Summer Acoustic Pop. Uplifting, catchy, sunny & joyful. Energetic Summer Acoustic Pop. Uplifting, catchy, sunny & joyful. Energetic chorus @ 0'38. Break @ 1'25 with lead guitar. Male singer, bass, acoustic guitar, drum, keys (Fender Rhodes) & percussion. Suggested for summer season, daytime TV, family broadcast & leisure.歌词
Woke up
With the sunshine on my face
My toes in the sand
And rhythm of the waves
And I don’t need no plan
Just the touch of your hand
I love when you call my name
Feel the love that’s in the air
Those golden days
Feel the love that’s in the air
They’re here to stay
Let’s catch the breeze
Let it drift away
Right here right now
All my fears go away
And I don’t need no plan
Just the touch of your hand
I love when you call my name
Feel the love that’s in the air
Those golden days
Feel the love that’s in the air
They’re here to stay
And we’ll give it all away
Those golden days
Feel the love that’s in the air
They’re here to stay
Feel the love
Feel the love that’s in the air
Hardcore, driven, rough. Chunky overdriven guitar and big drums offer Hardcore, driven, rough. Chunky overdriven guitar and big drums offer a rebellious rock energy. Male vocals sail on fast-paced rhythm breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Jangly bass @ 2'13 is joined by rousing voices. Explosive passion.歌词
You can run the distance, You're the apple of my eye, Build up resistance like a desert running dry, Holding onto business, it might be the last time, I swear to God that you would make angels cry.
You're the voice of reason, I'm the compromise, And all you need to know is, You’re a hero in my eyes, You're the face I see when, I'm blinded by the light, I just want you to know that, You’re a hero in my eyes.
Uh oh, we're back here once again, We must've missed the turn, I start to backpedal my head, But nothing seems to work, Who’s there knocking on my door, Rattling my cage? Wish I could see right through the walls, I guess I'll have to wait.
Hardcore, driven, rough. Chunky overdriven guitar and big drums offer Hardcore, driven, rough. Chunky overdriven guitar and big drums offer a rebellious rock energy. Breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Jangly bass @ 2'13 is joined by rousing voices. Explosive passion. Instrumental version.
Hardcore, driven, rough. Chunky overdriven guitar and jangly bass Hardcore, driven, rough. Chunky overdriven guitar and jangly bass offer a rebellious rock energy. Breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Explosive passion. Stripped back underscore version.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift at 01:13 with persistent chord sequence conveying longing and passion. Instrumental version.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums welcomes modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion. Stripped back underscore version.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Whistling and shrouded melodies give a sense of heat and desert sand, as triumphant whistles and strings rise up out of the sandy instrumentation.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Whistling and shrouded melodies give a sense of heat and desert sand. Instrumental version.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Stripped back underscore version.
Dreamy, hypnotic, modern. Ambient pads plays out with a pulsing sense Dreamy, hypnotic, modern. Ambient pads plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Stripped back underscore version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through a middle eastern market or city street.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Instrumental version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Stripped back underscore version.
Modern, spacey, pulsating. Bass and light electro percussion push Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment @ 1'05with clear piano offering a ray of light before launching back into big beat.
Modern, spacey, pulsating. Bass and light electro percussion push Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment at 01:05 with clear piano offering a ray of light before launching back into big beat. Instrumental version.
Modern, spacey, pulsating. Bass and light electro percussion push Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment @ 1'05 with clear piano offering a ray of light before launching back into big beat. Stripped back underscore version.
Rough, intense, strong. Flutes and middle-eastern hand drums launch Rough, intense, strong. Flutes and middle-eastern hand drums launch into fast-paced beat chased by agile traditional string instruments. A chase scene through a market or desert city. DJ FX offer a more modern touch. Flurry of notes in quick succession give a sense of panic or nervousness. Female vocals improvise in passionate manner in the backdrop.
Rough, intense, strong. Flutes and middle-eastern hand drums launch Rough, intense, strong. Flutes and middle-eastern hand drums launch into fast-paced beat chased by agile traditional string instruments. A chase scene through a market or desert city. DJ FX offer a more modern touch. Flurry of notes in quick succession give a sense of panic or nervousness. Instrumental version.
