Turkish 60s/70s retro pop/rock with psychedelic rock influences. ...Turkish 60s/70s retro pop/rock with psychedelic rock influences. Bewitching, proud, sentimental & haunting. Song evoking unattainable love. Singer, bass, drums, electric guitar, Vox organ, saz baglama, cumbus & darbouka.歌词
Gozlerin, hep bana mi kacak Sozlerin, yalniz bana mi bicak
Ah o yollarin, yine bana mi tuzak Ah o gulusun, yine bana mi yasak
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar diken olur
Seller gider, geriye (yine) hep kum kalir
Eller gider, hasret bana yar kalir
Caglarim, bedenden tasarim; sozlerim lal kalir Senin o yollarin, yollarin; bana (hep) gurbet kalir
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar ayaz olur
French pop with a touch of the exotic. Chanson. Sentimental, ...French pop with a touch of the exotic. Chanson. Sentimental, determined, jerky & strong. Female vocalist, steel drum, synth, fx saturation, ethnic & rhythmic percussion. Suggested for French romance, French movie & teen series.歌词
Aussi bien que la vie me donne tort
Aussi bien que la terre
Pourra tourner encore
Si je suis le centre et toi le bord
Tu me regardes au loin
Et malgré tes efforts,
Je suis la marée haute, le vent du nord
La plus fière des vagues
De quoi virer de bord
Garde scellé ce vase de Pandore,
Je pourrais bien t’avoir
Je suis ton mauvais sort
Quand on est amoureux (x2)
Peut-on vraiment lutter contre son corps
On se couvre les yeux
Presque en dernier ressors
Mérite-tu toutes ces métaphores
Quand on est amoureux
Les soupçons s’évaporent
Quand on est amoureux (x2)
Garde toi bien de me juger à tort
La mémoire longue, et un coeur forgé d’or
Garde toi bien de me juger à tort
Garde toi bien, Garde toi bien
Quand on est amoureux (x4)
Determined, climactic, sharp. Droning strings fall into fast beat, ...Determined, climactic, sharp. Droning strings fall into fast beat, decorated by rough plucked chords as momentum builds. A shot of a cityscape or buildings in the hot sun, an important event or disaster occuring, with little time to save the day. Chattering percussion at 00:52 adds to tension. A situation with suspense, solid bass bouncing along. Sharp percussive interjections give a sense of complexity, a spy mission gone awry.
Determined, climactic, sharp. Droning strings cause a sense of ...Determined, climactic, sharp. Droning strings cause a sense of intrigue and urgency. A shot of a cityscape or buildings in the hot sun, an important event or disaster occuring, with little time to save the day. Sharp interjections of strings and bass offer a sense of panic, a spy mission gone awry. Stripped back no drums underscore version.
Determined, climactic, sharp. Droning strings fall into fast beat, ...Determined, climactic, sharp. Droning strings fall into fast beat, decorated by rough plucked chords as momentum builds. A shot of a cityscape or buildings in the hot sun, an important event or disaster occuring, with little time to save the day. Chattering percussion at 00:52 adds to tension. A situation with suspense, solid bass bouncing along. Sharp percussive interjections give a sense of complexity, a spy mission gone awry. Stripped back no lead underscore version.
Suspicious, villainous, childish. Clean twanging guitar winds through ...Suspicious, villainous, childish. Clean twanging guitar winds through bouncy instrumentation pushing forward through soft but dynamic drumming, strings adding a layer of seriousness. A villain or naughty character hiding from captors and causing trouble in a town or area. Xylophones convey a lighthearted sneaky energy. Guitar riffs offer the vision of an outlaw or troubled comedy character.
Suspicious, villainous, childish. Xylophones and subtle guitar wind ...Suspicious, villainous, childish. Xylophones and subtle guitar wind through bouncy instrumentation. A villain or naughty character hiding from captors and causing trouble in a town or area. Xylophones convey a lighthearted sneaky energy. Stripped back underscore version.
