Positive, upbeat, happy. Playful brass with drums, keys and dancing Positive, upbeat, happy. Playful brass with drums, keys and dancing basslines. Fun, relaxed and summery ska with a lighthearted, carefree feel, with catchy chorus sections with bright, uplifting melodies.
Positive, upbeat, happy. Dancing basslines with drums and keys. Fun, Positive, upbeat, happy. Dancing basslines with drums and keys. Fun, relaxed and summery ska with a lighthearted, carefree feel and catchy chorus sections. Stripped back underscore version.
Positive, upbeat, happy. Playful brass with drums, keys and dancing Positive, upbeat, happy. Playful brass with drums, keys and dancing basslines. Fun, relaxed and summery ska with a lighthearted, carefree feel and bright, uplifting melodies.
Positive, upbeat, happy. Playful brass with drums, keys and bass. Positive, upbeat, happy. Playful brass with drums, keys and bass. Fun, relaxed and summery ska sting with a lighthearted, carefree feel.
Positive, upbeat, happy. Playful brass with keys and bass. Fun, Positive, upbeat, happy. Playful brass with keys and bass. Fun, relaxed and summery ska sting with a lighthearted, carefree feel.
Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, breaks, bass and confident, echoing brass melodies weave with spooky organ and propulsive drums. Expansive, summery and relaxed ska with a brooding sense of swagger and silliness.
Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, breaks and bass weave with spooky organ and propulsive drums. Expansive, summery and relaxed ska with a brooding sense of swagger and silliness. Stripped back underscore version.
Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, Quirky, mischievous, fun. Upbeat reggae guitars with playful synths, breaks, bass and confident, echoing brass melodies weave with spooky organ and propulsive drums. Expansive, summery and relaxed ska with a brooding sense of swagger and silliness.
Quirky, mischievous, fun. Playful synths, breaks, bass and confident, Quirky, mischievous, fun. Playful synths, breaks, bass and confident, echoing brass melodies weave to create an expansive, summery and relaxed ska sting with a brooding sense of swagger.
Quirky, mischievous, fun. Confident, echoing brass melodies weave to Quirky, mischievous, fun. Confident, echoing brass melodies weave to create an expansive ska sting with a brooding sense of swagger.
Quirky, mischievous, fun. Playful synths, breaks, bass and confident, Quirky, mischievous, fun. Playful synths, breaks, bass and confident, echoing brass melodies weave to create an expansive, summery and relaxed ska sting with a brooding sense of swagger.
Attitude, soulful, upbeat. Funky guitars and bass with cool, Attitude, soulful, upbeat. Funky guitars and bass with cool, confident male vocals and propulsive, jazzy drums. Positive, relaxed soul which moves through minimal verses to catchy choruses with organ and brass.歌词
Fire, is coming So let's be, be together, so let's be, be together Can't get higher than this loving You and me, me together, you and me, me together Whatever bridge starts to burn, with this love we can build a better word Oh we gonna work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out They're gonna test, our community So let's be, free together, so let's be, free together It's gonna take more than you and me To be free here forever, to be free here forever Oh we gonna work it out Work it out, we gonna work it out, we gonna work it out, we gonna work, work it out Work it out, we gonna work it out, we gonna work it out, we gonna work, work it out We don't fall, we don't fall, we don't fall We gonna work it out We gonna rise, stand up tall 'Cos we are strong, we don't fall We gonna rise, stand up tall 'Cos we are strong, we don't fall We gonna rise up, stand up tall 'Cos we are strong, we don't fall We gonna rise up, stand up tall 'Cos we are strong, we don't fall Oh we gonna work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out Work it out, we gonna work it out, gonna work it out, gonna work, work it out We don't fall, we don't fall, we don't fall
Attitude, soulful, upbeat. Funky guitars and bass with propulsive, Attitude, soulful, upbeat. Funky guitars and bass with propulsive, jazzy drums. Positive, relaxed soul which moves through minimal verses to catchy choruses with organ and brass.
