Infectious, spirited, communal. Sturdy foot-stomp percussion lands in Infectious, spirited, communal. Sturdy foot-stomp percussion lands in a marching rhythm. A team of cheerleaders or baton-twirlers walking defiantly. A proud community vibe as drum layers begin to move together, claps conveying a group energy. Shift into quiet tension @ 1'14, trickling percussion rises back into big finish.
Infectious, spirited, communal. Sturdy foot-stomp percussion lands in Infectious, spirited, communal. Sturdy foot-stomp percussion lands in a marching rhythm. A team of cheerleaders or baton-twirlers walking defiantly. A proud community vibe as drum layers begin to move together, claps conveying a group energy. Shift into quiet tension @ 1'14, trickling percussion rises back into big finish. Stripped back underscore version.
Infectious, spirited, communal. Sturdy foot-stomp percussion lands in Infectious, spirited, communal. Sturdy foot-stomp percussion lands in a marching rhythm. A team of cheerleaders or baton-twirlers walking defiantly. A proud community vibe as drum layers begin to move together, claps conveying a group energy. Shift into quiet tension @ 1'14, trickling percussion rises back into big finish. Drums only version.
Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle atmosphere, lighting up as instrumentation grows. A peaceful but serious melody arrives. A character looking out to sea, the magic of a beautiful vista. An ancient power growing stronger as dramatic energy is stored in guitar and light rhythms.
Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle atmosphere, lighting up as instrumentation grows. A peaceful but serious melody arrives. A character looking out to sea, the magic of a beautiful vista. An ancient power growing stronger. Stripped back underscore version.
Mystic, serious, authentic. Classically coded Oud string with Arabic Mystic, serious, authentic. Classically coded Oud string with Arabic twang plays out an austere tune, conveying seriousness and drama, before moving into a spritely rhythm joined by bass and drums to create Turkish rock style. Riff inspires a dramatic power as well as a feeling of authenticity. A situation of heartbreak or grief in a busy Turkish city.
Mystic, serious, authentic. Bass and drums are joined by Oud with Mystic, serious, authentic. Bass and drums are joined by Oud with Arabic twang playing out an austere tune, conveying seriousness and drama. Turkish rock style. Riff inspires a dramatic power as well as a feeling of authenticity. A situation of heartbreak or grief in a busy Turkish city. Bed version.
Mystic, serious, authentic. Rustic Oud riff lays down a sense of Mystic, serious, authentic. Rustic Oud riff lays down a sense of seriousness and authenticity. A feeling of drama and mystic energy. Oud only version.
Eerie, hypnotic, trippy. Screeching strings create a strange Eerie, hypnotic, trippy. Screeching strings create a strange dissonance, falling into a sultry rhythm with slow, calculated drums. Male vocals whisper in an otherworldly and sultry style. A strange location in a faraway country, with smokey dark bars and hideaways.歌词
Asiklar, yakinda, yakinda bulusacaksiniz, kavusacaksiniz, asiklar, gozlerinizi acin artik, bu dunyada, Sevda gibi birsey yoktur, Kalmamis, Bu kahbe dunyada, Ask yoktur.
Beni bir gun, Farkedermisin, Bir adim atip, gelirmisin, Sevgilim, askim, hayatim, bana dermisin, Eyvallah sevenlere, inancinizi kaybetmeyin, Bu olumcu dunyada, Sizlere cok sabir dilerim.
Eerie, hypnotic, trippy. Screeching strings create a strange Eerie, hypnotic, trippy. Screeching strings create a strange dissonance, falling into a sultry rhythm with slow, calculated drums. A strange location in a faraway country, with smokey dark bars and hideaways. Instrumental version.
Eerie, hypnotic, trippy. Screeching dissonance falls into a sultry Eerie, hypnotic, trippy. Screeching dissonance falls into a sultry rhythm. A strange location in a faraway country, with smokey dark bars and hideaways. Bed version.
Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of laidback wistfulness. Guitar sequence offers emo-coded emotion, backed by poppy percussion. A light but melancholic atmosphere. An individual wandering down streets or through fields, contemplating life. Organic power from rough lead instrument. Chilled melodies offer a feeling of relaxed melancholy.
Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of laidback wistfulness. Guitar sequence offers emo-coded emotion, backed by poppy percussion. A light but melancholic atmosphere. An individual wandering down streets or through fields, contemplating life. Stripped back underscore version.
Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal samples rise up behind, joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Instrumental version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. Female vocals lost within the whirling instrumentation gives a sense of power and mysterious. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Instrumental version.
Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation with traditional middle-eastern string melodies. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Stripped back underscore version.
Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: ''If you like her, ask her to dance''. Upbeat, festive, danceable, exotic & teasing. Singer, Latin percussion, brass & rhythm section.歌词
ES:
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Llego la hora de mostrar los poderes
la parte favorita de todita las mujeres
con este estilo tan caro que tengo
me la llevo a la pista y luego la enciendo
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
(Baila salsa choque fusion que te traigo yo)
Oye salsa choke fusion que te traigo yo ...
(musica y sazon directo de mi barrio)
Musica bonita hecha en el barrio con buen sabor...
(Baila salsa choque fusion que te traigo yo)
Yo te dije que te iba a pone'a gozar en verdad
(Musica y sazon directo de mi barrio)
pa'que lo gozen, lo gozen to'...
(Aja...)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choque pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce...
Salsa choke
con un toque que suena
bien rico, sabroso
made in Venezuela
y un raggamuffin
a la vieja escuela
hecho especialmente para ti ...
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
pa'que lo gozen, lo gozen to'
No pierdas el enfoque
disfruta salsa choke
vamos a bailar
y a gozar ...
(welcome to the party, salsa choke fusion)
(you hearme?)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
ENG:
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke to see that what
will sting, you can tell she already knows him...
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke pa've so that what
spice it up, you can tell she already knows it...
It's time to show off my powers
the favorite part of all women
with this expensive style that I have
I take her to the dance floor and then I turn her on
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy herself...
(Dance to the salsa choque fusion that I bring you)
Hey, salsa choke fusion that I bring you...
(Music and flavor straight from my neighborhood)
Beautiful music made in the neighborhood with good flavor...
(Dance to the salsa choque fusion that I bring you)
I told you I was going to make you enjoy yourself, really
(Music and flavor straight from my neighborhood)
So you can enjoy it, enjoy it all...
(Aha...)
If you like it, ask her to dance chocale
Invite her, hold her close so she can feel the touch
With this salsa choque so she can feel
The tingle, you can tell she already knows it...
If you like it, ask her to dance chocale
invite her, hold her close so she feels the touch...
Salsa choke
with a touch that sounds
really good, tasty
made in Venezuela
and an old school raggamuffin
made especially for you...
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy it...
(Welcome to the party, salsa choke fusion)
(You hear me?)
If you like it, ask her to dance, bump into her
invite her, hold her close so she feels the touch
with this salsa choke so she knows what
it's like, you can tell she already knows it...
If you like it, ask her to dance, chocale
invite her, hold her close so she feels the touch
FR:
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pour voir que ce qui
la titille, on voit bien qu'elle le connaît déjà...
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pa've que ce qui
la pique, on voit qu'elle le connaît déjà...
C'est l'heure de montrer mes pouvoirs
la partie préférée de toutes les femmes
avec ce style si cher que j'ai
je l'emmène sur la piste et ensuite je l'allume
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
je vais la faire profiter...
(Danse la salsa choque fusion que je t'apporte)
Écoute la salsa choke fusion que je t'apporte...
(musique et saveur directement de mon quartier)
De la belle musique faite dans le quartier avec du bon goût...
(Danse la salsa choque fusion que je t'apporte)
Je t'ai dit que j'allais vraiment te faire profiter
(Musique et saveurs directement issues de mon quartier)
pour que vous profitiez, que vous profitiez tous...
(Aha...)
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choque pour que ce qui
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact...
Salsa choke
avec une touche qui sonne
bien riche, savoureuse
made in Venezuela
et un raggamuffin
à l'ancienne
fait spécialement pour toi...
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
la faire profiter...
pour qu'ils en profitent, qu'ils en profitent tous
Ne perds pas ta concentration
profite de la salsa choke
allons danser
et profiter...
(bienvenue à la fête, salsa choke fusion)
(tu m'entends ?)
