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摇铃鼓| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Suite de chants d'Abakangba,
[OCR560285 - 11] |
0 | 6'15 | Traditionnal | Soloist & choir voice, iwulu lead pipe placed in a big calabash, | ayele 男女民族合唱团 lali nyali | Gbm | 142 | |||
|
|
Suite de chants d'Abakangba,
[OCR560285 - 12] |
0 | 3'51 | Traditionnal | Soloist & choir voice, iwulu lead pipe placed in a big calabash, | ayele 男女民族合唱团 lali nyali | Gbm | 143 | |||
|
|
Suite de chants d'Abakangba,
[OCR560285 - 13] |
0 | 3'46 | Traditionnal | Soloist & choir voice, iwulu lead pipe placed in a big calabash, | ayele 男女民族合唱团 lali nyali | Gbm | 137 | |||
|
|
Makpakpa Ekondo [Histoire Du
[OCR560285 - 14] |
0 | 10'55 | Traditionnal | Domu harp, ethnic voices, ayele rattles, pounded manioc pestle, lali | ayele 男女民族合唱团 domu lali | Abm | 139 | |||
|
Piéré [OCR583008 - 1] |
0 | 6'31 | Traditionnal | This is the oldest songs in the repertory. Small sanza, voices, large | 散扎 男声民族合唱团 gbáyá 摇铃鼓 | Ebm | 123 | |||
|
|
Naa-Koré [OCR583008 - 2] |
0 | 6'49 | Traditionnal | Central African Republic. Sanza, 2 rattles, voices & percussions | 散扎 男声民族合唱团 热带雨林 gbáyá | Bb | 121 | |||
|
|
Naa-Bua [OCR583008 - 3] |
0 | 11'05 | Traditionnal | 2 sanzas, voices, rattle & percussions sticks. | 散扎 gbáyá 摇铃鼓 其他打击乐器 | Gb | 109 | |||
|
|
Fara KO Kumanda [OCR583008 - 6] |
0 | 14'02 | Traditionnal | Sanza, voice, rattles & percussions stick. | 散扎 gbáyá 摇铃鼓 其他打击乐器 | Bb | 121 | |||
|
|
Naa-Ndongoé [OCR583008 - 7] |
0 | 5'09 | Traditionnal | Small sanzas, voices, rattle & percussions sticks. | 散扎 gbáyá 摇铃鼓 其他打击乐器 | Em | 122 | |||
|
Approaching on Tiptoe [CEC8011 - 8] |
0 | 2'01 | Yum BGM | Hesitant, surreptitious & deceptively mysterious. Pizzicato string | 悲喜剧 疑问 讽刺 & 恶意 阴险 | Am | 166 | |||
|
Son Son Son [CEL7007 - 1] |
0 | 2'58 | Archie Pena | Salsa song. Danceable & uplifting. Male vocal, piano, horns, bass & 歌词 | 跳舞舞会 萨尔萨舞曲 古巴 动人 | Abm | 100 | |||
|
Partir pour Aurillac [CEO2042 - 5] |
0 | 3'16 | Kevin Seddiki | Dreamy & interrogative. Determined @ 1'08. guitars & percussion. | 乡村 梦幻 精致 原声吉他 | B | 112 | |||
|
Cosa Buena [CEZ4258 - 4] |
2'07 | Señor Ortegón & his Orchestra, Yasmel Alfaro, Yasniel Ciscal | Traditional Afro-Cuban guaracha/ rumba. Ensemble with male singer @ 歌词 | 古巴 瓜拉恰舞曲 西班牙语歌唱 伦巴舞曲 | Gm | 178 | ||||
|
|
Cosa Buena (Instrumental) [CEZ4258 - 18] |
版本. | 2'07 | Señor Ortegón & his Orchestra | Traditional Afro-Cuban guaracha. Muted trumpet, guitar, tres & | 古巴 瓜拉恰舞曲 伦巴舞曲 异域 | Gm | 178 | |||
|
|
Cosa Buena (Underscore) [CEZ4258 - 19] |
版本. | 2'07 | Señor Ortegón & his Orchestra | Traditional Afro-Cuban guaracha. Underscore. Tres, guitar & | 古巴 瓜拉恰舞曲 伦巴舞曲 异域 | Gm | 90 | |||
|
High Plain Drifting [CEZ4145 - 24] |
0 | 1'47 | Dino de Lucca Jr, Silvano Michelino | Aery, arid & distant. Treated acoustic guitar & percussion. | 抱歉 气氛 全景 自然灾害 | Fm | 155 | |||
|
Senor Romantico [CEZ4140 - 19] |
0 | 2'39 | Pierre-André Athané | Bolero. Sad & sensual. Violin, sax, organ & percussion. | 跳舞舞会 波莱罗舞 过时 媚俗 & 艳俗 | Cm | 119 | |||
|
Giata [OCR580048 - 8] |
0 | 3'18 | Traditionnal | "The masks' race". Traditional male singer with choir, gonoe (Ivorian | 民族 科特迪瓦 男声民族合唱团 gonoe | Gm | 111 | |||
|
|
Gêêglu [OCR580048 - 10] |
0 | 3'11 | Traditionnal | "Multiple mask". Traditional male's choir & yong (Ivorian rattle). | 民族 科特迪瓦 原声 男声民族合唱团 | Bbm | 100 | |||
|
Nareo Ry Ano [OCR561089 - 13] |
0 | 5'57 | Traditionnal | "You, people!". Improvised song. Traditional male singer, kantsa | 民族 Bara people lokanga 马达加斯加的管状齐特拉琴 | Ebm | 99 | |||
|
|
Holy Aho [OCR561089 - 19] |
0 | 3'34 | Traditionnal | "I'm going home". Traditional male singer, kantsa (Malagasy rattle), | 民族 Bara people 马达加斯加的管状齐特拉琴 传统男声独唱 | Ebm | 97 | |||
|
Velodo [CEZ4014 - 82] |
0 | 0'16 | Christian Zanesi | Amusing & exotic. percussion ensemble with guiro. | 日常生活 锯琴 其他打击乐 间隔闪回 | Am | 91 |
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