| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Classical Element [CEZ4420 - 5] |
0 | 4'01 | Nikitch | Electronica, electro beat. Solemn & hypnotic intro, then obstinate | 都市景色 果断 电子琴 进步 | Am | 117 | |||
|
AI Takeover [CEZ4420 - 12] |
0 | 3'06 | Colo Colo | Electronica. Tense, urgent & inexorable. Recommended for technology, | 夜晚 令人激动 都市景色 电子琴 | Bm | 120 | |||
|
Superior [BIB135 - 1] |
2'02 | Omer Agca | Attitude, swagger, cool. Upbeat, confident synths with propulsive | 朗朗上口 果断 时尚 人物 | Am | 86 | ||||
|
Superior - (Underscore) [BIB135 - 11] |
版本. | 2'05 | Omer Agca | Attitude, swagger, cool. Upbeat, confident synths with propulsive | 朗朗上口 果断 时尚 人物 | Am | 86 | |||
|
Joy [BIB134 - 3] |
2'53 | Matthew James Hill | Hopeful, rousing, uplifting. Layers of light, propulsive piano | 令人激动 开心 自信 童年 | C | 163 | ||||
|
Joy - (Underscore) [BIB134 - 13] |
版本. | 2'53 | Matthew James Hill | Hopeful, rousing, uplifting. Layers of light, propulsive piano | 自信 果断 无电声钢琴 命运 | C | 162 | |||
|
For All is Not Lost [BIB134 - 4] |
0 | 3'06 | Matthew James Hill | Determined, heartfelt, cinematic. Propulsive short string chugs in | 果断 画面感 命运 令人激动 | Gm | 134 | |||
|
For All is Not Lost -
[BIB134 - 15] |
0 | 3'06 | Matthew James Hill | Heroic, rousing, inspiring. Reflective, melancholic piano becomes | 果断 画面感 命运 令人激动 | Gm | 134 | |||
|
Fly like an Eagle [EOS43 - 2] |
0 | 3'28 | Damien Poupart-Taussat | Mysterious, distant then aerial & majestic. Slowly progress. Piano, | 飞行 庄严 全景图 全景 | Am | 90 | |||
|
Supernatural Encounter [EOS43 - 8] |
0 | 2'42 | Damien Poupart-Taussat | Mysterious, panoramic & hopeful. Piano, strings, horns & electronics. | 魔幻电影 海洋 全景图 冒险片 | D | 70 | |||
|
Virus Spreading [EOS41 - 3] |
0 | 2'34 | Laurent Rochelle | Distressing, insidious & progression. Fx wind. Piano, string section, | 警匪片 令人不安 政治 紧急 | Gm | 93 | |||
|
Pandemics Streams [EOS41 - 11] |
0 | 2'24 | Laurent Rochelle | Disturbing, tense & urgent. Fx wind. String section & electronics. | 政治 命运 间谍片 令人不安 | C | 107 | |||
|
Wars and Pandemics [EOS41 - 12] |
0 | 2'56 | Eric Volpatti | Intriguing intro then urgent & rough. Switch with agressive guitare & | 火热 紧急 影院摇滚 爆炸 | A | 94 | |||
|
General Warning [EOS41 - 15] |
0 | 2'21 | Laurent Rochelle | Staccato strings. Disturbing, alarming & scary. String orchestra & | 强调突出 自然灾害 进行中 恐怖片 | Gm | 150 | |||
|
Killshot [CET9022 - 3] |
1'49 | Nick Tzios | Weird ticking clock intro. Violent, vehement & impulsive cinematic | 预告片 冲突 画面感 爆炸 | Dbm | 100 | ||||
|
Killshot Alternate 1 [CET9022 - 17] |
版本. | 1'44 | Nick Tzios | Alternate without percussion. Ghostly intro with oppressed breath. | 预告片 画面感 高潮 进行中 | Dbm | 150 | |||
|
Killshot Alternate 2 [CET9022 - 18] |
版本. | 1'47 | Nick Tzios | Alternate percussion only. Oppressed intro with clock. Agitated, | 预告片 画面感 战士 冲击 | Dm | 100 | |||
|
Ultimate Rush [CET9022 - 7] |