Rough, intense, strong. Flutes and middle-eastern hand drums give Rough, intense, strong. Flutes and middle-eastern hand drums give rise to pacy instrumentation. A chase scene through a market or desert city. Flurry of notes in quick succession give a sense of panic or nervousness. Stripped back underscore version.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. Female vocals lost within the whirling instrumentation gives a sense of power and mysterious. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Instrumental version.
Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation with traditional middle-eastern string melodies. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Stripped back underscore version.
Song about disillusioned love: ''Full of ego and full of yourself, Song about disillusioned love: ''Full of ego and full of yourself, you've abandoned me''. Pop merengue sung in Spanish. Sentimental, danceable & catchy. Female vocals, Latin percussion, keys & rhythm section.歌词
ES:
Te dije no eres el mismo has cambiado
Pero en mi cara te has burlado
Lleno de ego y lleno de ti, me has abandonado.
Todo lo que te di a ti nunca te basto
Sanando las heridas que tiene corazón
Por cada rincón de la casa llorando tu adiós.
Todo lo que te di a ti nunca te basto
queriendo controlarlo todo pero ya no
Sanando mís heridas ahora te digo adiós.
no me llames no pidiendo perdón
que no estoy pa ti y se fue el dolor
ya está amaneciendo con el sol cayendo
ya siento la brisa y mi piel se eriza.
Desde que te fuiste me puse a bailar
En un día triste estoy fenomenal
Puedo despertar y no me faltan ya tus besos
Y si me hablan de amor digo que es eso.
Todo lo que te di a ti nunca te basto
Sanando las heridas que tiene corazón
Por cada rincón de la casa llorando tu adiós.
Todo lo que te di a ti nunca te basto
queriendo controlarlo todo pero ya no
Sanando mís heridas ahora te digo adiós.
Libre como el viento así es el amor
Un día te lo dije, dijo la intuición
Pero no lo vi yo crei que era amor
Pero di mi 100.
Todo lo que te di a ti nunca te basto
Sanando las heridas que tiene corazón
Por cada rincón de la casa llorando tu adiós.
Todo lo que te di a ti nunca te basto
queriendo controlarlo todo pero ya no
Sanando mís heridas ahora te digo adiós.
ENG:
I told you you're not the same, you've changed
But you laughed in my face
Full of ego and full of yourself, you've abandoned me.
Everything I gave you was never enough
Healing the wounds in my heart
In every corner of the house, crying over your goodbye.
Everything I gave you was never enough
Wanting to control everything, but not anymore
healing my wounds, now I say goodbye.
Don't call me asking for forgiveness,
I'm not here for you and the pain is gone.
It's dawn now with the sun setting,
I can feel the breeze and my skin is tingling.
Since you left, I started dancing.
On a sad day, I feel great.
I can wake up and I don't miss your kisses anymore.
And if they talk to me about love, I say that's what it is.
Everything I gave you was never enough for you
Healing the wounds of the heart
In every corner of the house, crying your goodbye.
Everything I gave you was never enough for you
Wanting to control everything, but not anymore
Healing my wounds, now I say goodbye.
Free as the wind, that's what love is
One day I told you, intuition said
But I didn't see it, I thought it was love
But I gave my all.
Everything I gave you was never enough for you
Healing the wounds in my heart
In every corner of the house, crying over your goodbye.
Everything I gave you was never enough for you
Wanting to control everything, but not anymore
Healing my wounds, now I say goodbye.
FR:
Je t'ai dit que tu n'étais plus le même, que tu avais changé
Mais en face de moi, tu t'es moqué de moi
Plein d'ego et plein de toi, tu m'as abandonné.
Tout ce que je t'ai donné ne t'a jamais suffi
Guérir les blessures de ton cœur
Dans tous les coins de la maison, tu pleures ton adieu.
Tout ce que je t'ai donné ne t'a jamais suffi
J'ai voulu tout contrôler mais ce n'est plus le cas
Je guéris mes blessures maintenant je te dis au revoir.
Ne m'appelle pas pour ne pas demander le pardon
Je ne suis pas là pour toi et la douleur est partie
Je suis déjà à l'aube avec le soleil qui se couche
Je peux sentir la brise et ma peau se hérisse.
Depuis que tu es parti, je danse
Dans un jour triste, je suis phénoménal
Je peux me réveiller et tes baisers ne me manquent pas
Et si on me parle d'amour, je dis que c'est ça.