Si tu l'aimes, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choke pour qu'elle
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
A song about unrequited love sung in Spanish to a cumbia pop beat: A song about unrequited love sung in Spanish to a cumbia pop beat: ''You, you were bad, you broke my heart, oh how it hurt''. Sentimental, swinging, danceable & exotic. Female vocals, Latin percussion, keys & rhythm section.歌词
ES:
Tú fuiste malo, tú fuiste malo oh oh
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Baby yo no te deseo nada malo, quiero que te vaya, te vaya bien, todo el amor que te di me salió caro tú te la gozaste pero yo también.
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
ENG:
You were bad, you were bad, oh oh.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, oh, there's no forgiveness, may God forgive you.
Baby, I don't wish you any harm, I want you to go, I want you to do well, all the love I gave you cost me dearly, you enjoyed it, but so did I.
Tomorrow the sun will rise and I won't smell your scent, I think I've forgotten you, baby.
Better alone than in bad company,
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Tomorrow the sun will rise and I won't smell your scent. I think I've forgotten you, baby.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Better alone than in bad company.
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
FR:
Tu étais mauvais, tu étais mauvais oh oh oh
Tu as été méchant, tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu, tu as été méchant, tu as été méchant, il n'y a pas de pardon, que Dieu te pardonne.
Bébé, je ne te souhaite rien de mal, je veux que tu partes, je veux que tu partes bien, tout l'amour que je t'ai donné est sorti cher, tu l'as apprécié mais moi aussi.
Je ne sens pas ton odeur, je crois que je t'ai oubliée bébé
Mieux vaut être seul que mal accompagné,
Tes baisers et ton regard ne me manquent pas
J'ai la mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombée dans ton pays parce que j'étais amoureuse
Je ne te crois pas, je ne te crois pas, je ne te crois pas, je ne te crois pas.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombé sur ton sol parce que j'étais amoureux
Mieux vaut être seul que mal accompagné
Tes baisers et ton regard ne me manquent pas
J'ai une mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Bewitching, proud, sentimental & haunting. Song evoking unattainable love. Singer, bass, drums, electric guitar, Vox organ, saz baglama, cumbus & darbouka.歌词
Gozlerin, hep bana mi kacak Sozlerin, yalniz bana mi bicak
Ah o yollarin, yine bana mi tuzak Ah o gulusun, yine bana mi yasak
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar diken olur
Seller gider, geriye (yine) hep kum kalir
Eller gider, hasret bana yar kalir
Caglarim, bedenden tasarim; sozlerim lal kalir Senin o yollarin, yollarin; bana (hep) gurbet kalir
Bahar olur
Tek sozunle ayaz olur Yar girer dusume
Gul fidanlar ayaz olur
Fun, entertaining, cool. Male vocals build up with light percussion Fun, entertaining, cool. Male vocals build up with light percussion rising into big bass drop and fun rhythm. A field of people dancing with passion and energy as trumpet communicates fun and easygoing vibe. Entertainment, bright coloured costumes contrasting with big boom bassline. Shouting and group vocals give a sense of community. An unquenchable thirst for fun and bold celebrations.歌词
What you talkin’, What you sayin’, I ain't playin’, I'm for real, I got bands in my hand, Hundred grand to a mil, What you talkin’, What you sayin’, I ain't playin’, I'm for real, I got bands in my hand.
Woo, Woo, Hey.
[Swahili] Oh sisi waimbaji (Oh we singers), Oh sisi waimbaji (Oh we singers), Oh sisi waimbaji (Oh we singers), Pokea zawadi (Receive a gift).
What you talkin’, What you sayin’, I ain't playin’, I'm for real, I got bands in my hand, Hundred grand to a mil.
Fun, entertaining, cool. Light percussion rising into big bass drop Fun, entertaining, cool. Light percussion rising into big bass drop and fun rhythm. A field of people dancing with passion and energy as trumpet communicates fun and easygoing vibe. Entertainment, bright coloured costumes contrasting with big boom bassline. An unquenchable thirst for fun and bold celebrations. Instrumental version.
Fun, entertaining, cool. Light percussion rising into big bass drop Fun, entertaining, cool. Light percussion rising into big bass drop and fun rhythm. A field of people dancing with passion and energy as trumpet communicates fun and easygoing vibe. Entertainment, bright coloured costumes contrasting with big boom bassline. An unquenchable thirst for fun and bold celebrations. Stripped back underscore version.
