Epic, cinematic, climactic. Quiet strings open up with a feeling of Epic, cinematic, climactic. Quiet strings open up with a feeling of promise and adventure. Trilling piano gives a sense of grace and power as it explodes into theatrical momentum. Energy drops down and then comes thundering back up, a sense of a torrent of emotion and climaxes.
Epic, cinematic, climactic. Quiet strings open up with a feeling of Epic, cinematic, climactic. Quiet strings open up with a feeling of promise and adventure. Trilling piano gives a sense of grace and power as it explodes into theatrical momentum. Energy drops down and then comes thundering back up, a sense of a torrent of emotion and climaxes. Explosive drama. Instrumental version.
Epic, cinematic, climactic. Quiet strings open up with a feeling of Epic, cinematic, climactic. Quiet strings open up with a feeling of promise and adventure. Trilling piano gives a sense of grace and power as it explodes into theatrical momentum. Energy drops down and then comes thundering back up, a sense of a torrent of emotion and climaxes. Explosive drama. Bed version.
Orchestral trailer. Peaceful intro with piano & flute building up Orchestral trailer. Peaceful intro with piano & flute building up with ticking percussion, emotional violin & heavenly vocals. Epic climax @ 2'17 with cinematic percussion. Suggested for epic sports, adventure TV-reality, athlete portrait & panoramic landscapes.
Funk talkbox. Catchy, groovy & 1980s sexy funky from start to finish. Funk talkbox. Catchy, groovy & 1980s sexy funky from start to finish. Seductive male vocals, talbox vocals, funky guitar, claps & glistening fx. Suggested for clubbing groovy commercials & parties.歌词
Walk In The Park
I was built for the funk, I can make you dance all night, I’ll have you shakin’ on the dance floor, It’s a walk in the park for me that’s right.
And I ain’t tryin’ to say nothin’, Bad about how ya doin’ ya thing, (your thing) But when you see me comin’, Ya best get outta my way, Cause when I touch these keys, It makes all the ladies pleased, When my funk comes a rumblin’, (When my funk comes a rumblin’) I break ‘em down to their knees help me.
Let me guide ya, You don’t have to worry ‘bout a thing, Just let the music take you away, (music take you away) Let it free you and bless you with better days, Just listen what I say.
And I was built for the funk, I can make you dance all night, I’ll have you shakin’ on the dance floor, It’s a walk in the park for me that’s right.
In a still situation, I’m the one they call, Under a groove one nation, Together we won’t fall, I said my funk is on the one, (always on the one) And I’m here to remind you all, Under one groove one nation, The funk is standin’ tall help me.
Let me guide ya, You don’t have to worry ‘bout a thing, Just let the music take you away, Let it free you and bless you with better days, Just listen what I say.
And I was built for the funk, (funky funk) I can make you dance all night, (I can make you dance all night) I’ll have you shakin’ on the dance floor, (shakin’ on the dance floor) It’s a walk in the park for me that’s right. (Oohweeoohwee bwee bwee oh)
And I was built for the funk, (And I was built for the funk ahh ohh) I can make you dance all night, (dance all night) I’ll have you shakin’ on the dance floor, (ahh ooh) It’s a walk in the park for me that’s right. (buddy right that’s right yeah yeah)
Fun, poppy, strange. Vocal pops and breaths create a textured layer Fun, poppy, strange. Vocal pops and breaths create a textured layer of vocals, humming lower voice creates a basis as percussive sounds emanate from clicks and pops. A childlike atmosphere, a kids TV show or a freeform art project. A troop of performers doing mime or performance art.
Fun, poppy, strange. Vocal pops and breaths create a textured layer Fun, poppy, strange. Vocal pops and breaths create a textured layer humming lower voice creates a basis as percussive sounds emanate from clicks and pops. A childlike atmosphere, a kids TV show or a freeform art project. A troop of performers doing mime or performance art. Sparse bed version.
Tense, wild, spiritual. Eerie voice opens out an expansive Tense, wild, spiritual. Eerie voice opens out an expansive atmosphere, electronic percussion dresses vocal performance in a lofty style. A strange pagan festival or event. Rhythm made of sub bass boom and vocals gives a strange horrifying energy. A dangerous situation out in the deep countryside. Vocals mix with electronic instrumentation. Hypnotic cult vibe.
Tense, wild, spiritual. Echoing electronic percussion offers eerie Tense, wild, spiritual. Echoing electronic percussion offers eerie atmosphere. A strange pagan festival or event with religious undertones as vocals begin to move along with percussion. A dangerous situation out in the deep countryside. Vocals mix with electronic instrumentation. Hypnotic cult vibe. No lead vocal version.
Tense, wild, spiritual. Eerie voice opens out an expansive Tense, wild, spiritual. Eerie voice opens out an expansive atmosphere. A strange pagan festival or event. Rhythm made of sub bass boom and vocals gives a strange horrifying energy. A dangerous situation out in the deep countryside. Vocals mix with electronic instrumentation. Hypnotic cult vibe. Sparse bed version.
