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人声| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Holy Aho [OCR561089 - 19] |
0 | 3'34 | Traditionnal | "I'm going home". Traditional male singer, kantsa (Malagasy rattle), | 民族 Bara people 马达加斯加的管状齐特拉琴 传统男声独唱 | Ebm | 97 | |||
|
God afton, flicka lilla vän [OCR560225 - 4] |
0 | 2'41 | Traditionnal | Love song. A cappella traditional female singer. | 民族 民族女声独唱 瑞典语歌唱 cittra | B | 151 | |||
|
Puntos Espirutruanos [OCR560209 - 2] |
0 | 6'02 | Unknown | Punto. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Eb | 109 | |||
|
|
Arullo [OCR560209 - 3] |
0 | 3'04 | René Bonachea | Criolla. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Abm | 86 | |||
|
|
Falso Homenaje [OCR560209 - 4] |
0 | 3'33 | Enrique Bernal Valdivia | Guaracha. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | B | 111 | |||
|
|
El Director [OCR560209 - 5] |
0 | 2'15 | Rafael Gomez | Clave. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Bb | 165 | |||
|
|
Popurri de pasacalles [OCR560209 - 10] |
0 | 5'07 | Unknown | Pasacalles. Traditional male singers accompanied by acoustic guitars | 民族 男声民族合唱团 古巴 古典吉他 | Bb | 126 | |||
|
|
Temo al Olvido [OCR560209 - 12] |
0 | 2'57 | Rafael Gomez | Bolero ritmico or cancion. Traditional male singers accompanied by | 民族 男声民族合唱团 古巴 古典吉他 | Em | 154 | |||
|
Trigueña Linda [OCR560208 - 12] |
0 | 2'46 | Julio Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | C | 95 | |||
|
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
Suite of Solo Üçtelli : Two
[OCR560213 - 16] |
0 | 5'22 | Hayri Dev from P.D. | Baglama & traditional singer. | baglamas 民族 土耳其 土耳其语歌唱 | Abm | 107 | |||
|
|
Suite of Solo Üçtelli :
[OCR560213 - 17] |
0 | 4'23 | Hayri Dev from P.D. | Baglama & traditional singer. | baglamas 民族 土耳其 土耳其语歌唱 | Db | 107 | |||
|
|
Suite of Solo Üçtelli :
[OCR560213 - 24] |
0 | 3'48 | Hayri Dev from P.D. | Baglama & traditional singer. | baglamas 民族 土耳其 土耳其语歌唱 | Dbm | 105 | |||
|
Rythme De Marche [OCR560195 - 8] |
0 | 3'40 | Yadé Amoulamdè-mba Orchestra (performer) from P.D. | The function of this rhythm is to get people on the march. raditional | 传统乐器合奏 民族 女声民族合唱团 多哥 | C | 146 | |||
|
|
Rythme Kpanning-Soo [OCR560195 - 9] |
0 | 3'06 | Yadé Amoulamdè-mba Orchestra (performer) from P.D. | Rhythm played during wedding ceremonies and funerals. raditional | 传统乐器合奏 民族 女声民族合唱团 多哥 | Cm | 147 | |||
|
El Mango [OCR560187 - 8] |
0 | 2'04 | Ciquito | A cappella male singer. | 无伴奏合唱 民族 传统男声独唱 哥伦比亚 | Ebm | 140 | |||
|
Andante funèbre followed by
[OCR560177 - 10] |
0 | 4'47 | Daniel Petersson, Kersti Stabi, Maria Jonsson, Olof Misgeld from P.D. | Andante. A cappella traditional female singer then nyckelharpa, viola | 民族 nyckelharpa 瑞典语歌唱 quinton d'amore | G | 99 |
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