专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
---|---|---|---|---|---|---|---|---|---|---|---|
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Propagation [CEG5060 - 2] |
2'32 | Arttu Silvast | Hybrid Scoring. Tragic, sad, grim & unsettling. Evolving sequence ... | 社会悲剧 当代历史 悲剧 催眠... | Fm | 109 | ||||
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Propagation Alternate 2 [CEG5060 - 12] |
版本. | 2'32 | Arttu Silvast | Version without percussion | 社会悲剧 当代历史 悲剧 催眠... | Fm | 109 | |||
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Propagation Alternate 3 [CEG5060 - 13] |
版本. | 2'32 | Arttu Silvast | Underscore version | 社会悲剧 当代历史 悲剧 催眠... | Fm | 109 | |||
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The Political Decisions [CEG5060 - 3] |
2'21 | Arttu Silvast | Hybrid Scoring. Menacing, cold, winding, grim & constant. Anxious ... | 令人不安 进行中 悬念 恐怖片... | D | 144 | ||||
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The Political Decisions ...
[CEG5060 - 14] |
版本. | 2'23 | Arttu Silvast | Version without percussion | 令人不安 进行中 悬念 恐怖片... | D | 144 | |||
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The Political Decisions ...
[CEG5060 - 15] |
版本. | 2'21 | Arttu Silvast | Version without percussion & choir | 令人不安 进行中 悬念 夜晚... | D | 144 | |||
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The Political Decisions ...
[CEG5060 - 16] |
版本. | 3'11 | Arttu Silvast | Version with atmospheric intro | 令人不安 进行中 悬念 恐怖片... | D | 144 | |||
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The Political Decisions ...
[CEG5060 - 17] |
版本. | 3'11 | Arttu Silvast | Version without percussion | 令人不安 进行中 悬念 恐怖片... | D | 96 | |||
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The Political Decisions ...
[CEG5060 - 18] |
版本. | 3'10 | Arttu Silvast | Version without percussion & choir | 令人不安 进行中 悬念 恐怖片... | D | 96 | |||
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Curing, At All Cost [CEG5060 - 7] |
3'18 | Arttu Silvast | Hybrid Scoring. Sad & sorrowful piano intro evolving with percussion ... | 抱歉 社会悲剧 当代历史 伤心... | Em | 100 | ||||
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Curing, At All Cost Alternate ...
[CEG5060 - 24] |
版本. | 3'17 | Arttu Silvast | Version without percussion | 抱歉 社会悲剧 当代历史 伤心... | Em | 100 | |||
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Curing, At All Cost Alternate ...
[CEG5060 - 25] |
版本. | 3'17 | Arttu Silvast | Underscore version | 抱歉 社会悲剧 当代历史 伤心... | Em | 100 | |||
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Resurgence [CEG5060 - 8] |
2'32 | Arttu Silvast | Hybrid Scoring. Cold, sinister, insidious & dark. Relentless deep ... | 阴险 恐怖片 冰冷 有毒... | Dm | 80 | ||||
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Resurgence Alternate [CEG5060 - 26] |
版本. | 2'31 | Arttu Silvast | Underscore version | 阴险 恐怖片 冰冷 有毒... | Dm | 107 | |||
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Digital Revolution [ISC116 - 6] |
2'25 | Francesco Bondi | Electro. Tense, aggressive & dark. Synth & rhythmic. Suggested for ... | 信息技术 固执 冲突 都市... | G | 135 | ||||
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Digital Revolution Alternate 1 [ISC116 - 20] |
版本. | 2'25 | Francesco Bondi | Version without percussion. | 信息技术 固执 冲突 都市... | G | 135 | |||
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Digital Revolution Alternate 2 [ISC116 - 21] |
版本. | 2'25 | Francesco Bondi | Version without lead. | 信息技术 固执 冲突 都市... | Gm | 135 | |||
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Nightscape [ISC116 - 7] |
2'02 | Francesco Bondi | Electro. Heavy, powerful, rough & undulating. Climax @ 1'25 with big ... | 动作游戏 沉重 固执 追逐场面... | Cm | 130 | ||||
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Nightscape Alternate 1 [ISC116 - 22] |
版本. | 2'02 | Francesco Bondi | Version without percussion. | 动作游戏 沉重 固执 追逐场面... | C | 130 | |||
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Nightscape Alternate 2 [ISC116 - 23] |
版本. | 2'02 | Francesco Bondi | Version without lead. | 动作游戏 沉重 固执 追逐场面... | Cm | 130 | |||
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Dark Intentions [ISC116 - 9] |
2'59 | Francesco Bondi | Electro. Long intro that builds up, suspenseful, urgent & unsettling. ... | 信息技术 令人不安 调查研究 冲突... | Fm | 120 | ||||