Tout ce que je t'ai donné ne t'a jamais suffi
Je n'arrive pas à surmonter les blessures de mon cœur
Je peux me réveiller et tes baisers ne manquent pas.
Tout ce que je t'ai donné, je ne te l'ai jamais assez donné
J'ai voulu tout contrôler mais ce n'est plus le cas
Je guéris mes blessures maintenant je te dis au revoir.
Libre comme le vent, l'amour l'est aussi
Un jour je te l'ai dit, dit l'intuition
Mais je ne l'ai pas vu Je pensais que c'était de l'amour
Mais j'ai donné mes 100
Tout ce que je t'ai donné n'a jamais été assez pour toi
Pour guérir les blessures de ton cœur
Pour chaque coin de la maison qui pleure ton adieu.
Tout ce que je t'ai donné, je ne te l'ai jamais assez donné
J'ai voulu tout contrôler mais ce n'est plus le cas
Guérir mes blessures maintenant je dis au revoir
Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives and the disco lights up''. Sensual, danceable & swinging. Sequences, keys, Latin percussion & rhythm.歌词
ES:
esta nena llega y se enciende la disco
pura candela de las 12 y pico
pongo la mano en la pared y cuando me asomo tu me vez.
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
dembow del caro, dembow del fino, papi quiero que me quites el Valentíno, solo contigo que divertido, pero solo vine a bailar
tienes un piquete fenomenal, como tú te mueves eso no es normal, esa miradita a mi me va matar con los besos que tu a mi me das
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
ENG:
This girl arrives and the disco lights up.
Pure fire at 12 and a bit.
I put my hand on the wall and when I lean in, you see me.
And I'm loose, but no one tries, I have a very short fuse and that's not going to stop here.
And I'm loose with my hand on the wall
watching you watch me, and it's not going to stop here, it's not going to stop here
dembow del caro, dembow del fino, papi, I want you to take off my Valentino, only with you, how fun, but I only came to dance
you have a phenomenal body, the way you move is not normal, that little glance at me is going to kill me with the kisses you give me
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
kiss me, the disco is dark
come on, no one has seen us here
after this, I'll leave you behind
and find myself another guy
Kiss me, it's dark in the disco
Come on, nobody has seen us here
Come on, stay a little longer
Baby, I know I can't resist
FR:
cette femme arrive et la discothèque s'allume
Je suis un peu comme une bougie de 12 heures
Je mets ma main sur le mur et quand je regarde dehors, tu me vois.
Et je me promène en liberté, mais personne n'essaie, ma mèche est trop courte et elle ne s'arrêtera pas ici
Et je me promène en liberté avec ma main sur le mur
et ça ne va pas s'arrêter ici ça ne va pas s'arrêter ici ça ne va pas s'arrêter
Je veux que tu m'enlèves ma Valentine, seulement avec toi quel plaisir, mais je ne suis venu que pour danser
J'ai une bite phénoménale, la façon dont tu bouges, ce n'est pas normal, ce petit regard dans mes yeux va me tuer avec les baisers que tu me donnes
Je serai dans le noir dans la discothèque
Je serai dans tes bras, je serai dans tes bras
Je vais te laisser en vue après ça
Et je me trouverai un autre so-and-so
Je serai dans le noir dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je n'essaie pas, mais personne n'essaie, ma mèche est trop courte et ça ne s'arrêtera pas ici
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à l'école
Embrasse-moi, il fait nuit dans la discothèque
Je suis pressé et je ne suis pas pressé
Après ça, je te laisserai en vue
et j'irai me chercher un autre untel ou untel
Je t'embrasse, il fait nuit dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je suis libre et je suis libre et je suis libre et je suis libre et je suis libre avec ma main sur le mur
Je n'ai pas d'autre choix que de m'embrasser, il fait nuit dans la discothèque
Je vais être dans le noir, je vais être dans le noir
Après ça, je te laisserai en vue
Et je me trouverai un autre so-and-so
Je vais te faire sentir comme si tu étais dans le noir
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Nu Soul/R&B. Groovy, incisive & committed. A song that defends Nu Soul/R&B. Groovy, incisive & committed. A song that defends artists who choose to have their own voice and remain true to their musical originality. YOF describes it as follows: “1000 persone is about taking a stand: music must reflect who you are, not be a copy of someone else”. Vocals, beatmaking, electric guitar, electronics & keys. Featuring Ainé.歌词
IT:
Se c’é una cosa che non scordo è che non siamo tutti quanti uguali C’è chi fa musica davvero e chi segue soltanto i suoi ideali
E sei uno su un milione
Se spargi le parole
Non prenderanno senso da sole
Che cosa resta se togli il significato alle parole?
