Fun, positive, rousing. Dramatic piano and confident vocal shout outs Fun, positive, rousing. Dramatic piano and confident vocal shout outs builds with playful percussion, bright mallets and upbeat drums to become energetic and lively. Lighthearted verses move into strong and determined chorus sections with wordless vocals. Reflective, sentimental bridge with a suspended feel builds to a final, inspiring chorus section. Aspirational bed.歌词
Fun, positive, rousing. Dramatic piano builds with playful percussion Fun, positive, rousing. Dramatic piano builds with playful percussion to become energetic and lively. Lighthearted verses move into strong and determined chorus sections. Reflective, sentimental bridge with a suspended feel builds to a final, inspiring chorus section. Aspirational bed. Stripped back underscore version.
Fun, positive, rousing. Dramatic piano and confident vocal shout outs Fun, positive, rousing. Dramatic piano and confident vocal shout outs builds with playful percussion, bright mallets to become energetic and lively. Lighthearted verses move into strong and determined chorus sections with wordless vocals. Reflective, sentimental bridge with a suspended feel builds to a final, inspiring chorus section. Aspirational bed. Stripped back underscore version.
Fun, positive, rousing. Driving acoustic guitars build with bright Fun, positive, rousing. Driving acoustic guitars build with bright mallets to become energetic and lively. Lighthearted verse move into a strong and determined chorus section. Reflective, sentimental bridge with a suspended feel builds to a final, inspiring chorus section. Aspirational bed. Stripped back underscore version.
Happy, inspiring, industrious. Percussive and playful underscore Happy, inspiring, industrious. Percussive and playful underscore version. Driving percussion builds with lively pizzicato and uplifting long strings, with bright mallets punctuating. Minimal synth bridge from 00:53 builds again to a rousing, motivating finale. Energetic cue with a purposeful feel, for wondrous discoveries and setting out on marvellous adventures.
Happy, inspiring, industrious. Propulsive piano melodies are joined Happy, inspiring, industrious. Propulsive piano melodies are joined by bright chimes and glimmering atmospheric textures. Driving percussion builds with lively piano and uplifting long strings. Minimal piano bridge from 01:29 builds again to a rousing, motivating finale. Energetic cue with a purposeful feel, for wondrous discoveries and setting out on marvellous adventures.
Restrained, sentimental, pastoral & tender then confident. Piano, Restrained, sentimental, pastoral & tender then confident. Piano, flute, acoustic guitar, clarinet & glockenspiel. Crescendo building up gradually. For family life & nature.
Tender & intimate. Extract from Scylla & Glaucus. Arrangement for Tender & intimate. Extract from Scylla & Glaucus. Arrangement for harpsichord with violin accompaniment. Small baroque music ensemble.
Expansive, hopeful, delicate. Bright, reflective acoustic guitars Expansive, hopeful, delicate. Bright, reflective acoustic guitars drift with dreamy piano chords and beautiful, glimmering synth sustains. A minimal beginning builds with light percussion and ethereal wordless male vocals. Emotive, hypnotic and inspiring folk with a mesmerising, organic feel.歌词
Expansive, hopeful, delicate. Bright, reflective acoustic guitars Expansive, hopeful, delicate. Bright, reflective acoustic guitars drift with dreamy piano chords and beautiful, glimmering synth sustains. A minimal beginning builds with light percussion. Emotive, hypnotic and inspiring folk with a mesmerising, organic feel.
Expansive, hopeful, delicate. Bright, reflective acoustic guitars Expansive, hopeful, delicate. Bright, reflective acoustic guitars drift with dreamy piano chords and beautiful, glimmering synth sustains, light percussion and ethereal wordless male vocals. Emotive, hypnotic and inspiring folk with a mesmerising, organic feel.
Expansive, hopeful, delicate. Bright, reflective acoustic guitars Expansive, hopeful, delicate. Bright, reflective acoustic guitars drift with dreamy piano chords and beautiful, glimmering synth sustains, light percussion and ethereal wordless male vocals. Emotive, hypnotic and inspiring folk string with a mesmerising, organic feel.
Expansive, hopeful, delicate. Bright, reflective acoustic guitars Expansive, hopeful, delicate. Bright, reflective acoustic guitars drift with dreamy piano chords and beautiful, glimmering synth sustains and light percussion. Emotive, hypnotic and inspiring folk string with a mesmerising, organic feel.
