| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Farewell on Boarding Day [EOS80 - 9] |
0 | 2'16 | Damien Poupart-Taussat | Sentimental, solemn & grand. Strings, tin whistle, piano & horns. | 命运 开阔 画面感 感动 | A | 103 | |||
|
Inconclusive Evidence [CEC8022 - 3] |
0 | 2'03 | Zhang Hao, 赵君睿 | Discontinued, questionning & pending. Traditionnal Chinese | 中断 疑问 进行中 神秘 | Dm | 98 | |||
|
For All Men Kill [CCB1052 - 5] |
0 | 1'09 | Rykarda Parasol | Sad, vibrant & soulful interlude. Outro with reverse fx. Suggested | 反省 民族民谣 社会悲剧 独立电影 | Am | 81 | |||
|
The Thing They Love [CCB1052 - 11] |
0 | 1'42 | Rykarda Parasol | Nostalgic, sad & soulful interlude. Piano & strings. | 感动 忧伤 反省 悬念 | Em | 107 | |||
|
The Dust Speaks [CEO2138 - 15] |
0 | 2'33 | Eric Daniel | Toxic, suspended & ominous. Acoustic & E-bow guitar, sparse | 有毒 悬念 神秘 气氛 | D | 80 | |||
|
Particles of Glass [CEO2138 - 17] |
2'29 | Eric Daniel | Toxic, ominous, dissonant & threatening. Drone, electronics & | 神秘 诡异 嗡嗡声 sequencing | Dm | 85 | ||||
|
Particles of Glass Alternate [CEO2138 - 22] |
版本. | 1'56 | Eric Daniel | Atmospheric & sparse altrenate version. | 神秘 诡异 气氛 嗡嗡声 | Am | 85 | |||
|
Old Norse Customs [CEZ4510 - 8] |
2'33 | Steingrimur Thorhallsson | Fatalistic, mournful & depressing. Piano & drone pads. Cryptic choir | 伤心 反省 忧伤 叙述 | Am | 110 | ||||
|
Old Norse Customs Alternate [CEZ4510 - 19] |
版本. | 2'33 | Steingrimur Thorhallsson | Alternate without percussion. | 忧伤 北欧风 叙述 安静 | Am | 110 | |||
|
Light At The End [INP041 - 6] |
1'57 | Nicholas Crofts, Marvin Mcmahon | Epic, dramatic, spirited. Gentle ambience is met by meaningful piano | 飞行 电子乐宣传片 联盟 全景 | C | 109 | ||||
|
Light At The End (Underscore
[INP041 - 24] |
版本. | 1'57 | Nicholas Crofts, Marvin Mcmahon | Epic, dramatic, spirited. Gentle ambience is met by meaningful piano | 飞行 电子乐宣传片 联盟 全景 | C | 82 | |||
|
Light At The End (Underscore
[INP041 - 25] |
版本. | 1'57 | Nicholas Crofts, Marvin Mcmahon | Epic, dramatic, spirited. Gentle ambience is met by meaningful piano | 飞行 电子乐宣传片 联盟 原声电子 | G | 109 | |||
|
Kind World [INP041 - 12] |
2'21 | Nicholas Crofts, Marvin Mcmahon | Epic, emotional, wistful. Echoing piano and strings carve out a | 画面感 令人激动 科幻片 感动 | F | 100 | ||||
|
Kind World (Underscore) [INP041 - 35] |
版本. | 2'21 | Nicholas Crofts, Marvin Mcmahon | Epic, emotional, wistful. Echoing piano carves out a meaningful and | 飞行 画面感 令人激动 庄严 | F | 100 | |||
|
Attorney's Summing up [CEZ4505 - 6] |
0 | 2'46 | Sonny Nieuwenhuizen | Constant & reflective electro sequences with punctuated & floating | 疑问 调查研究 神秘 反省 | Dbm | 90 | |||
|