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Dark Intentions Alternate [ISC116 - 26] |
版本. | 2'59 | Francesco Bondi | Version without percussion. | 信息技术 令人不安 调查研究 冲突... | Fm | 120 | |||
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The Blood Rite [ISC115 - 5] |
3'09 | Christophe Le Guen | Horror trailer. Gloomy intro. Build-up @ 0'30 with ghostly enchanting ... | 画面感 高潮 史诗 预告片... | Cm | 100 | ||||
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The Blood Rite Alternate 1 [ISC115 - 19] |
版本. | 3'09 | Christophe Le Guen | Version without percussion. | 画面感 高潮 史诗 预告片... | Cm | 100 | |||
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The Blood Rite Alternate 2 [ISC115 - 20] |
版本. | 3'09 | Christophe Le Guen | Light version. | 画面感 高潮 史诗 预告片... | Cm | 100 | |||
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Invocation of Dread [ISC115 - 7] |
3'54 | Christophe Le Guen | Horror trailer. Mysterious intro with piano, floating soundscape & ... | 进步 画面感 高潮 史诗... | Fm | 140 | ||||
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Invocation of Dread Alternate ...
[ISC115 - 23] |
版本. | 3'54 | Christophe Le Guen | Version without percussion. | 进步 画面感 高潮 史诗... | Fm | 140 | |||
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Invocation of Dread Alternate ...
[ISC115 - 24] |
版本. | 3'54 | Christophe Le Guen | Light version. | 进步 画面感 高潮 史诗... | Fm | 140 | |||
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Lost In Mumbai [AMS5064 - 2] |
2'14 | Ilan Kunik | Indian cinematic. Mysterious intro with sitar, tabla, then chimes. ... | 紧急 骑马 画面感 固执... | Cm | 127 | ||||
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Lost In Mumbai Alternate 1 [AMS5064 - 17] |
版本. | 2'14 | Ilan Kunik | Version without percussion. | 紧急 骑马 画面感 固执... | C | 128 | |||
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Lost In Mumbai Alternate 2 [AMS5064 - 18] |
版本. | 2'14 | Ilan Kunik | Version with percussion only. | 紧急 骑马 画面感 固执... | Cm | 127 | |||
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Lost In Mumbai Alternate 3 [AMS5064 - 19] |
版本. | 2'14 | Ilan Kunik | Version without strings. | 紧急 骑马 画面感 固执... | Cm | 128 | |||
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Lost In Mumbai Alternate 4 [AMS5064 - 20] |
版本. | 2'14 | Ilan Kunik | Version without voices. | 紧急 骑马 画面感 固执... | Cm | 128 | |||
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Lost In Mumbai Alternate 5 [AMS5064 - 21] |
版本. | 2'14 | Ilan Kunik | "Bed" version. | 紧急 骑马 画面感 固执... | Cm | 127 | |||
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Lost In Mumbai Alternate 6 [AMS5064 - 22] |
版本. | 2'14 | Ilan Kunik | Underscore version. | 紧急 骑马 画面感 固执... | Cm | 127 | |||
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Lost In Mumbai Edit 1 30 sec [AMS5064 - 23] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 紧急 骑马 画面感 固执... | C | 127 | |||
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Lost In Mumbai Edit 2 15 sec [AMS5064 - 24] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 紧急 骑马 画面感 固执... | C | 127 | |||
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Celtic Highlanders [AMS5064 - 4] |
2'08 | Ilan Kunik | Celtic cinematic. Dynamic, adventurous, festive & carefree. Irish ... | 冒险片 画面感 开心 动画... | Gm | 120 | ||||
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Celtic Highlanders Alternate 1 [AMS5064 - 32] |
版本. | 2'08 | Ilan Kunik | Version without percussion. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Alternate 2 [AMS5064 - 33] |
版本. | 2'08 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 开心 动画... | Abm | 118 | |||
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Celtic Highlanders Alternate 3 [AMS5064 - 34] |
版本. | 2'08 | Ilan Kunik | Version without strings. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Alternate 4 [AMS5064 - 35] |
版本. | 2'08 | Ilan Kunik | Version without voices. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Alternate 5 [AMS5064 - 36] |
版本. | 2'08 | Ilan Kunik | "Bed" version. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Alternate 6 [AMS5064 - 37] |
版本. | 2'08 | Ilan Kunik | Underscore version. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Edit 1 30 ...
