| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Uejai Picanerai Enominone [OCR560164 - 18] |
0 | 2'09 | Rafaela Patigue Chiquenoi from P.D. | Sung vision. Male voice & rattle drum. | 民族 Ayoreo 爱约列语歌唱 人声 | F | 153 | |||
|
Inguemeaine [OCR560164 - 19] |
0 | 8'29 | Rafaela Patigue Chiquenoi from P.D. | Battle song. Male voice & rattle drum. | 民族 Ayoreo 爱约列语歌唱 人声 | F | 81 | |||
|
Pendo [OCR560155 - 14] |
0 | 2'34 | Traditionnal | "Love". Msunyhuno. Polyphony. Male choir & drum. | 斯瓦希里语歌唱 民族 人声 坦桑尼亚 | Gb | 108 | |||
|
Kolongo [OCR560155 - 15] |
0 | 1'25 | Traditionnal | "River". Ikumbi lya clume". Mixed choir & reed mask sounds". | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Em | 111 | |||
|
Mnyamluzi [OCR560155 - 16] |
0 | 1'06 | Traditionnal | "We're grown-ups". Ikumbi lya clume. Mixed choir, hand claps & reed | 斯瓦希里语歌唱 民族 人声 男女民族合唱团 | Am | 109 | |||
|
Dia 15 Grog Ta Caba [OCR560147 - 7] |
0 | 4'31 | Cacoi | Morna. Acoustic guitar, cavaquinho, drum, male singer & men's choir. | 佛得角半岛克里奥尔语歌唱 民族 传统男声独唱 四弦小吉他 | Am | 126 | |||
|
Tchani Pamôdi [OCR560132 - 1] |
0 | 12'13 | Traditionnal | "Tchani, why?". About Tchani, an appaling crook who takes advantage | cimboa 民族 佛得角 巴突克舞 | Gm | 81 | |||
|
Baxu Cama [OCR560132 - 2] |
0 | 9'42 | Traditionnal | "Under the bed". This euphoric song pays homage to the unmatched | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
Santa Catarina [OCR560132 - 3] |
0 | 11'53 | Traditionnal | This song reflects a strong concern about the short-term future of | cimboa 民族 佛得角 女声民族合唱团 | Abm | 82 | |||
|
Dotor Ki Flâ [OCR560132 - 4] |
0 | 8'25 | Traditionnal | "It's the doctor speaking". Song in praise of virility. Acoustic | cimboa 民族 佛得角 女声民族合唱团 | Gm | 81 | |||
|
Sambuna E Finacon [OCR560132 - 5] |
0 | 16'13 | Traditionnal | About events which have affected the community. Acoustic guitar, | cimboa 民族 佛得角 女声民族合唱团 | Bb | 80 | |||
|
Reforma Agrária [OCR560132 - 6] |
0 | 7'01 | Traditionnal | "Agrarian reform". This song pays homage to the memory of Amilcar | cimboa 民族 佛得角 女声民族合唱团 | Eb | 82 | |||
|
Brinca Sima Minino [OCR560132 - 7] |
0 | 9'05 | Traditionnal | "I'm playing like a child". Acoustic guitar, cimboa (Cape Verdean | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
Something's Growling [CEZ4112 - 1] |
0 | 1'26 | Piotr Moss | Worrying & mysterious. Bass clarinet & percussion. | 恐怖片 令人不安 低音单簧管 复杂 | Dm | 62 | |||
|
End of the Dream [CEO2014 - 2] |
0 | 1'23 | Elisabeth Skornik, Guy Skornik | Changing. Positive & then dramatic. Piano, percussion & electronics. | 军事冲突 法国号 渐强 无情 | C | 64 | |||
|
North Threat [CEZ4111 - 15] |
0 | 2'22 | Matteo Michelino | Disturbing & determined. Electric guitars, percussions, bass & | 地理政治 北非 中东 非洲 | A | 104 | |||
|
On Deadly Ground [CEZ4111 - 22] |
2'00 | Eric Daniel | Tense, mysterious & desolate. Percussion & electronics. | 地理政治 非洲 热沙漠 恐怖 | Bbm | 96 | ||||
|
On Deadly Ground 2 [CEZ4111 - 41] |
版本. | 2'01 | Eric Daniel | Tense & desolate. Percussion, female voice & electronics. | 地理政治 非洲 热沙漠 全景图 | Bbm | 96 | |||
|
Metalwork [CEZ4111 - 29] |
0 | 1'44 | Loïc Schild | Repetitive & determined. Metallic percussion ensemble. | 电颤琴 木琴 手工业 周期性的 | Gm | 135 | |||
|
An Old Woman [CEO2011 - 18] |
0 | 2'15 | Bruno Alexiu | Wandering, desolated & intermittent. Oud & strings played in the | Bazantar 地理政治 北非 中东 | Gm | 98 | |||
|
Mystical Desert [CEO2011 - 19] |
0 | 1'20 | Bruno Alexiu | Wandering & uncertain. Strings played in the Arabian style & | 热沙漠 Bazantar 抱歉 小说纪录片 | G | 110 |