Song. Nostalgic. Sung in Italian. Male voice, acoustic guitar, piano, ...Song. Nostalgic. Sung in Italian. Male voice, acoustic guitar, piano, mandolin, accordion & rhythm.歌词
ItalianoDove sono biscottini e caramelle,
l'olio fresco dal mulino, il bardolino, pane tondo cotto al forno di mattonelle,
mi ricordo, di tutto mi ricordo. Dove sono ceci fave per le minestre,
l’uovo col marsala, le frittelle,
il sapor' delle zucchine del giardino,
se n’è andato tutto via con il vento.
Passa un giorno di più,
e tutto sembra come fosse ieri,
passa la vita veloce,
e niente resta più come prima.
I boschetti con i funghi son perduti,
e la briscola in famiglia, non si fa più,
il suon dell'organetto dello zio,
mi ricordo, di tutto mi ricordo.
La bottega della Lina, il cenciaiolo,
limoncello e cassate a due soldi,
e le donne al lavatorio, la befana,
se n’è andato tutto via con il vento.
Biciclette e bagni al mare in agosto, i fumetti con Minnie, e topolino,
la pesca della trota con il nonno,
mi ricordo, di tutto mi ricordo.
E fuggita la ragazza dagli occhi chiari,
la quercia del cortile, l'inchiostro blu,
e il cinema all' aperto con Maria, se n’è andato tutto via con il vento.
Français
Où sont les gâteaux et le caramel L’huile nouvelle du moulin,
Le pain rond cuit au four de brique Je me souviens, je me souviens de tout
Où sont les pois chiches et les fèves pour les minestrones L’œuf au Marsala, les beignets L’odeur des courgettes dans le jardin Tout a disparu avec le vent
Un jour de plus est passé Et tout semble comme si c’était hier La vie passe si vite Et plus rien n’est plus comme autrefois
Les bois aux champignons sont perdus On ne joue plus à la briscola en famille, Le son de l’accordéon de l’oncle, Je me souviens, je me souviens de tout
La boutique de Lina, le chiffonnier Limoncello et cassate à deux sous Et les femmes au lavoir, la befana Tout a disparu avec le vent
La bicyclette et les bains de mer en août Les bandes dessinées avec Minnie et Mickey La pêche à la truite avec le grand-père Je me souviens, je me souviens de tout
La jeune fille aux yeux clairs a disparu Le chêne de la cour, l’encre bleue Et le cinéma en plein air avec Maria Tout a disparu avec le vent
English
Where are the cakes and the caramels The oil fresh from the mill The round bread baked in the brick oven I remember, I remember everything
Where are the chick peas
End the broad beans from the minestrone Eggs in Marsala, the doughnuts The smell of zucchinis in the garden Everything has gone with the wind
Another day has gone by And all is as if it was yesterday Life goes by so fast And nothing is like it used to be
The mushroom woods have gone We no longer play briscola as a family, The sound of my uncle’s arccordion, I remember, I remember everything
Lina’s little shop, the rag and bone man Limoncello and cassate a penny a piece And women in the wash house, la befana Everything has gone with the wind
The bicycle and swimming in the August sea The cartoons with Minnie and mickey Trout fishing with granddad
The young bright-eyed girl has disappeared The oak-tree in the garden, the blue ink And the open-air cinema with Maria Everything has gone with the wind
l'olio fresco dal mulino, il bardolino, pane tondo cotto al forno di mattonelle,
mi ricordo, di tutto mi ricordo. Dove sono ceci fave per le minestre,
l’uovo col marsala, le frittelle,
il sapor' delle zucchine del giardino,
se n’è andato tutto via con il vento.
Passa un giorno di più,
e tutto sembra come fosse ieri,
passa la vita veloce,
e niente resta più come prima.
I boschetti con i funghi son perduti,
e la briscola in famiglia, non si fa più,
il suon dell'organetto dello zio,
mi ricordo, di tutto mi ricordo.
La bottega della Lina, il cenciaiolo,
limoncello e cassate a due soldi,
e le donne al lavatorio, la befana,
se n’è andato tutto via con il vento.
Biciclette e bagni al mare in agosto, i fumetti con Minnie, e topolino,
la pesca della trota con il nonno,
mi ricordo, di tutto mi ricordo.