Middle-Eastern pop sung in Arabic. Rhythmic, sentimental & danceable. ...Middle-Eastern pop sung in Arabic. Rhythmic, sentimental & danceable. "My days light up when I'm with you". Female singer, darbouka, saz, synth, kamanjat, claps, clarinet, qanun, accordion, electronic & Oriental percussion. Suggested for romantic dramas & comedies.歌词
AR:
قل لي انا انت هنا ولا ايه حكايتك بالضبط يا اللي واخد عقلي في كل الازمنه
Qul li ana inta hina wala eh hikaytak bilzabt ya illi wakhid 'aqli fi kull al-azmina
حكايتنا قصتنا لسه مطوله ولا مش معروف لها طريق دي قلبي مجننه
Hikaytna, qisatna lissa mitwalah wala mish ma'ruf laha tareeq di qalbi magninah
اجيك من هنا تروح هناك حيرت قلبي معك
Ajik min hina trooh hinak hayyart qalbi ma'ak
يا اللي قلبي وروحي وهوايا فداك
Ya illi qalbi wa roohi wa hawaya fidaak
تعالى جنبي انا ما تشوف شويه هنا
Ta'ala ganbi ana ma tishoof shwaya hina
خد بالك هقولها لك كل سنه
Khud balak ha'oolha lak kull sana
واخذ بالي شويه حبه
Wakhid bali shwayya habba
قلبي دق الف دقه
Qalbi daq alf daqqa
قلبي ليك مليان بالرقه
Qalbi leek malyan bil-riqqa
قل لي طريقك اي سكه
Qul li tareekak ay sikka
لوحدي دماغي تروح وتودي
Lwahdi dmaghi trooh w twardi
لو كان الودي ودي
Law kan al-waddi waddi
مش هخلي الامر يعدي
Mish ha-khali al-amr yi'addi
مش هخلي اللعبه ضدي
Mish ha-khali al-lu'bah diddi
ده انا يا دوب استناك اصبر قلبي اتمناك
Da ana ya doob astannak asber qalbi atmannaak
مش هرتاح غير وانا معاك
Mish ha-rtah ghir wana ma'ak
ننسى الدنيا هنا وهناك
Ninsa ad-dunya hina wa hinak
بيحلى يومي وانا وياك
Bihla youmi wana wayak
ما تديني بقى رضاك
Ma tidini baqa ridaak
تعال هنا طل
Ta'ala hina tull
قلبي مش في الصبر بطل
Qalbi mish fil-sabr batal
كفايه لوحدي بقى بطل
Kifaya lwahdi ba'a batal
عند ونبقى زي الفل
'And w nibqa zay al-full
زي الفل زي الفل
Zay al-full zay al-full
يا بطل يا بطل يا بطل
Ya batal ya batal ya batal
اجيك هنا تروح هناك حيرت قلبي معك
Ajik hina trooh hinak hayyart qalbi ma'ak
EN:
Tell me, are you really there or what is your story, you who have taken possession of my mind at every moment?
Is our history, our journey, still long or does it have no clear direction? My heart is crazy about this.
I come to you, you go away there, you have made my heart confused.
You, for whom my heart, my soul and all my love are entirely devoted,
Come near me, take a look over there,
Be careful, I'll tell you every year.
You occupied my mind,
My heart beats a thousand beats,
It is filled with tenderness for you,
Tell me, which path are you going to take?
Alone, my mind spins,
If it was up to me to decide,
I will not let the situation pass,
I won't let the game go against me.
I wait for you impatiently, my heart yearns for you,
I will only find peace with you,
Let's forget the world here and there,
My days light up when I'm with you,
So grant me your tenderness.
Come here, take a look,
My heart can't wait any longer, hero
Enough of being alone, stay hero
Stubborn, we will be perfect,
Perfect, perfect,
Stubborn, we will be perfect, stubborn, we will be perfect,
My hero, my hero, my hero.
I come to you, you go away there, you have made my heart confused.
You, for whom my heart, my soul and all my love are entirely devoted,
Come near me, take a look over there,
Be careful, I'll tell you every year
FR:
Dis-moi, es-tu vraiment là ou c'est quoi ton histoire, toi qui as pris possession de mon esprit à chaque instant ?
