production Music Awards UK 2025 ☆ | 动作片 令人不安 画面感 高潮 | Am | 156 | ||||
|
Vendetta Alternate [ISC086 - 15] |
版本. | 2'28 | Stanislav Barantsov | Version without percussion | 令人不安 画面感 高潮 气势 | Am | 156 | |||
|
Darbukah Step [AUD042 - 5] |
1'58 | Alexandre Koneski | Dubstep. A gritty & edgy intro. More evocative @ 0’56 with | 极限运动 体育电竞 冲突 回响贝斯 | Gm | 142 | ||||
|
Darbukah Step (Short Edit) [AUD042 - 10] |
版本. | 0'28 | Alexandre Koneski | Short Edit | 极限运动 体育电竞 冲突 回响贝斯 | Gm | 143 | |||
|
Darbukah Step (No Drums) [AUD042 - 15] |
版本. | 1'57 | Alexandre Koneski | No Beat & Darbuka | 极限运动 体育电竞 回响贝斯 动作游戏 | Gm | 142 | |||
|
Goodbye [AMS5043 - 4] |
3'09 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Build-up with nostalgic electric | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | ||||
|
Goodbye Alternate 1 [AMS5043 - 25] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without bass & drums | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 2 [AMS5043 - 26] |
版本. | 3'09 | Aleksandar Dimitrijevic | Underscore version | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 3 [AMS5043 - 27] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without guitars | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Edit 1 (30 sec) [AMS5043 - 28] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 忧伤 后摇滚 恐怖片 令人不安 | Abm | 100 | |||
|
Goodbye Edit 2 (15 sec) [AMS5043 - 29] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 忧伤 后摇滚 高潮 恐怖片 | Eb | 100 | |||
|
The End [AMS5043 - 6] |
2'48 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. A 1st part in expectation & doubt. | 后摇滚 固执 高潮 动作片 | Abm | 61 | ||||
|
The End Alternate 1 [AMS5043 - 35] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 2 [AMS5043 - 36] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 3 [AMS5043 - 37] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 1 (30 sec) [AMS5043 - 38] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 2 (15 sec) [AMS5043 - 39] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The Road [AMS5043 - 10] |
2'42 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Intro with dark bass, synth pads, | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 | ||||
|
The Road Alternate 1 [AMS5043 - 54] |
版本. | 2'26 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 | |||
|
The Road Alternate 2 [AMS5043 - 55] |
版本. | 2'39 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 内心 令人激动 无情 | Cm | 60 | |||
|
The Road Alternate 3 [AMS5043 - 56] |
版本. | 2'39 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 内心 令人激动 无情 | Gm | 60 | |||
|
The Road Edit 1 (30 sec) [AMS5043 - 57] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 119 | |||
|
The Road Edit 2 (15 sec) [AMS5043 - 58] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 |