Evolving, mysterious, light. Brooding bass with suspenseful plucked Evolving, mysterious, light. Brooding bass with suspenseful plucked mandolin is joined by eerie atmospheres and bright, chiming mallets. Uneasy intro becomes more positive and determined with reflective piano. Minimal and bleak bridge from 01:08 builds with upbeat melodies to an emotive finale.
Evolving, mysterious, light. Brooding bass with suspenseful plucked Evolving, mysterious, light. Brooding bass with suspenseful plucked mandolin is joined by eerie atmospheres, bright, chiming mallets and reflective piano. Builds with upbeat melodies to an emotive finale.
Traditional song from the Caribbean region of Colombia, sung in Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15. 歌词
Azúca me llamo yo, Azúca me llamo yo, Azúca me puso el padre, cuando me metio la sal.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca, azúca será, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Azúca, Azúca. El loro y la lora estaban loriando, El loro y la lora estaban loriando, Y yo por la reja estaba mirando Y yo por la reja estaba mirando El loro comiendo y yo trabajando El loro comiendo y yo trabajando Trabaja compañero, trabaja. (Azúca) Trabaja voca arriba trabaja. (Azúca) Trabaja medio lado trabaja.
Con que se mantiene, con la flor del verano. Con que se mantiene, con la flor del verano. Trabaja compañero, trabaja. Trabaja medio lado trabaja. Trabaja voca arriba trabaja. Trabaja voca arriba trabaja.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca me puso el padre, (Azúca) Cuando me metio la sal, (Azúca)
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento. Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento.
Azúca, Ay con que se mantiene Azúca, Con la flor del verano Azúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
词/曲作者 :
Traditional
许可号 :
10347
专辑 :
Latin Songs: In a Traditional Mood
发布日期 :
01/04/2020
演唱者 :
Aida Bossa
出版方 :
Frederic Leibovitz Editeur - Mantarraya Music
国际标准音像制品编码 :
FRZPA2006760
Azúcar - El Loro y la Lora Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Modern repetitive music / minimalist music. Cyclic, delicate, light & Modern repetitive music / minimalist music. Cyclic, delicate, light & naive. Suggested for childhood, landscape & country and garden. Piano & organ.
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Sophisticated, positive, upbeat. Propulsive pizzicato strings with Sophisticated, positive, upbeat. Propulsive pizzicato strings with light, atmospheric percussion. Playful dramedy cue with bright chimes and driving strings. Delicate bridge from 01:20 with quirky woodwind melodies builds in energy to an expansive, cinematic finale with an intriguing sense of adventure.
Sophisticated, positive, upbeat. Propulsive pizzicato strings with Sophisticated, positive, upbeat. Propulsive pizzicato strings with light, atmospheric percussion. Playful dramedy cue with bright chimes and driving strings. Delicate bridge from 01:20 with quirky woodwind melodies builds in energy to an expansive, cinematic finale with an intriguing sense of adventure. Stripped back underscore version.
Sophisticated, positive, upbeat. Propulsive pizzicato strings with Sophisticated, positive, upbeat. Propulsive pizzicato strings with light, atmospheric percussion. Playful dramedy cue with bright chimes and driving strings. Quirky woodwind melodies builds in energy to an expansive, cinematic finale with an intriguing sense of adventure.
Deceptively childish but worrying, sad & tormented. Music box, piano, Deceptively childish but worrying, sad & tormented. Music box, piano, strings & choir.
Emotive, cinematic, uplifting. Delicate, atmospheric sitar. Emotive, cinematic, uplifting. Delicate, atmospheric sitar. Reflective, hopeful piano with beautiful, heartfelt strings. Sentimental and poignant santoor and harmonium textures weave to create a minimal yet inspiring organic Indian cue with a rousing, wondrous yet innocent finale.
Emotive, cinematic, uplifting. Delicate, atmospheric sitar with Emotive, cinematic, uplifting. Delicate, atmospheric sitar with beautiful, heartfelt strings. Sentimental and poignant santoor textures weave to create a minimal yet inspiring organic Indian cue with a rousing, wondrous yet innocent finale. Stripped back underscore version.
Emotive, cinematic, uplifting. Delicate, atmospheric sitar. Emotive, cinematic, uplifting. Delicate, atmospheric sitar. Reflective, hopeful piano with beautiful, heartfelt strings. Sentimental and poignant santoor and harmonium textures weave to create a minimal yet inspiring organic Indian cue with a rousing, wondrous yet innocent finale.