E fuggita la ragazza dagli occhi chiari,
la quercia del cortile, l'inchiostro blu,
e il cinema all' aperto con Maria, se n’è andato tutto via con il vento.
Français
Où sont les gâteaux et le caramel L’huile nouvelle du moulin,
Le pain rond cuit au four de brique Je me souviens, je me souviens de tout
Où sont les pois chiches et les fèves pour les minestrones L’œuf au Marsala, les beignets L’odeur des courgettes dans le jardin Tout a disparu avec le vent
Un jour de plus est passé Et tout semble comme si c’était hier La vie passe si vite Et plus rien n’est plus comme autrefois
Les bois aux champignons sont perdus On ne joue plus à la briscola en famille, Le son de l’accordéon de l’oncle, Je me souviens, je me souviens de tout
La boutique de Lina, le chiffonnier Limoncello et cassate à deux sous Et les femmes au lavoir, la befana Tout a disparu avec le vent
La bicyclette et les bains de mer en août Les bandes dessinées avec Minnie et Mickey La pêche à la truite avec le grand-père Je me souviens, je me souviens de tout
La jeune fille aux yeux clairs a disparu Le chêne de la cour, l’encre bleue Et le cinéma en plein air avec Maria Tout a disparu avec le vent
English
Where are the cakes and the caramels The oil fresh from the mill The round bread baked in the brick oven I remember, I remember everything
Where are the chick peas
End the broad beans from the minestrone Eggs in Marsala, the doughnuts The smell of zucchinis in the garden Everything has gone with the wind
Another day has gone by And all is as if it was yesterday Life goes by so fast And nothing is like it used to be
The mushroom woods have gone We no longer play briscola as a family, The sound of my uncle’s arccordion, I remember, I remember everything
Lina’s little shop, the rag and bone man Limoncello and cassate a penny a piece And women in the wash house, la befana Everything has gone with the wind
The bicycle and swimming in the August sea The cartoons with Minnie and mickey Trout fishing with granddad
The young bright-eyed girl has disappeared The oak-tree in the garden, the blue ink And the open-air cinema with Maria Everything has gone with the wind
Fenesta vascia 'e padrona crudele, Quanta suspire mm'haje fatto jettare!... Mm'arde stu core, comm'a na cannela, Bella, quanno te sento annommenare! Oje piglia la 'sperienza de la neve! La neve? Fredda e se fa maniare... E tu comme si' tanta aspra e crudele?! Muorto mme vide e nun mme vu? ' ajutare!?...
Vorr? A addeventare no picciuotto, Co na langella a ghire vennenn'acqua, Pe' mme ne j? Da chisti palazzuotte: Belli ffemmene meje, ah! Chi v? ' acqua... Se vota na nennella da ll? 'ncoppa: Chi? 'sto ninno ca va vennenn'acqua? E io responno, co parole accorte: So' lacreme d'ammore e non? Acqua!...
Finestra bassa di una padrona crudele, quanti sospiri mi hai fatto buttare. Mi arde questo cuore, come una candela, bella quando ti sento nominare.
Prendi l'esperienza della neve. La neve e' fredda e si fa toccare. E tu come sei tanto aspra e crudele? Mi vedi morto e non mi vuoi aiutare?
Vorrei diventare un bambino, con una lancella andare e vendere acqua, per andarmene via da questi palazzotti. Belle donne mie, ah. Chi vuole acqua.
Si gira una ragazza da li sopra: "Chi e' questo ragazzo che vende acqua?" E io rispondo, con parole misurate: "Sono lacrime d'amore e non e' acqua".
Français
Fenêtre basse d’une maîtresse cruelle, que de soupirs tu m’as fait gaspiller… mon cœur brûle comme une bougie, ma belle, si j’entends prononcer ton nom ! Prends donc exemple sur la neige : elle est froide, mais elle se laisse caresser, et avec moi, tu es si âpre et cruelle, que tu me vois mourir et tu ne veux pas m’aider ?
Je voudrais devenir un vendeur ambulant, qui vend l’eau avec sa carafe, pour crier d’une maison à l’autre : “Mes belles femmes, qui veut de l’eau ?” Et une fille me voit de son balcon et me dit : “Qui est ce garçon qui vend de l’eau ?” et je lui répondrais avec des mots attristés : “Ce sont des larmes d’amour, ce n’est pas de l’eau !.....”