Ethereal then epic, solemn & dramatic. String ensemble, percussion, Ethereal then epic, solemn & dramatic. String ensemble, percussion, harp, piano & celestial voices. Suggested for Final moments of a crime saga or mob dynasty & dramatic endings marked by sacrifice or redemption.
Hardcore, driven, rough. Chunky overdriven guitar and big drums offer Hardcore, driven, rough. Chunky overdriven guitar and big drums offer a rebellious rock energy. Male vocals sail on fast-paced rhythm breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Jangly bass @ 2'13 is joined by rousing voices. Explosive passion.歌词
You can run the distance, You're the apple of my eye, Build up resistance like a desert running dry, Holding onto business, it might be the last time, I swear to God that you would make angels cry.
You're the voice of reason, I'm the compromise, And all you need to know is, You’re a hero in my eyes, You're the face I see when, I'm blinded by the light, I just want you to know that, You’re a hero in my eyes.
Uh oh, we're back here once again, We must've missed the turn, I start to backpedal my head, But nothing seems to work, Who’s there knocking on my door, Rattling my cage? Wish I could see right through the walls, I guess I'll have to wait.
Hardcore, driven, rough. Chunky overdriven guitar and big drums offer Hardcore, driven, rough. Chunky overdriven guitar and big drums offer a rebellious rock energy. Breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Jangly bass @ 2'13 is joined by rousing voices. Explosive passion. Instrumental version.
Hardcore, driven, rough. Chunky overdriven guitar and jangly bass Hardcore, driven, rough. Chunky overdriven guitar and jangly bass offer a rebellious rock energy. Breaking into emo-rock breakthrough with slick solo. An impassioned person displaying commitment and devotion through powerful rock energy. Explosive passion. Stripped back underscore version.
Emotive, wholesome, spirited. Low soft rock instrumentation gives Emotive, wholesome, spirited. Low soft rock instrumentation gives support male vocals about struggling, returning to a loved one. Chord sequence gives a sense of spirit. Rising vocal melodies in a 90s grunge rock style. A gothic black and white scene involving two loved ones, an undying love.歌词
Here we lie, absent again, Righteous, afraid this will end, We’re down in the mud, we’re gasping for air out here, Hope, I’ve been knocking a while—are you there? I’m starting to feel worse for wear, right here by your door, Where have you gone, my friend?
For better or worse, you can’t tear us apart, ‘Cause I won’t let go—you’re all that I’ve got, I found my way here.
We counted days for this moment in time, We prepared for the fight of our lives, Overwhelmed, ‘cause you made this all worth waiting for, I don’t feel anything without you here, I don’t feel like anyone without you here.
Love wasn’t holding us back—it was fear, Let it slip through the cracks and disappear, We never looked back; we buried our hearts in vain, Hope seemed so distant and so far away, Then you came along, and it changed.
For better or worse, you can’t tear us apart, ‘Cause I won’t let go—you’re all that I’ve got, I found my way home.
We counted days for this moment in time, We prepared for the fight of our lives, Overwhelmed, ‘cause you made this all worth waiting for, I don’t feel anything without you here, I don’t feel like anyone unless you’re here.
Emotive, wholesome, spirited. Low soft rock instrumentation with Emotive, wholesome, spirited. Low soft rock instrumentation with strings and acoustic guitars set out a rough but warm tone. Chord sequence gives a sense of spirit. 90s rock style with power chords and big drums. A gothic black and white scene involving two loved ones, an undying love. Instrumental version.
Emotive, wholesome, spirited. Low soft rock instrumentation with Emotive, wholesome, spirited. Low soft rock instrumentation with strings and acoustic guitars set out a rough but warm tone. Chord sequence gives a sense of spirit. 90s rock style with power chords and big drums. A gothic black and white scene involving two loved ones, an undying love. Stripped back underscore version.
Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: ''If you like her, ask her to dance''. Upbeat, festive, danceable, exotic & teasing. Singer, Latin percussion, brass & rhythm section.歌词
ES:
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Llego la hora de mostrar los poderes
la parte favorita de todita las mujeres
con este estilo tan caro que tengo
me la llevo a la pista y luego la enciendo
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
(Baila salsa choque fusion que te traigo yo)
Oye salsa choke fusion que te traigo yo ...
(musica y sazon directo de mi barrio)
Musica bonita hecha en el barrio con buen sabor...
(Baila salsa choque fusion que te traigo yo)
Yo te dije que te iba a pone'a gozar en verdad
(Musica y sazon directo de mi barrio)
pa'que lo gozen, lo gozen to'...
(Aja...)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choque pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce...
Salsa choke
con un toque que suena
bien rico, sabroso
made in Venezuela
y un raggamuffin
a la vieja escuela
hecho especialmente para ti ...
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
pa'que lo gozen, lo gozen to'
No pierdas el enfoque
disfruta salsa choke
vamos a bailar
y a gozar ...
(welcome to the party, salsa choke fusion)
(you hearme?)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
ENG:
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke to see that what
will sting, you can tell she already knows him...