Attitude, soulful, upbeat. Funky guitars and bass with propulsive, Attitude, soulful, upbeat. Funky guitars and bass with propulsive, jazzy drums. Positive, relaxed soul which moves through minimal verses to catchy choruses with organ. Stripped back underscore version.
Attitude, soulful, upbeat. Positive, relaxed soul with funky guitars Attitude, soulful, upbeat. Positive, relaxed soul with funky guitars and bass, propulsive, jazzy drums and catchy organ and brass.
Hypnotic & swaying Latin pop-rock with tropical vibes, sung in Hypnotic & swaying Latin pop-rock with tropical vibes, sung in Spanish. Electric guitar solo @ 3'47. Male singer, Hammond organ, rhythmics, trombones.歌词
Hay cuando estoy pensando en ti,
todo es felicidad. Y aún en ultra mar,
yo te debo lealtad. No es por que algo haya pasado,
lo que pasa es que te extraño de la luna al mar. Ay no puedo evitar,
Sentirme solo como para variar. No busco una esperanza,
solo busco tu caminar.
No es porque todo haya acabado,
lo que pasa es que sin ti me canso,
de respirar.
Ella y yo.
Ella y yo.
Nunca supimos cómo comenzar, ni cómo terminar.
Y al recordar su gran amor,
que el corazón no sienta nada,
se lo prohíbo, lo prohíbo.
Uh Uh Nara Ne, Uh nara ne, Uh nara ne
Uh Uh Nara Ne, Uh nara ne, Uh nara ne
La playa y el mar, eran la analogía de tu mirar. Ahora ya no son nada, si a tu lado yo ya no quiero estar.
Y en mi reflexión,
giro y vuelvo a la misma conclusión.
Por los golpes que nos dimos los dos,
quedan cicatrices en el interior.
Perdóname, Perdóname no había otra manera, me alejé
de este dolor.
Ella y yo.
Ella y yo.
Nunca supimos cómo comenzar, ni cómo terminar. Y al recordar su gran amor,
que el corazón no sienta nada,
se lo prohibo, lo prohibo.
Uh Uh Nara Ne, Uh nara ne, Uh nara ne. Uh Uh Nara Ne, Uh nara ne, Uh nara ne
Funky, upbeat, playful. Cool, dancing bass is joined by bright synths Funky, upbeat, playful. Cool, dancing bass is joined by bright synths and propulsive beats. Confident melodies build with dramatic EDM synths to energetic choruses. Minimal bridge from 01:12 builds again to a euphoric, determined finale. Dynamic electronic pop for dancing all night.
Funky, upbeat, playful. Cool, dancing bass is joined by bright synths Funky, upbeat, playful. Cool, dancing bass is joined by bright synths and propulsive beats. Confident melodies build with dramatic EDM synths to an energetic chorus. Minimal intro builds to a euphoric, determined finale. Dynamic electronic pop for dancing all night.
Positive, fun, attitude. Cool basslines with confident electric Positive, fun, attitude. Cool basslines with confident electric guitar riffs are joined by carefree male vocal samples and cuts and propulsive, upbeat drums. Minimal percussive sections build to catchy, fun choruses with organ and dramatic brass. Big band pop cue with a jazz vibe.
Positive, fun, attitude. Cool basslines with confident electric Positive, fun, attitude. Cool basslines with confident electric guitar riffs are joined by carefree male vocal samples and cuts and propulsive, upbeat drums. Minimal percussive sections build to a catchy, fun chorus with organ and dramatic brass. Big band pop cue with a jazz vibe.
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Song. Sung in Italian. 60's. Female voice, electric guitar, strings & Song. Sung in Italian. 60's. Female voice, electric guitar, strings & rhythm.歌词
Italiano Ritornello :
Ballare, Ballare si si si si Tornare Tornare no no no no Girare si, cantare si Dormire no
Strofe :
Dipingi con la matita nera Il contorno dei tuoi occhi verdi Uno sguardo di felina Nottambula Tu tracci disegni scolpisci Petali di rose rosse Sul’orlo delle tue labbra Tu girerai tutta per la notte finché sara mattino Perché lo sai la vita e breve, Allora...
