| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
One Thing Leads to Another [CEG5053 - 3] |
2'50 | Baptiste Charvet | Investigative cinematic jazz. Suspended, crystalline & dreamy. Piano, | 疑问 Fender Rhodes 调查研究 电影爵士乐 | Cm | 62 | ||||
|
One Thing Leads to Another
[CEG5053 - 23] |
版本. | 2'53 | Baptiste Charvet | Version without trumpet. | Cm | 123 | ||||
|
Back to a Peaceful Life [CEG5053 - 15] |
0 | 2'35 | Baptiste Charvet | Atmospheric & eerie, then driving & mysterious @ 1'18. Fender Rhodes | 神秘 气氛 间谍片 调查研究 | Gm | 162 | |||
|
Analog Dance [AUD044 - 1] |
2'02 | Frederic Sicart | Retro Electro. Quirky, playful & lively. Break @ 0'58, @ 1'29. Analog | 怪异 机器人 六十年代 电子 | D | 140 | ||||
|
Analog Dance (Short Edit) [AUD044 - 6] |
版本. | 0'29 | Frederic Sicart | Short edit | 怪异 机器人 六十年代 电子 | Gbm | 140 | |||
|
Analog Dance (No Drums) [AUD044 - 11] |
版本. | 2'02 | Frederic Sicart | No beat version | 怪异 机器人 六十年代 电子 | Dm | 140 | |||
|
Electronic Resonances [AUD044 - 3] |
2'24 | Frederic Sicart | Retro Electro. Repetitive, odd & off-beat. Analog synths & rhythm | 稳定的 摇摆 阴险 醉酒 | Dm | 69 | ||||
|
Electronic Resonances (Short
[AUD044 - 8] |
版本. | 0'26 | Frederic Sicart | Short edit | 稳定的 摇摆 阴险 醉酒 | Dm | 138 | |||
|
Electronic Resonances (No
[AUD044 - 13] |
版本. | 2'24 | Frederic Sicart | No beat version | 稳定的 摇摆 阴险 醉酒 | Dm | 138 | |||
|
Game Over Groove [ISC090 - 3] |
2'28 | Clément Panchout | Chiptune. Bouncy, groovy, happy & naive. 8-Bit synth, electronic | 好玩 复古游戏 8 bit music 笨拙 | G | 110 | ||||
|
Game Over Groove Alternate [ISC090 - 14] |
版本. | 2'28 | Clément Panchout | Version without percussion. | 好玩 复古游戏 8 bit music 天真幼稚 | G | 110 | |||
|
Breath [EOS121 - 9] |
0 | 2'07 | Laurent Rochelle | Cyclical, mysterious & hopeful. Blows, keyboards, soprano sax & | 工业活动 小说纪录片 神秘 跟踪摄影 | Bbm | 60 | |||
|
Unsolvable Puzzle [ISC087 - 7] |
2'28 | Norbert Gobor | Cinematic score. Haunting, repetitive & obsessive. Build-up with | 司法 神秘 气氛 画面感 | D | 161 | ||||
|
Unsolvable Puzzle Alternate [ISC087 - 19] |
版本. | 2'28 | Norbert Gobor | Version without percussion | 司法 神秘 气氛 画面感 | D | 161 | |||
|
Berlin Confidential [CEG5052 - 3] |
2'12 | Louis Edlinger | Minimal electro. Suspended, enigmatic & reflective. Sparkling synth | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 | ||||
|
Berlin Confidential Alternate
[CEG5052 - 17] |
版本. | 2'12 | Louis Edlinger | Version without rhythm. | 神秘 夜晚 信息技术 间谍片 | Dm | 96 | |||
|
Berlin Confidential Alternate
[CEG5052 - 18] |
版本. | 2'07 | Louis Edlinger | Version without bass. | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 | |||
|
Je Le Savais Très Bien [CEZ4645 - 5] |
2'30 | Iain Harper | Future garage. Groovy, determined & futuristic. Lively drum & bass | 车库 丛林音乐 夜晚 固执 | Em | 140 | ||||
|
Je Le Savais Très Bien
[CEZ4645 - 45] |