[AMS5064 - 38] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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Celtic Highlanders Edit 2 15 ...
[AMS5064 - 39] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 开心 动画... | Gm | 120 | |||
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The Orients [AMS5064 - 5] |
2'06 | Ilan Kunik | Asian cinematic. Ceremonial intro. Assertive, jerky & determined. ... | 冒险片 画面感 中断 亚洲... | Bm | 143 | ||||
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The Orients Alternate 1 [AMS5064 - 40] |
版本. | 2'06 | Ilan Kunik | Version without percussion. | 冒险片 画面感 中断 亚洲... | Bm | 143 | |||
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The Orients Alternate 2 [AMS5064 - 41] |
版本. | 2'06 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 中断 亚洲... | Em | 144 | |||
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The Orients Alternate 3 [AMS5064 - 42] |
版本. | 2'06 | Ilan Kunik | Version without strings. | 冒险片 画面感 中断 亚洲... | Bm | 144 | |||
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The Orients Alternate 4 [AMS5064 - 43] |
版本. | 2'06 | Ilan Kunik | Version without voices. | 冒险片 画面感 中断 亚洲... | Bm | 144 | |||
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The Orients Alternate 5 [AMS5064 - 44] |
版本. | 2'06 | Ilan Kunik | "Bed" version. | 冒险片 画面感 中断 亚洲... | Bm | 144 | |||
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The Orients Alternate 6 [AMS5064 - 45] |
版本. | 2'06 | Ilan Kunik | Underscore version. | 冒险片 画面感 中断 亚洲... | Bm | 144 | |||
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The Orients Edit 1 30 sec [AMS5064 - 46] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 亚洲 功夫... | Bm | 144 | |||
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The Orients Edit 2 15 sec [AMS5064 - 47] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 亚洲 功夫... | Bm | 144 | |||
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Echoes Of Greece [AMS5064 - 8] |
2'17 | Ilan Kunik | Greek cinematic. Exciting, fast-paced, lively, and passionate. Break ... | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | ||||
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Echoes Of Greece Alternate 1 [AMS5064 - 61] |
版本. | 2'17 | Ilan Kunik | Version without percussion. | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | |||
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Echoes Of Greece Alternate 2 [AMS5064 - 62] |
版本. | 2'17 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 火热 进步... | Cm | 120 | |||
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Echoes Of Greece Alternate 3 [AMS5064 - 63] |
版本. | 2'17 | Ilan Kunik | Version without strings. | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | |||
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Echoes Of Greece Alternate 4 [AMS5064 - 64] |
版本. | 2'17 | Ilan Kunik | "Bed" version. | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | |||
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Echoes Of Greece Alternate 5 [AMS5064 - 65] |
版本. | 2'17 | Ilan Kunik | Underscore version. | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | |||
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Echoes Of Greece Edit 1 30 sec [AMS5064 - 66] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 布祖基琴 画面感 火热... | Dm | 120 | |||
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Echoes Of Greece Edit 2 15 sec [AMS5064 - 67] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 布祖基琴 画面感 火热... | Dm | 119 | |||
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Catch Me If You Can [AMS5065 - 3] |
2'09 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Urgent, blistering & syncopated. Metal rock band & ... | 火热 极限运动 击金属 冲突... | Dm | 140 | ||||
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Catch Me If You Can Alternate ...