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke pa've so that what
spice it up, you can tell she already knows it...
It's time to show off my powers
the favorite part of all women
with this expensive style that I have
I take her to the dance floor and then I turn her on
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy herself...
(Dance to the salsa choque fusion that I bring you)
Hey, salsa choke fusion that I bring you...
(Music and flavor straight from my neighborhood)
Beautiful music made in the neighborhood with good flavor...
(Dance to the salsa choque fusion that I bring you)
I told you I was going to make you enjoy yourself, really
(Music and flavor straight from my neighborhood)
So you can enjoy it, enjoy it all...
(Aha...)
If you like it, ask her to dance chocale
Invite her, hold her close so she can feel the touch
With this salsa choque so she can feel
The tingle, you can tell she already knows it...
If you like it, ask her to dance chocale
invite her, hold her close so she feels the touch...
Salsa choke
with a touch that sounds
really good, tasty
made in Venezuela
and an old school raggamuffin
made especially for you...
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy it...
(Welcome to the party, salsa choke fusion)
(You hear me?)
If you like it, ask her to dance, bump into her
invite her, hold her close so she feels the touch
with this salsa choke so she knows what
it's like, you can tell she already knows it...
If you like it, ask her to dance, chocale
invite her, hold her close so she feels the touch
FR:
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pour voir que ce qui
la titille, on voit bien qu'elle le connaît déjà...
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pa've que ce qui
la pique, on voit qu'elle le connaît déjà...
C'est l'heure de montrer mes pouvoirs
la partie préférée de toutes les femmes
avec ce style si cher que j'ai
je l'emmène sur la piste et ensuite je l'allume
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
je vais la faire profiter...
(Danse la salsa choque fusion que je t'apporte)
Écoute la salsa choke fusion que je t'apporte...
(musique et saveur directement de mon quartier)
De la belle musique faite dans le quartier avec du bon goût...
(Danse la salsa choque fusion que je t'apporte)
Je t'ai dit que j'allais vraiment te faire profiter
(Musique et saveurs directement issues de mon quartier)
pour que vous profitiez, que vous profitiez tous...
(Aha...)
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choque pour que ce qui
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact...
Salsa choke
avec une touche qui sonne
bien riche, savoureuse
made in Venezuela
et un raggamuffin
à l'ancienne
fait spécialement pour toi...
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
la faire profiter...
pour qu'ils en profitent, qu'ils en profitent tous
Ne perds pas ta concentration
profite de la salsa choke
allons danser
et profiter...
(bienvenue à la fête, salsa choke fusion)
(tu m'entends ?)
Si tu l'aimes, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choke pour qu'elle
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
60s classic soul song with modern production. Female empowerment. 60s classic soul song with modern production. Female empowerment. Impish, daring & catchy. Playful female vocals & backing vocals, brass, piano, claps & guitar. Suggested for romantic comedies & commercials.歌词
Thanks for the flowers
I met a rich boy in town He said “ah ah, can I...”
I think he fell in love with me I say “ah ah, nice try”
He wants to buy a house for both of us, And a shiny car
But I just wanna party with my girls And I don't even feel sorry Honey, thanks for the flowers
He took me out for dinner I say “ah ah, nice try” I think he wanna find a ring but I’m not in the mood
He wants me to meet his mama and his big old cat
But I just wanna party with my girls And I don't even feel sorry Honey, thanks for the flowers
(Thanks for the flowers) But I just wanna party, I just wanna party, boy But I just wanna party with my girls And I don't even feel sorry Honey, thanks for the flowers
I don t want to see you
I don t want to check you I don t want to feel you
I dont want you
You don t want to see me You don t want to check me You don t want to feel me You dont want me
No no
I dont want you
No no no no
I don t want you to say No no
I dont want you
No no no no
I don t want you to say
No
No more fauls
No more wrong
I don t want you to say No
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Lively, urgent, stubborn & exhilarating. Singer evokes melancholy and passion. Bass, drums, electric guitar, Vox organ, MS20 analog synthesizer, darbouka.歌词
Sabahın beşi sen yoksun Cananım gel gönlüm şad olsun
Gittin derman kalmadı Gittin duyan olmadı Gittin dünyam karardı
Gel, kara sevdam, bu gece son olsun, aman
Gönlüm pişman, sözler yaman Pervane oldum, perperişan
Ah serim ol, sözüm ol, el olma Ah yarım ol, zalım olma
Sazendeler sustu, hanende biçare Geceler şer oldu, sevdam biçare
Sevdam yaralı kuş misali
Kanar ellerim yapayalnız
Yanarım, ateşim, kor olur beyhude
Gitme fidan boylum Gitme yazık bize Gitme gül bakışlım Gitme yazık bize
Gitme tatlı dillim Gitme ey sevdiğim Gitme güler yüzlüm Gitme iki gözüm
Ah gözüm ol, sözüm ol, ah el olma Ah yarım ol, zalım olma
Gitme
Gitme
Gitme
Gitme ev sevdiğim Gitme tatlı dillim
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Gitme iki gözüm Gitme