È solo melodia nell’aria in mezzo a un mare di persone, Forse parli troppo poco con il cuore
Ti ripeti sempre come un loop
Ti ho visto in mille persone E canzoni, e parole Non sembra niente di nuovo Non c’è groove
Non c’è amore
Ricordi mille canzoni Senza nome o emozione Mi annoio a starti a sentire (Mi annoio a starti a sentire)
Oh no Oh no Oh no Ahi ahi ahi Oh no
Oh no
Oh no Ahi ahi ahi
E spesso ci pensi a quanto male fa? La fretta ci mangia alla nostra età Quanto costano i tuoi sogni? Quanto sei disposto a perdere?
Se c’é una cosa che non scordo è che non siamo tutti quanti uguali C’é che chi fa musica davvero e chi segue soltanto i suoi ideali
E sei uno su un milione
Se spargi le parole
Non prenderanno senso da sole
Ti ho visto in mille persone (mille persone)
E canzoni, e parole
(e parole)
Non sembra niente di nuovo (niente di nuovo)
Non c’è groove
Non c’è amore
Ricordi mille canzoni (mille canzoni) Senza nome o emozione Mi annoio a starti a sentire (sentire)
E sei uno su un milione ma
Puoi cambiare le regole La musica che fa rumore Non conosce limite
E sei uno su un milione ma Puoi cambiare le regole La musica che fa rumore Non conosce limite
Ti ho visto in mille persone (mille persone)
E canzoni, e parole
(e parole)
Non sembra niente di nuovo (niente di nuovo)
Non c’è groove
Non c’è amore
Ricordi mille canzoni (mille canzoni) Senza nome o emozione Mi annoio a starti a sentire (sentire)
E sei uno su un milione ma (vendi il dolore per rime) Puoi cambiare le regole La musica che fa rumore (mi annoio a starti a sentire) Non conosce limite
E sei uno su un milione ma Puoi cambiare le regole
E non sembra niente di nuovo, non c’é groove, non c’é stile.
ENG:
If there’s one thing I don’t forget It’s that we’re not all the same Someone really makes music And some just chase their own ideals And you’re one in a million
If you spread the words
They won’t make sense on their own
What is left if you take away the meaning from the words? It’s just a melody in the air among a sea of people, Maybe you speak too little with your heart
And you always repeat yourself like a loop
I’ve seen you in a thousand people And songs, and words
It doesn’t sound like anything new There’s no groove
There’s no love
You remember a thousand songs Without a name or emotion
I get bored listening to you
(I get bored listening to you)
Oh no Oh no Oh no Ahi ahi ahi Oh no
Oh no
Oh no Ahi ahi ahi
And do you often think of how much it hurts? The rush devours us at our age
How much do your dreams cost?
How much are you willing to lose?
If there’s one thing I don’t forget It’s that we’re not all the same Someone really makes music And some just chase their own ideals And you’re one in a million
If you spread the words
They won’t make sense on their own
I’ve seen you in a thousand people (a thousand people)
And songs, and words
(the words)
It doesn’t sound like anything new (nothing new)
There’s no groove
There’s no love
You remember a thousand songs (a thousand songs) Without a name or emotion
I get bored listening to you (listening)
And you’re one in a million but You can change the rules The music that makes noise Knows no limits
And you’re one in a million but You can change the rules The music that makes noise Knows no limits
I’ve seen you in a thousand people (a thousand people)
And songs, and words
(the words)
It doesn’t sound like anything new (nothing new)
There’s no groove
There’s no love
You remember a thousand songs (a thousand songs) Without a name or emotion
I get bored listening to you (listening)
And you’re one in a million but (you sell pain for rhymes) You can change the rules The music that makes noise (I get bored listening to you) Knows no limits
And you’re one in a million but You can change the rules
And it doesn’t sound like anything new, There’s no groove, there’s no style.
