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身体打击乐| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ishirini na tano [OCR560155 - 3] |
0 | 1'57 | Traditionnal | "Twenty-five". Makumbi. Mixed choir & hand claps. | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Gbm | 103 | |||
|
|
Cimandi cha milolo [OCR560155 - 9] |
0 | 0'56 | Traditionnal | "To refuse". Makumbi. Mixed choir & hand clappin. | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Abm | 93 | |||
|
|
Danieli [OCR560155 - 10] |
0 | 2'54 | Traditionnal | "A name". Msaigwa. Polyphony. Mixed choir & hand claps. | 斯瓦希里语歌唱 民族 人声 坦桑尼亚 | Em | 81 | |||
|
|
Ngadugwe [OCR560155 - 11] |
0 | 2'06 | Traditionnal | "Warning". Makumbi. Mixed choir & hand claps. | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Bm | 140 | |||
|
|
Mnyamluzi [OCR560155 - 16] |
0 | 1'06 | Traditionnal | "We're grown-ups". Ikumbi lya clume. Mixed choir, hand claps & reed | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Am | 109 | |||
|
Nhô Miguel Pulnor [OCR560147 - 1] |
0 | 5'43 | Nha Sabina Maria Mota | Wedding song. Acoustic guitar, cavaquinho, hand-clapping, chocalho | 佛得角半岛克里奥尔语歌唱 民族 民族女声独唱 四弦小吉他 | Bbm | 113 | |||
|
|
Nhô Sont' André [OCR560147 - 3] |
0 | 4'19 | Nha Sabina Maria Mota | Wedding song. Acoustic guitar, cavaquinho, hand-clapping, chocalho | 佛得角半岛克里奥尔语歌唱 民族 民族女声独唱 四弦小吉他 | Gm | 111 | |||
|
|
Boas Festas [OCR560147 - 10] |
0 | 5'29 | Groupe de Ribeira Prata (interprète) | Christmas season's songs. Acoustic guitar, chocalho (Cape Verdean | 佛得角半岛克里奥尔语歌唱 男声民族合唱团 民族 chocalho | G | 96 | |||
|
Toque De Pilao Com Milho [OCR560146 - 6] |
0 | 7'00 | Traditionnal | Feast song. Drums, hand-clapping, male voice & choir. | 民族鼓 民族 佛得角 男声民族合唱团 | Em | 81 | |||
|
Tchani Pamôdi [OCR560132 - 1] |
0 | 12'13 | Traditionnal | "Tchani, why?". About Tchani, an appaling crook who takes advantage | cimboa 民族 佛得角 巴突克舞 | Gm | 81 | |||
|
|
Baxu Cama [OCR560132 - 2] |
0 | 9'42 | Traditionnal | "Under the bed". This euphoric song pays homage to the unmatched | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
|
Santa Catarina [OCR560132 - 3] |
0 | 11'53 | Traditionnal | This song reflects a strong concern about the short-term future of | cimboa 民族 佛得角 女声民族合唱团 | Abm | 82 | |||
|
|
Dotor Ki Flâ [OCR560132 - 4] |
0 | 8'25 | Traditionnal | "It's the doctor speaking". Song in praise of virility. Acoustic | cimboa 民族 佛得角 女声民族合唱团 | Gm | 81 | |||
|
|
Sambuna E Finacon [OCR560132 - 5] |
0 | 16'13 | Traditionnal | About events which have affected the community. Acoustic guitar, | cimboa 民族 佛得角 女声民族合唱团 | Bb | 80 | |||
|
|
Reforma Agrária [OCR560132 - 6] |
0 | 7'01 | Traditionnal | "Agrarian reform". This song pays homage to the memory of Amilcar | cimboa 民族 佛得角 女声民族合唱团 | Eb | 82 | |||
|
|
Brinca Sima Minino [OCR560132 - 7] |
0 | 9'05 | Traditionnal | "I'm playing like a child". Acoustic guitar, cimboa (Cape Verdean | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
NNankasa dance-music [OCR560032 - 7] |
0 | 6'41 | N'Gali from P.D. | Mbutu, mpungi, ngalabi, nnankasa (Uganda drums), madinda (Ugandan | 民族 embutu engalabi madinda | Bb | 103 | |||
|
Ndombi 2 [OCR560199 - 5] |
0 | 0'57 | Chlotilde Michemi from P.D. | Atege marriage song. Female voice & mixed choir. | 男女民族合唱团 民族 Atege 民族女声独唱 | Em | 117 | |||
|
|
Mbali [OCR560199 - 7] |
0 | 6'12 | Théodore Ossele from P.D. | Atege song. From the popular repertoire. Male voice & mixed choir. | 民族 男女民族合唱团 Atege 传统男声独唱 | Ebm | 117 | |||
|
Handyman [CEZ4095 - 13] |
0 | 2'52 | Michel Schick | Joyful & naive. Whistled melody, guitar & small ensemble. | 宠物 无忧无虑 园艺 开心 | G | 104 |
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