Granulation [CEO2140 - 19] |
0 | 2'27 | Vincent Carlo | Electro coporate. Airy, both inspiring & desolate. Granular synth, | 社会悲剧 原声电子 飞行 自然灾害 | Ab | 65 | |||
|
Prayer for Rain [CEO2139 - 7] |
0 | 2'49 | Bruno Alexiu | 1st part with low & powerful cinematic percussion evolving with | 地理政治 气氛 抱歉 自然灾害 | Dm | 108 | |||
|
Moonless Night on the Plain [CEO2139 - 10] |
0 | 2'35 | Bruno Alexiu | Dark, intermittent & descriptive. Repetitive cello ensemble with echo | 抱歉 命运 自然灾害 叙述 | Gb | 70 | |||
|
Savage Landscape [CEO2139 - 11] |
0 | 3'04 | Bruno Alexiu | 1st part: toxic, threatening & resonant. Low drone & string orchestra | 自然灾害 有毒 令人不安 灾难 | F | 68 | |||
|
When the Moon Rises [CEO2139 - 12] |
0 | 2'25 | Bruno Alexiu | Dark, introspective & ethnic introduction with drone & duduk. | 感动 回响 地理政治 杜读管 | Am | 72 | |||
|
The Ever-Present Threat [CEO2139 - 13] |
0 | 3'35 | Bruno Alexiu | 1st part. Profound & menacing low drone with intermittent & dramatic | 地理政治 令人不安 悬念 画面感 | C | 62 | |||
|
Voice from the Summits [CEO2139 - 14] |
0 | 3'10 | Bruno Alexiu | Ethnic, wild, mystical & meditative. Female voice with reverb fx, | 民族女声歌唱 地理政治 中亚 抱歉 | E | 66 | |||
|
Prelude in C [CEZ4503 - 22] |
2'33 | Bruno Alexiu from P.D. | J.S Bach's Prélude and fugue n°1 in C major BWV 846. Peaceful & | 天主教音乐 教堂管风琴 新教 西方仪式 | G | 60 | ||||
|
Prelude in C Alternate 1 [CEZ4503 - 76] |
版本. | 2'35 | Bruno Alexiu from P.D. | In a cathedral environment. | 天主教音乐 教堂管风琴 新教 西方仪式 | G | 119 | |||
|
Prelude in C Alternate 2 [CEZ4503 - 77] |
版本. | 2'32 | Bruno Alexiu from P.D. | In a church environment. | 天主教音乐 教堂管风琴 新教 西方仪式 | G | 60 | |||
|
Introduction and Prelude in C [CEZ4503 - 23] |
3'23 | Bruno Alexiu from P.D. | Solemn & spiritual introduction. Prélude and fugue n°1 by J.S Bach | 天主教音乐 新教 西方仪式 教堂管风琴 | G | 60 | ||||
|
Introduction and Prelude in C
[CEZ4503 - 78] |
版本. | 3'23 | Bruno Alexiu from P.D. | In a cathedral environment. | 天主教音乐 教堂管风琴 新教 西方仪式 | C | 60 | |||
|
Introduction and Prelude in C
[CEZ4503 - 79] |
版本. | 3'23 | Bruno Alexiu from P.D. | In a church environment. | 天主教音乐 教堂管风琴 新教 西方仪式 | G | 119 | |||
|
Ave Maria (Ellen Gesang III) [CEZ4503 - 25] |
3'55 | Bruno Alexiu from P.D. | Franz Schubert's Ave Maria (Ellen's Third Song D.839, Op 52 n°6). | 天主教音乐 教堂管风琴 新教 宗教仪式 | Bb | 86 | ||||
|
Ave Maria (Ellen Gesang III)
[CEZ4503 - 82] |
版本. | 3'57 | Bruno Alexiu from P.D. | In a cathedral environment. | 天主教音乐 教堂管风琴 新教 宗教仪式 | Bb | 164 | |||
|
Ave Maria (Ellen Gesang III)
[CEZ4503 - 83] |
版本. | 3'55 | Bruno Alexiu from P.D. | In a temple or chapel environment. | 天主教音乐 教堂管风琴 新教 宗教仪式 | Bb | 86 |