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Bewitching, proud, sentimental & haunting. Song evoking unattainable love. Singer, bass, drums, electric guitar, Vox organ, saz baglama, cumbus & darbouka.歌词
Gozlerin, hep bana mi kacak Sozlerin, yalniz bana mi bicak
Ah o yollarin, yine bana mi tuzak Ah o gulusun, yine bana mi yasak
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar diken olur
Seller gider, geriye (yine) hep kum kalir
Eller gider, hasret bana yar kalir
Caglarim, bedenden tasarim; sozlerim lal kalir Senin o yollarin, yollarin; bana (hep) gurbet kalir
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar ayaz olur
Bouncy, fun-loving, carefree. Bass leads into modern house style with Bouncy, fun-loving, carefree. Bass leads into modern house style with shiny bass and fresh percussion. Female vocals give a sense of flaunting moves on the dancefloor of a cool club. An individual who loves life inviting anyone to join them. Big gritty bass bursts out @ 1'13 after build up. Rude style, a group of youthful people with a ruthless party energy.歌词
La da da da da.
Yeah, I cannot lie, I look so good tonight, No, can’t break my stride, Not even if they tried, So be by my side, Together we can shine, Yeah, we can shine.
I got my groove on, Yeah, I’m feeling it, I got their jaws dropped, As I’m walking in, I got it on lock, No, I never miss, Do you wanna get like me? Yeah, baby, are you coming with?
Are you coming with? Are you coming with? Do you wanna get like me? Yeah, baby, are you coming with?
Yeah, turn the beat up, See if you can keep up, Yeah, I got it on lock, Yeah, I got my groove on.
I got my groove on, Yeah, I’m feeling it, I got their jaws dropped, As I’m walking in, I got it on lock, No, I never miss, Do you wanna get like me? Yeah, baby, are you coming with?
Do you wanna get like me? Yeah, baby, are you coming with?
Bouncy, fun-loving, carefree. Bass leads into modern house style with Bouncy, fun-loving, carefree. Bass leads into modern house style with shiny bass and fresh percussion. Full-bodied bass conjures visions of glamorous dancers flaunting moves on the dancefloor of a cool club. Big gritty bass bursts out @ 1'13 after build up. Rude style, a group of youthful people with a ruthless party energy. Instrumental version.
Bouncy, fun-loving, carefree. Bass leads into modern house style with Bouncy, fun-loving, carefree. Bass leads into modern house style with shiny bass and fresh percussion. Full-bodied bass conjures visions of glamorous dancers flaunting moves on the dancefloor of a cool club. Big gritty bass bursts out @ 1'13 after build up. Rude style, a group of youthful people with a ruthless party energy. Stripped back underscore version.
Bouncy, fun-loving, carefree. Big dirty bass supports charismatic Bouncy, fun-loving, carefree. Big dirty bass supports charismatic female vocals about turning heads and grabbing people's' attention in the club. 30 second version.
Bouncy, fun-loving, carefree. Big dirty bass supports a sense of Bouncy, fun-loving, carefree. Big dirty bass supports a sense of nasty pride. People with a ruthless party energy and a love of life. 30 second instrumental version.
Bright, inspirational, poppy. Modest electronic instrumentation Bright, inspirational, poppy. Modest electronic instrumentation joined by gentle chords on fast-paced indie electronica style. Meaningful female vocals about feeling free in the sunshine, taking in the sunny weather and looking at life with positivity. Build into cathartic glitzy pop burst, a mix of brass and synth. Friends having fun and believing in each other, a sense of hope and achievement. A summer anthem with real optimistic energy.歌词
Oh, do you ever wonder, What makes you feel so free? When the sun is shining, It’s a good day, baby.
Living life with no worries, Step out and feel the breeze, Let that smile shine, It’s a good day, baby.
Who knows, This might be the best day of your life, If so, Don’t let it slip away—you don’t live twice, You chose, To be in the moment, It shows in the way you shine.
Come with me today, Let your worries stay away, Take the time that you need, And let yourself shine, Blow the clouds away, Be yourself for the day, Take the time that you need, And let yourself shine.
Did you know that your beauty, Glows right from the heart, When you truly believe, That you are happy.
Even when days are gloomy, If you reach out to the stars, And remember who you are, You are perfect, baby.