Ondeggia il tuo corpo snello E Piano pian’ il tuo profumo Diffonde in mezzo alla folla Nottambula Anche ad occhi chiusi Lo sai ché notan' solo te
Al chiarore della luna
Tu girerai tutta per la notte finché sara mattino Perché lo sai la vita e breve, Allora...
Français
Refrain :
Danser, oui
Danser, oui Rentrer, non Rentrer, non, Tourner oui, chanter oui Dormir, non !
Couplets :
Tu soulignes au crayon noir le contour de tes yeux verts Un regard de féline Noctambule Tu traces, dessines et découpes Des pétales de roses rouges Sur l'ourlet de tes lèvres Tu sortiras toute la nuit Jusqu'au petit matin Car tu sais que la vie est courte Alors...
Ton corps mince ondule Et petit à petit ton parfum Se diffuse dans la foule Noctambule Même avec les yeux fermés Tu sais qu'ils ne voient que toi Dans la clarté de la lune Tu sortiras toute la nuit Jusqu'au petit matin Car tu sais que la vie est courte Alors...
English
Chorus
Dance Dance yes Go home no Go home no Spin around yes, sing yes Sleep no
Verse
You underline in black crayon The curve of your green eyes A feline look Nocturnal You trace, draw and cut out Petals of red roses On the edge of your lips You will go out all night long Until the early hours Because you know that life is short. Allora…
Your slim body sways And little by little your sent Wafts over the crowd Nocturnal Even with your eyes closed You know that they see only you By the light of the moon You will go out all night long Until the early hours Because you know that life is short. Allora…
Song. Sung in Italian with an English accent. 60's. Female voice, Song. Sung in Italian with an English accent. 60's. Female voice, electric guitar, strings & rhythm.歌词
English
Chorus
Dance Dance yes Go home no Go home no Spin around yes, sing yes Sleep no
Verse
You underline in black crayon The curve of your green eyes A feline look Nocturnal You trace, draw and cut out Petals of red roses On the edge of your lips You will go out all night long Until the early hours Because you know that life is short. Allora…
Your slim body sways And little by little your sent Wafts over the crowd Nocturnal Even with your eyes closed You know that they see only you By the light of the moon You will go out all night long Until the early hours Because you know that life is short. Allora… Italiano Ritornello :
Ballare, Ballare si si si si Tornare Tornare no no no no Girare si, cantare si Dormire no
Strofe :
Dipingi con la matita nera Il contorno dei tuoi occhi verdi Uno sguardo di felina Nottambula Tu tracci disegni scolpisci Petali di rose rosse Sul’orlo delle tue labbra Tu girerai tutta per la notte finché sara mattino Perché lo sai la vita e breve, Allora...
Ondeggia il tuo corpo snello E Piano pian’ il tuo profumo Diffonde in mezzo alla folla Nottambula Anche ad occhi chiusi Lo sai ché notan' solo te
Al chiarore della luna
Tu girerai tutta per la notte finché sara mattino Perché lo sai la vita e breve, Allora...
Français
Refrain :
Danser, oui
Danser, oui Rentrer, non Rentrer, non, Tourner oui, chanter oui Dormir, non !
Couplets :
Tu soulignes au crayon noir le contour de tes yeux verts Un regard de féline Noctambule Tu traces, dessines et découpes Des pétales de roses rouges Sur l'ourlet de tes lèvres Tu sortiras toute la nuit Jusqu'au petit matin Car tu sais que la vie est courte Alors...
Ton corps mince ondule Et petit à petit ton parfum Se diffuse dans la foule Noctambule Même avec les yeux fermés Tu sais qu'ils ne voient que toi Dans la clarté de la lune Tu sortiras toute la nuit Jusqu'au petit matin Car tu sais que la vie est courte Alors...