[AMS5065 - 19] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 火热 极限运动 击金属 态度... | Dm | 140 | |||
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Catch Me If You Can Alternate ...
[AMS5065 - 20] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 火热 极限运动 击金属 冲突... | Fm | 140 | |||
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Catch Me If You Can Alternate ...
[AMS5065 - 21] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Underscore version | 火热 极限运动 击金属 态度... | Dm | 140 | |||
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Catch Me If You Can Edit 1 30 ...
[AMS5065 - 22] |
版本. | 0'32 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 火热 极限运动 击金属 冲突... | Dm | 142 | |||
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Catch Me If You Can Edit 2 15 ...
[AMS5065 - 23] |
版本. | 0'15 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 火热 极限运动 击金属 冲突... | Dm | 140 | |||
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Powerboost [AMS5065 - 4] |
2'46 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Forceful, rowdy & muscular. Metal rock band & trailer fx. ... | 电吉他效果器 沉重 男人 冲击... | Bm | 140 | ||||
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Powerboost Alternate 1 [AMS5065 - 24] |
版本. | 2'46 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 电吉他效果器 沉重 男人 赛车... | Bm | 140 | |||
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Powerboost Alternate 2 [AMS5065 - 25] |
版本. | 2'46 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 沉重 男人 赛车 态度... | Gm | 140 | |||
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Powerboost Alternate 3 [AMS5065 - 26] |
版本. | 2'46 | Flaviu Ciocan, Revesz Gabor | Underscore version | 电吉他效果器 男人 赛车 态度... | Bm | 140 | |||
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Powerboost Edit 1 30 sec [AMS5065 - 27] |
版本. | 0'36 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 电吉他效果器 沉重 男人 冲击... | Bm | 140 | |||
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Powerboost Edit 2 15 sec [AMS5065 - 28] |
版本. | 0'19 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 电吉他效果器 沉重 男人 冲击... | Bm | 140 | |||
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Dope [AMS5065 - 6] |
2'55 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Tenacious, heavy & pounding. Metal rock band & trailer ... | 冲突 影院摇滚 极限运动 态度... | Cm | 90 | ||||
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Dope Alternate 1 [AMS5065 - 34] |
版本. | 2'55 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 影院摇滚 极限运动 态度 动作片... | Cm | 120 | |||
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Dope Alternate 2 [AMS5065 - 35] |
版本. | 2'55 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 影院摇滚 极限运动 态度 动作片... | Fm | 90 | |||
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Dope Alternate 3 [AMS5065 - 36] |
版本. | 2'55 | Flaviu Ciocan, Revesz Gabor | Underscore version | 影院摇滚 极限运动 态度 动作片... | Cm | 118 | |||
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Dope Edit 1 30 sec [AMS5065 - 37] |
版本. | 0'36 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 冲突 影院摇滚 极限运动 态度... | Cm | 90 | |||
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Dope Edit 2 15 sec [AMS5065 - 38] |
版本. | 0'19 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 冲突 影院摇滚 极限运动 态度... | Cm | 90 | |||
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Psychedelica [CEZ4685 - 2] |
0 | 2'47 | Third Act | Cinematic rock, film score. Explosive, relentless & powerful. Piano, ... | 命运 影院摇滚 film credits 电视剧... | Bm | 80 | |||
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Breaking the Circle [CEZ4683 - 4] |
0 | 2'15 | Third Act | Post-classical music, neo-classical music, film score. Inexorable, ... | 命运 骄傲 遗产 气势... | Ebm | 88 | |||
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Inside the Hitman's Mind [CEC8064 - 7] |
0 | 2'45 | Zhang Hao, Qingfeng Mu | Waiting, insidious, intriguing & strategic. Oud, piano, percussion & ... | 警匪片 固执 历史片 令人不安... | Am | 120 | |||
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Altered State [CET9108 - 2] |
2'32 | Giorgos Lorantakis | Electro trailer. Driving, confident & relentless. Electronic & ... | 动作游戏 画面感 固执 科幻片... | D | 113 | ||||
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Altered State Alternate [CET9108 - 12] |
版本. | 2'32 | Giorgos Lorantakis | Version without beat. | 动作游戏 固执 科幻片 态度... | D | 114 |