Who knows, This might be the best day of your life, If so, Don’t let it slip away—you don’t live twice, You chose, To be in the moment, It shows in the way you shine.
Come with me today, Let your worries stay away, Take the time that you need, And let yourself shine, Blow the clouds away, Be yourself for the day, Take the time that you need.
Bright, inspirational, poppy. Modest electronic instrumentation Bright, inspirational, poppy. Modest electronic instrumentation joined by gentle chords on fast-paced indie electronica style. A sunny tune. Build into cathartic glitzy pop burst, a mix of brass and synth. Friends having fun and believing in each other, a sense of hope and achievement. A summer anthem with real optimistic energy. Instrumental version.
Bright, inspirational, poppy. Modest electronic instrumentation Bright, inspirational, poppy. Modest electronic instrumentation joined by gentle chords on fast-paced indie electronica style. A sunny tune. Build into cathartic glitzy pop burst. Friends having fun and believing in each other, a sense of hope and achievement. A summer anthem with real optimistic energy. Stripped back underscore version.
Bright, inspirational, poppy. Cathartic burst electronic pop with a Bright, inspirational, poppy. Cathartic burst electronic pop with a summery energy and lyrics about feeling free. Slick synths and fast pace give a blast of positivity and fun. A summer anthem. 30 second version.
Bright, inspirational, poppy. Cathartic burst electronic pop with a Bright, inspirational, poppy. Cathartic burst electronic pop with a summery energy. Slick synths and fast pace give a blast of positivity and fun. A summer anthem. 30 second instrumental version.
Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted guitar give a sense of twilight stylishness. A well-dressed individual, a powerful female, going out on the town with a self-belief. Female vocals about prioritising your own energy and spirit give an empowering glow, congratulated with fun brass trills. A person who recently broke up with a partner, understanding their own power and value.歌词
Oh, oh, oh, oh, oh, oh, Oh, oh, oh, oh, oh, oh.
Some may call it selfish, Some might think I'm vain, Yeah, it took some practice, To get out my own way, I tried to be a remedy, For everybody else, But now I see, That energy, Was tearing me down, Bent myself over backward, For things that didn't matter.
No more apologies, It feels good to be free.
Putting me, putting me first, Oh yeah, yeah, yeah, Now I know what I deserve, Oh yeah, yeah, yeah, Only me, myself, and I, Gonna be my ride or die, I'm putting me, putting me, Putting me, putting me first.
It's all about me, me, me, me, Me, me, me, me, Me, me, me, me, Me, me, me, me, I'm putting me, putting me, Putting me, putting me first.
Done with hesitating, No more second place, I got tired of waiting, They 'bout to know my name, Moving from the back seat, To my hands on the wheel, No looking in the rearview, babe, It's only up from here.
Let 'em say what they wanna say, All their talk is just cheap to me.
No more apologies, It feels good to be free.
Putting me, putting me first, Oh yeah, yeah, yeah, Now I know what I deserve, Oh yeah, yeah, yeah, Only me, myself, and I, Gonna be my ride or die, I'm putting me, putting me, Putting me, putting me first.
It's all about me, me, me, me, Me, me, me, me, Me, me, me, me, Me, me, me, me. I'm putting me, putting me, Putting me, putting me first.
Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted guitar give a sense of twilight stylishness. A well-dressed individual, a powerful female, going out on the town with a self-belief. An empowering glow from rising electronic instrumentation into big chorus with brass trills. Instrumental version.
Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted Soulful, empowered, glamorous. Soul pop with dulcet pianos and muted guitar give a sense of twilight stylishness. A well-dressed individual, a powerful female, going out on the town with a self-belief. An empowering glow from rising electronic instrumentation into big chorus with brass trills. Stripped back underscore version.
Soulful, empowered, glamorous. Soul pop with muted guitars and Soulful, empowered, glamorous. Soul pop with muted guitars and meaningful female vocals about being free and prioritising one's own energy and love. Empowering vibe. 30 second version.
Soulful, empowered, glamorous. Soul pop with muted guitars and an Soulful, empowered, glamorous. Soul pop with muted guitars and an empowering glow from rising electronic instrumentation into big chorus with brass trills. 30 second instrumental version.