2'12 | Nick Tzios | Dubious & bizarre intro with a weird bass synth line & clock. | 紧急 爆炸 轰隆声 无情 | Em | 120 | ||||
|
Ultimate Rush Alternate 1 [CET9022 - 25] |
版本. | 2'12 | Nick Tzios | Alternate without percussion. Dubious & bizarre intro with a weird | 轰隆声 紧急 动作游戏 高潮 | Em | 120 | |||
|
Ultimate Rush Alternate 2 [CET9022 - 26] |
版本. | 2'08 | Nick Tzios | Alternate percussion only. Dubious & bizarre intro with a mysterious | 冲突 爆炸 火热 动作游戏 | Cm | 120 | |||
|
Maximum Outburst [CET9022 - 10] |
2'07 | Nick Tzios, Paul Copestake | Oppressive intro with bass synth & ticking clock. Tense but | 进行中 冲击 画面感 无情 | Em | 162 | ||||
|
Maximum Outburst Alternate 1 [CET9022 - 31] |
版本. | 2'07 | Nick Tzios, Paul Copestake | Alternate without percussion. Oppressive & sweeping intro with | 进行中 预告片 画面感 无情 | Em | 162 | |||
|
Maximum Outburst Alternate 2 [CET9022 - 32] |
版本. | 2'02 | Nick Tzios, Paul Copestake | Alternate percussion only. Oppressive intro with a weird ticking | 冲击 预告片 画面感 无情 | Gm | 80 | |||
|
Overreactive [CET9022 - 11] |
1'52 | Nick Tzios | Tense, tough & jerky. Synth fx & cinematic hybrid percussion building | 冲击 进行中 爆炸 令人不安 | Em | 110 | ||||
|
Overreactive Alternate 1 [CET9022 - 33] |
版本. | 1'52 | Nick Tzios | Alternate without percussion. Tense, oppressive & jerky. Mechanical | 气势 进行中 战士 令人不安 | Em | 110 | |||
|
Overreactive Alternate 2 [CET9022 - 34] |
版本. | 1'34 | Nick Tzios | Alternate percussion only. Tense, tough & jerky. Cinematic hybrid | 冲击 冲突 爆炸 战士 | Cm | 110 | |||
|
Plasma Gun [CET9022 - 12] |
2'15 | Nick Tzios | Menacing & suspensful intro in an urban mood with bass synth & clock. | 阴险 动作游戏 冲突 影院摇滚 | Dbm | 120 | ||||
|
Plasma Gun Alternate 1 [CET9022 - 35] |
版本. | 2'15 | Nick Tzios | Alternate without percussion. Menacing & suspensful intro in an urban | 阴险 动作游戏 影院摇滚 高潮 | Dbm | 120 | |||
|
Plasma Gun Alternate 2 [CET9022 - 36] |
版本. | 2'12 | Nick Tzios | Alternate percussion only. Heavy & suspensful intro with slow clock. | 爆炸 阴险 节奏感 时间(滴答声) | Cm | 120 | |||
|
Payback [CET9021 - 4] |
1'59 | Philippe Briand | Intro with a castanets sound & heavy percussion. Catchy & mischievous | 预告片 动人 冲击 画面感 | Dm | 154 | ||||
|
Payback Alternate [CET9021 - 15] |
版本. | 1'59 | Philippe Briand | Alternate without percussion. Intro with a castanets sound & heavy | 好玩 进行中 讽刺 & 恶意 动作游戏 | D | 153 | |||
|
Race to Clock [CET9021 - 6] |
01'34 | Philippe Briand | Anticipating & ticking intro with bombastic percussion hits & | 时间(滴答声) 进行中 冲击 追逐场面 | Em | 148 | ||||
|
Race to Clock Alternate [CET9021 - 17] |
版本. | 01'34 | Philippe Briand | Alternate without percussion. Anticipating, profound & ticking intro | 追逐场面 进行中 赛车 紧急 | E | 148 | |||
|
The Future is Now [CEG5023 - 14] |
0 | 1'40 | Elisabeth Skornik, Guy Skornik | Heady, storytelling & obsessive. Evolving intro to a piano melody @ | 疑问 沉重 都市景色 稳定的 | Gbm | 100 |