Notre histoire, notre parcours, est-il encore long ou est-ce qu’il n’a pas de direction claire ? Mon cœur en est fou de ça.
Je viens vers toi, tu t’éloignes là-bas, tu as rendu mon cœur confus.
Toi, pour qui mon cœur, mon âme et tout mon amour sont entièrement dévoués,
Viens près de moi, jette un coup d'œil par là,
Fais attention, je te le dirai chaque année.
Tu as occupé mon esprit,
Mon cœur bat mille battements,
Il est rempli de tendresse pour toi,
Dis-moi, quel chemin vas-tu prendre ?
Seule, mon esprit tourne,
Si c'était à moi de décider,
Je ne laisserai pas passer la situation,
Je ne laisserai pas le jeu tourner contre moi.
Je t’attends avec impatience, mon cœur te désire ardemment,
Je ne trouverai de la paix qu’avec toi,
Oublions le monde ici et là,
Mes journées s'illuminent quand je suis avec toi,
Accorde-moi donc ta tendresse.
Viens ici, jette un coup d'œil,
Mon cœur ne peut plus attendre, héros
Assez d’être seul, reste héros
Entêtés, nous serons parfaits,
Parfaits, parfaits,
Entêtés, nous serons parfaits, entêtés, nous serons parfaits,
Mon héros, mon héros, mon héros.
Je viens vers toi, tu t’éloignes là-bas, tu as rendu mon cœur confus.
Toi, pour qui mon cœur, mon âme et tout mon amour sont entièrement dévoués,
Viens près de moi, jette un coup d'œil par là,
Fais attention, je te le dirai chaque année
Version Underscore without lead synth, clarinet, guitars, keys, sitar ...Version Underscore without lead synth, clarinet, guitars, keys, sitar & kamanjat.
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
بدينا زوينين و فضلنا الحلال و النية، و ما زال عندنا أحلام
Bdina zwinin w fadalna lhalal w nniya, w ma zal 3andna ahlam
وانايا داير اللي فجهدي باش تكوني ليا، فالتالي بقاو غي الأوهام
W ana ya dayr lli fjhdi bash tkouni liya, f ttali bqaw ghi l'awham
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
EN:
The ancients said: never trust people
Always stay on your guard
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
We started well, preferring honesty and good intentions, and we still have dreams
And I do everything to make you mine, but in the end, all that remains are illusions
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
FR:
Les anciens ont dit : ne fais jamais confiance aux gens
Reste toujours sur tes gardes
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Nous avons commencé bien, préférant l'honnêteté et les bonnes intentions, et nous avons encore des rêves
Et moi, je fais tout ce que je peux pour que tu sois à moi, mais finalement, il ne reste que des illusions
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Playful, fun & mischievous. The claps & percussion become more and ...Playful, fun & mischievous. The claps & percussion become more and more prolific and powerful. Join the party! Back end. Suggested for kids TV, games & entertainement.
Rhythm called "Toque de Congo" originating from the Afro-Brazilian ...Rhythm called "Toque de Congo" originating from the Afro-Brazilian tradition of candomblé. A song evoking the enchantment of love. Smooth, catchy & playful with a touch of irony. Vocal percussion, 7-string guitar, Brazilian guitars, Brazilian percussion, male singer & backing vocals.歌词
BR
A bozozeira foi na casa do bozozeiro
Para fazer uma bozozada para me bozozar
Fiquei doente
Perdido de amor
Porque a sua bozozada me bozozo
A bozozeira foi na casa do bozozeiro
Para fazer uma bozozada para me bozozar
Fiquei doente
Perdido de amor
Porque a sua bozozada me bozozo
Tomava banho, botava talco
Ana morena da rosa flor
O seu pecado me faz menina
Me fez menino
Ser seu amor
En
The bozozeira went to the bozozeiro's house
To make a bozozada to bozozar me
I got sick
Lost in love
Because his bozozada bozozo me
The bozozeira went to the bozozeiro's house
To make a bozozada to bozozar me
I got sick
Lost in love
Because his bozozada bozozo me
Showered, put on talcum powder
Ana morena da rosa flor
Your sin makes me a girl
Made me a boy
Be your love