Fresh, poppy, cheeky. Big electro-pop beat launches into fun Fresh, poppy, cheeky. Big electro-pop beat launches into fun commercial sequence. Chanted vocals ring in the holiday season with verve and stylishness. R&B rap female vocals introduce Christmas tropes with a silly soulful vibe. Female empowerment in poppy fun. A group of girls celebrating the festive season. Fun-loving aura with spoken vocals and hyped up instrumentation.歌词
You’ve been waiting, All year long, Anticipating, Gettin' your jingle bells on, I got you baby, Got what you want, A holly jolly, Good golly, Merry marathon.
So let the fun commence, Go and call up all your friends, It’s about to get intense, So let’s do this step by step, Come on!
Put that Christmas record on, Turn it up and sing along, Pop that bubbly till it’s gone, Tonight we gonna celebrate, Show 'em how we holiday.
We’re getting festive, Decking the halls, Dressing impressive, And singing FALALALA, A celebration, So raise your cup, Here’s to good vibing and tidings, To the ones we love.
Then when we sleep, Sleigh bells ring, Sugarplums dance in our dreams.
When we wake up in the morning, Can hardly wait to see what’s there, And without any warning, We’ll be running down the stairs, Watch out!
It’s about to get intense, So let’s do this step by step.
Put that Christmas record on, Turn it up and sing along, Pop that bubbly till it’s gone, Tonight we gonna celebrate, Show 'em how we holiday.
Fresh, poppy, cheeky. Big electro-pop beat with cowbell launches into Fresh, poppy, cheeky. Big electro-pop beat with cowbell launches into fun commercial sequence. Empowerment in poppy fun. Christmas shopping spree. A group of girls celebrating the festive season. Fun-loving aura with hyped up instrumentation and claps. Stripped back underscore version.
Fresh, poppy, cheeky. Big electro-pop beat launches into fun Fresh, poppy, cheeky. Big electro-pop beat launches into fun commercial sequence. Chanted vocals communicate a joy and stylishness. Female empowerment in poppy fun. A group of girls celebrating. Fun-loving aura with spoken vocals and hyped up instrumentation. All seasons version.
Fresh, poppy, cheeky. Big electro-pop beat launches into fun Fresh, poppy, cheeky. Big electro-pop beat launches into fun commercial sequence. Empowerment in poppy fun. A group of girls celebrating the festive season. Fun-loving aura with hyped up instrumentation and claps. Instrumental version.
Meaningful, happy, glowing. Indie country style launches with Meaningful, happy, glowing. Indie country style launches with thankful male vocals excited about Christmas coming up, excited folk style @ 0'20 with millennial wohs giving an exciting energy. Male vocals convey a sense of touching family closeness, buoyed by choral voices. Piano and guitar give a sense of gentle striking emotion, while claps and country style percussion offer a communal love.歌词
I can't wait to be back home with everyone, I love and there' s not long to wait, Christmas is on the way.
Oh oh oh oh oh oh.
Time to come together again, Christmas is on the way.
It's been a good year but there have been hard times, Having you close by is all I need, To feel complete.
It's been too long since we got together, Let's make memories we'll share forever , I feel it, Christmas is on the way.
I can't wait to be back home with everyone, I love and there's not long to wait, Christmas is on the way.
Oh oh oh oh oh oh.
Time to come together again, Christmas is on the way.
Meaningful, happy, glowing. Indie country style launches excited folk Meaningful, happy, glowing. Indie country style launches excited folk instrumentation @ 0'20. Major chords offer a sense of fun but remembrance in softer moments. Piano and guitar give a sense of gentle striking emotion, while claps and country style percussion offer a communal love. Instrumental version.
Meaningful, happy, glowing. Indie country style launches excited folk Meaningful, happy, glowing. Indie country style launches excited folk instrumentation @ 0'20. Major chords offer a sense of fun but remembrance in softer moments. Piano and guitar give a sense of gentle striking emotion, while claps and country style percussion offer a communal love. Bell's give an emotive wistful vibe. Stripped back underscore version.
Meaningful, happy, glowing. Indie country style launches excited folk Meaningful, happy, glowing. Indie country style launches excited folk instrumentation @ 0'20. Major chords offer a sense of fun but remembrance in softer moments. Piano and guitar give a sense of gentle striking emotion, while claps and country style percussion offer a communal love. Instrumental all seasons version.