Pure country / honky-tonk song about drowning sorrows. Male singer, Pure country / honky-tonk song about drowning sorrows. Male singer, rhythm section, fiddle, pedal steel @ 0'36, lead electric guitar 1'31 & lead fiddle @ 1'45.歌词
BEER CHASERCHORUSBring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ downVERSEWe came out here together Just about a year ago I was playin’ guitar at a hotel bar She was workin’ at the casino Serving drinks to high rollers Till one of them caught her eye Now she’s gone an’ hit the bi0g jackpot And I’ve gone an’ bought a ticket to flyCHORUSSo bring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ downInstrumentalBRIDGEThey’re ready to board at gate #4 Here’s a hundred, you can keep the change I’m gonna be the last one on But I’ll sleep it off on the plane I’ll sleep it off on the planeCHORUSBring me another beer chaser Another Bloody Mary’s goin’ down I know it might seem early But I booked the first flight out of town That baby of mine found another man And I ain’t stickin’ around So bring me another beer chaser Another Bloody Mary’s goin’ down Another Bloody Mary’s goin’ down Another Bloody Mary’s goin’ down
Upbeat country song in a Louisiana / cajun mood. Like a party in the Upbeat country song in a Louisiana / cajun mood. Like a party in the bayou. Male singer, pedal steel, accordion, fiddle.歌词
GOODTIME HONKY TONK VERSE Just a little past the county line Where the kudzu’s growin’ up the cross road sign
Sun’s sinkin’ thru the pine You’ll find the goodtime honky tonk
VERSE Just one happy family Blowin’ off steam at the end of the week Yes sir, no ma’am, thank you, please At the goodtime honky tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
VERSE Jukebox sittin’ on the old front porch Punch those numbers and hit the floor We all know what we’re here for
At the goodtime Honky Tonk
VERSE None of that new country breed Just Hank and Lefty and some Brenda Lee Listen to Willie puff some weed At the goodtime Honky Tonk
CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk
INSTRUMENTAL
REPEAT CHORUS Goodtime Honky Tonk Grab yourself a cold one Lose your troubles An’ have some fun At the goodtime Honky Tonk Goodtime Honky Tonk Grab yourself a partner Try to hang on To an old George Strait song At the goodtime Honky Tonk At the goodtime Honky Tonk At the goodtime Honky Tonk Heyeeeee
Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a Underscore. Upbeat country cue in a Louisiana / cajun mood. Like a party in the bayou. Pedal steel, accordion, fiddle.
Determined, dramatic, tough. Funky bass and electric guitar riffs Determined, dramatic, tough. Funky bass and electric guitar riffs with propulsive electronic beats are joined by rousing, motivating synths with suspenseful melodies. Powerful EDM with attitude and swagger, with atmospheric choir vocal textures building tension to dynamic, epic peaks.
Determined, dramatic, tough. Funky bass and electric guitar riffs Determined, dramatic, tough. Funky bass and electric guitar riffs with propulsive electronic beats are joined by rousing, motivating synths with suspenseful melodies. Powerful EDM with attitude and swagger, building in tension to dynamic, epic peaks.
Determined, dramatic, tough. Rousing, motivating synths with Determined, dramatic, tough. Rousing, motivating synths with suspenseful melodies are joined by funky bass and electric guitar riffs, and propulsive electronic beats. Powerful EDM with attitude and swagger, building in tension to a dynamic, epic peak.
Playful, determined, motivating. Propulsive electronic beats with Playful, determined, motivating. Propulsive electronic beats with upbeat synths and dramatic brass and string stabs. Energetic and dynamic hybrid cue with EDM synths and driving beats. Repetitive and hypnotic bed.
Playful, determined, motivating. Propulsive electronic beats with Playful, determined, motivating. Propulsive electronic beats with upbeat synths and dramatic brass and string stabs. Energetic and dynamic hybrid cue with EDM synths and driving beats. Repetitive and hypnotic bed.