版本. | 2'30 | Iain Harper | Instrumental version | 车库 夜晚 固执 果断 | Em | 140 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 46] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 47] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 48] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 49] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 50] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 51] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 52] |
版本. | 0'08 | Iain Harper | Sting | 车库 夜晚 固执 果断 | Bm | 139 | |||
|
The Road to Heaven [EOS125 - 13] |
0 | 2'46 | Anthony Mowat, Tommy Rizzitelli | Floating, calm & resilient. Bass, guitar, drums, synth, vocals. | 气氛 社会悲剧 悬念 调查研究 | Em | 60 | |||
|
I Saw Heaven [EOS125 - 15] |
0 | 2'07 | Anthony Mowat | Bright, atmospheric & confident. Bass, guitar, percussion & synth. | 梦幻 悬念 宁静 气氛 | E | 60 | |||
|
Orfeo Rosso [EOS119 - 4] |
0 | 4'24 | Dominique Malan | Lively, cyclical & driving. Determined progression. Mallet | 木鼓 果断 自信 动人 | Em | 119 | |||
|
La Nuit sous ses Ailes [EOS119 - 5] |
0 | 4'44 | Dominique Malan | Tender, nostalgic but hopeful. Narrative. Strings, pizz, double bass. | 命运 忧伤 神秘 弦乐乐团 | Cm | 89 | |||
|
Les Couleurs de l'Absence [EOS119 - 6] |
0 | 4'30 | Dominique Malan | Determined, punctuated & epic. Mallet percussion, guitar, piano, | 神秘 全景 木鼓 全景图 | Bm | 120 | |||
|
Les Voiles de la Nuit [EOS119 - 9] |
0 | 2'49 | Dominique Malan | Nostalgic, tender & nocturnal. Mallet percussion, guitar, cello. | 木鼓 忧伤 命运 神秘 | Gm | 108 | |||
|
Singularity [CEG5050 - 5] |
0 | 2'03 | Jia | Cinematic Dark Score. Intriguing & nebulous intro blending strings | 画面感 催眠 反省 背景电子乐 | Dbm | 120 | |||
|
Dark Matter [CEG5050 - 8] |
0 | 1'51 | Jia | Cinematic Dark Score. Enigmatic, pulsating & brooding intro with | 背景电子乐 画面感 神秘 电子琴 | Abm | 100 | |||
|
Data Intrusion Detected [CEC8056 - 3] |
3'27 | Pei Zhao, Haojie Zheng | Electronic score. Synthetic, pulsating & technological. Intro with | 信息技术 声音设计 阴险 调查研究 | A | 120 | ||||
|
Data Intrusion Detected Edit
[CEC8056 - 19] |
版本. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | 信息技术 声音设计 阴险 调查研究 | A | 120 | |||
|
Data Intrusion Detected Edit
[CEC8056 - 20] |
版本. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | 信息技术 声音设计 阴险 调查研究 | A | 120 | |||
|
Data Intrusion Detected Edit
[CEC8056 - 21] |
版本. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | 信息技术 声音设计 阴险 调查研究 | A | 120 | |||
|
Moments Between Us Alternate [CCB1065 - 12] |
2'23 | Benjamin Doherty, Vincent Leibovitz | Underscore version. | 伴音 安静 悬念 梦幻 | C | 98 | ||||
|
Moments Between Us [CCB1065 - 2] |
版本. | 2'26 | Benjamin Doherty, Vincent Leibovitz | Minimal score, post-classical. Dreamy, soothing, contemplative, | 安静 原声乐器 宁静 放松 | C | 98 | |||
|
Floating [EOS128 - 10] |
0 | 3'08 | Sébastien Gisbert | Mysterious, introspective & suspended. Hang, shaker, rod stick, toms, | 神秘 钢鼓 疑问 调查研究 | Dm | 120 |