English
Low window of cruel mistress, How many sighs I made for you! My heart burns, like a candle When I hear your name, my beauty!
Oh, be like the snow! The snow is cold but one can touch it. And you, how can you be so stern and cruel? Seeing me dying, don't you want to help me?
I wish I was a boy again Who sells water in a street, To go away from here to big houses: Dear ladies! Ah! Who wants some water?
If any girl asks from balcony: "Who is this guy who sells water?" I'll answer ,with reserve: "It's my tears of love, it's not water!"
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, ...Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Dramedy. Mischievous then dramatic. Staccato. String ensemble, piano ...Dramedy. Mischievous then dramatic. Staccato. String ensemble, piano & percussion.
Playful, quirky, positive. Bright keys are joined by handclaps and ...Playful, quirky, positive. Bright keys are joined by handclaps and kooky baritone and soprano saxophone. Innocent woodwind motifs add a lighthearted, carefree feel. Relaxed yet mischievous cue.
Playful, quirky, positive. Bright keys are joined by handclaps and ...Playful, quirky, positive. Bright keys are joined by handclaps and kooky baritone and soprano saxophone. Innocent woodwind motifs add a lighthearted, carefree feel. Relaxed yet mischievous cue.
Upbeat, playful, propulsive. Traditional Russian folk dance cue ...Upbeat, playful, propulsive. Traditional Russian folk dance cue featuring dramatic accordion melodies, driving Balalaika strums, atmospheric tambourine and vocal shout outs. Mysterious and intriguing with a sense of fun, building to an energetic finale.
Upbeat, playful, propulsive. Traditional Russian folk dance cue ...Upbeat, playful, propulsive. Traditional Russian folk dance cue featuring dramatic accordion melodies, driving Balalaika strums, atmospheric tambourine and vocal shout outs. Mysterious and intriguing with a sense of fun, building to an energetic finale.
Positive, innocent, organic. Bright ukulele strums with gentle ...Positive, innocent, organic. Bright ukulele strums with gentle Balalaika melodies build with propulsive bass, soft beats, tambourine, shakers and handclaps. Playful accordion and whimsical dulcimer join, creating a catchy and upbeat instrumental Baltic folk cue, full of lighthearted, carefree energy. Increases in pace towards the end for an energetic, celebratory finale.
Positive, innocent, organic. Bright ukulele strums with gentle ...Positive, innocent, organic. Bright ukulele strums with gentle Balalaika melodies build with propulsive bass, soft beats, tambourine, shakers and handclaps. Playful accordion and whimsical dulcimer join, creating a catchy and upbeat instrumental Baltic folk cue, full of lighthearted, carefree energy. Increases in pace towards the end for an energetic, celebratory finale.
Christmas or Halloween. Heavy & mischievous. Strings, percussion & ...Christmas or Halloween. Heavy & mischievous. Strings, percussion & small instrumental ensemble. Waltz rhythm. Constant progression.
French cinema. Interrogative but driving. Jazzy, piano, jazz guitar, ...French cinema. Interrogative but driving. Jazzy, piano, jazz guitar, harp, strings & rhythm @ 0'57.
Atmospheric, romantic, positive. Mysterious jazz guitar introduction ...Atmospheric, romantic, positive. Mysterious jazz guitar introduction is joined by playful and upbeat acoustic guitars. Positive, romantic and happy Parisian waltz for warm summer nights.
Atmospheric, romantic, positive. Vintage mix. Mysterious jazz guitar ...Atmospheric, romantic, positive. Vintage mix. Mysterious jazz guitar introduction is joined by playful and upbeat acoustic guitars. Positive, romantic and happy Parisian waltz for warm summer nights.
Atmospheric, romantic, positive. Mysterious jazz guitar introduction ...Atmospheric, romantic, positive. Mysterious jazz guitar introduction is joined by playful and upbeat acoustic guitars. Positive, romantic and happy Parisian waltz for warm summer nights.
Western swing with a zest of zydeco . Lighthearted, bouncing & ...Western swing with a zest of zydeco . Lighthearted, bouncing & optimistic. Accordion, piano, electric guitar & rhythm.
